Sentences with phrase «by cinematic visions»
It's a tight, unsparing 85 minutes (that will feel much longer to those not engaged by cinematic visions like «Dead Man,» for example, that aren't overly concerned with plot).
https://www.rogerebert.com/ Not exact matches
Gilbert returns to his dark, claustrophobically overdecorated Victorian house, hangs a kabuki sword on the wall of his study, and, in one of the most perfectly implausible and liberating subjective flash - forwards in cinematic history, has a five - minute vision of a fully staged scene from The Mikado, sung by soloists and chorus on a dazzlingly bright stage decorated in eye - popping pinks and greens.
Clare Stewart, director of the BFI London Film Festival, said: «Featuring extraordinary performances from the British talent in front of the camera and vividly directed by Morten Tyldum, The Imitation Game does cinematic justice to Alan Turing's vision, determination and personal story as well as his enduring impact on British history and contemporary life.»
A deleted scene with commentary is a somewhat superfluous gimmick shot demonstrating vampiric night vision point - of - view, and five animated and scored storyboards are well executed but probably superfluous — though a DVD - ROM option offers a nifty Near Dark screensaver and the complete (and very cinematic) screenplay by Bigelow and Eric Red.
Often dismissed as oppressively tasteful and aesthetically repressed, their best - known films (A Room with a View, Howards End, The Remains of the Day) were marked less by any singular cinematic vision than by the ability to marshal a team of talented craftsmen — costumers, hair stylists, set dressers, and location scouts — to create a prettily detailed simulacrum of the past.
Actor - turned - screenwriter Hampton Fancher came next, as he built out the screen story by adding its noir elements; filmmaker Ridley Scott (Alien) contributed his staggering cinematic vision for a dystopian near - future and ever deeper layers of meaning, aided by late - coming screenwriter David Webb Peoples.
I think our cinematic vision of New York is more informed by Lumet's films than most people realize.
Under The Skin (Jonathan Glazer, 2013) With the Internet flooded by fan adoration and scholarly analyses already shooting down the pipeline, I'll confine myself to calling this a unique, and uniquely terrifying, cinematic vision in every way.
Paul Bettany, who portrays vision in the Marvel Cinematic Universe, claims that the movies are so successful because they're made by genuine fans.
The Russos, aided by a script from Christopher Markus and Stephen McFeely (the writes of both previous Captain America films), have the unenviable task of corralling a mammoth cast (that recap paragraph didn't even have room to mention Paul Bettany's Vision, Jeremy Renner's Hawkeye, Paul Rudd's Ant - Man or the debuting Tom Holland, bringing Spider - Man into the main Marvel Cinematic Universe) and steering them through a twisty narrative chock full of multiple belligerents coming from all angles.
It's a singular vision expressed by a cinematic artist who may be painting with his fingers.
Festival director Clare Stewart said: «Featuring extraordinary performances from the British talent in front of the camera and vividly directed by Morten Tyldum, The Imitation Game does cinematic justice to Alan Turing's vision, determination and personal story as well as his enduring impact on British history and contemporary life.»
It has been a long time since I saw Blade Runner, and watching it anew in Ridley Scott's new, preferred «final cut» is to be reminded just how many cinematic science - fiction visions of the future have been influenced by it.
Developed by Vicarious Visions, the return of the marsupial has been created from scratch with lighting, animations, environments and improved cinematics.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
While several of the images in Cinematic Visions appear haunted or suggest heightened states, as in the metaphysical world conjured by Chris Ofili in Ovid - Windfall, 2011 - 2012, others seem subject to unseen forces or interior compressions.
In Children of Unquiet, Mikhail Karikis interweaves sound recordings of geothermal activity and industry in Larderello, Italy, with a cinematic and cultural history of Dante's Inferno, whose vision of hell was inspired by that very location.
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.
Yes, Los Angeles is, in the cliché view, a cultural wasteland ringed by a wasteland of desert and scrub whose main industry in turn cranks out rote cinematic visions of postapocalyptic wastelands.
,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.