Sentences with phrase «by black women whose»

Not exact matches

But new was the artist's social justice embrace of the Black Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital stBlack Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital stblack women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital strife.

The blacks, advised by two white women students from Cape Town University, are to put on a play in their own tribal language, whose general drift, if not clear from the action, will be explained by locals at your side.

Cares enormously about children in resettlement camps, who must drink water to fill their stomachs because there is no food; he cares about shivering women at Nyanga whose flimsy plastic shelters are being destroyed by police; He cares that the influx control system together with Bantunization are destroying black family life not accidentally but by deliberate government policy; He cares that people die mysteriously in detention; He cares that something horrible is happening in this country when a man will often mow down his family before turning the gun on himself; He cares that life seems so dirt cheap (cited in Maimela 1986:43).

The proposed rules for biospecimens were inspired by the case of Henrietta Lacks, a poor black woman whose cancer cells became widely used in research labs without her or her family's consent.

Any white man can browse and choose black women from a... Civil rights figure Recy Taylor dies at age 97 1 day ago ago Dec. 29 (UPI)-- Recy Taylor, a black Alabama woman whose rape by six white men in

Directed by Joe Roth, Freedomland is a thriller starring Samuel L. Jackson and Julianne Moore, about a woman whose young son is kidnapped as she drives through a predominantly black neighbourhood, and the extreme unrest that is generated when the predominantly white police spend far more resources trying to solve the case than they ever spend on crimes in which black people are the victims.

Central to the novel are the stories of Even Grade, a 28 - year - old black man abandoned by his mother at birth; Valuable Korner, a 15 - year - old white girl whose family history holds a trunkful of damning secrets; and Joody Two Sun, an enigmatic obeah woman who sees into the hearts and minds of the townsfolk from her riverside camp on the outskirts of town.

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

After her husband died, Stern consigned a portion of their collection, including many works by black artists, among them David Hammons (above), Wangechi Mutu (below), Simone Leigh, Yinka Shonibare, and Lynette Yiadom Boakye, whose painting of five black women in white dresses sold for more than $ 1.5 million, setting an artist record.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

Opening this Wednesday at the California African American Museum, We Wanted a Revolution: Black Radical Women, 1965 — 85 focuses on pioneering black female artists, whose work brought to the fore their own experiences and narratives, long neglected by both the mainstream and avant - gBlack Radical Women, 1965 — 85 focuses on pioneering black female artists, whose work brought to the fore their own experiences and narratives, long neglected by both the mainstream and avant - gblack female artists, whose work brought to the fore their own experiences and narratives, long neglected by both the mainstream and avant - garde.

Human empathy is explored by Saya Woolfolk, a black, white, and Japanese American woman with the Empathics, a group of fictional women whose aim is to become one with all species, plant and animal.

Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis — an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal - fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray - haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint - green room whose only visible furniture is a shaded lamp on an end table.

Programming includes «No Justice, No Peace: LA 1992,» an exhibition examining the Los Angeles uprising on the occasion of its 25th anniversary; and solo shows by Derrick Adams, winner of the Studio Museum in Harlem's 2016 Joyce Alexander Wein Prize, and Kenyatta A.C. Hinkle, whose presentation features drawings and a performance that focuses on missing black women in the United States and throughout the diaspora.