This form of landscape art was governed
by classical concepts, and typically featured classical ruins, and pastoral figures in classical dress.
Not exact matches
Schwartz borrowed this
concept from Nobel laureate Herbert Simon, who developed it as a realistic alternative to the notion of the «utility maximizer» presupposed
by classical economics: For example, if a supermarket chain attempted to calculate the very best alternative before deciding where to place a new store, the research costs would bankrupt it, while more intrepid competitors would move in.
The primary difference between the process
concept of God as creator - preserver of the world and that of
classical theism is that the former insists God ought not be conceived as aloof to and unaffected
by what happens in the world.
These assumptions, which have their origins in a theologically motivated rejection of a
classical understanding of God and creation, lead
by an easy path to the view that human beings fully realize themselves
by producing
concepts that give us mastery over limitless possibilities — first mastery over nature, then over ourselves.
He holds that
classical concepts are «forms of perception» imposed
by man.
By the next century, however, the dialectic of
classical theoria was evident in the scholastic conceptualism which put
concepts and logic before understanding, so that knowledge was misunderstood as an intuition of nexi between
concepts.
But when criticizing the
concept of God affirmed
by classical free will theism, process theists seem to reverse their position
by arguing that a being who could coerce should at times do so.
So, he claims, though the logical types objection is very powerful (and is devastating for
classical theism), it is met
by his di - polar
concept of God.
The vision of social civility bequeathed us
by the Enlightenment with the collaboration of religious institutions extended
classical Greek and Roman
concepts of democracy from an aristocracy to the life of the people, giving us a truly participatory democracy in the early years of the republic.
In his study of Goethe's epic Hermann und Dorothea Humboldt discusses the function of art as idealization
by means of the imagination, the
concept of artistic objectivity and artistic truth, the difference between
classical and modern poetry, and finally, the epic as the genre of humanitas (Humanität).
The author evolves a hermeneutics of Revelation
by entering into a dialectic between the
concept of biblical revelation as seen in various types of biblical discourse, and the
concept of philosophical reason that engages
classical and contemporary philosophy in their own categories.
At the same time,
by thinking of Whiteheadian societies as ongoing structured fields of activity for their constituent actual occasions, I think that I can remedy one of the
classical defects of the Hartshornean
concept of God vis - á - vis the Whiteheadian.
Inspired
by the building's historic,
classical revival architecture, Parts and Labor Design developed a
concept that celebrates the old — with luxurious midcentury accents — and honors the new, with a laid back, tropical setting where diners can listen to live music, dance, and enjoy great latin american fare.
The
classical concepts of angiogenesis consider the endothelial cells within tumors as a rather passive cell population that merely reacts in response to growth factors released
by the tumor cells.
It explains the key principles of
classical (Newtonian) mechanics in a clear, structured and detailed manner, taking the hand of the reader step -
by - step through the basic
concepts and math of physics, and then connecting advanced subjects to introductory ones to aid comprehension.
A second - century Roman bust of a goddess, for example, will be paired with unusual portrait busts made of chocolate and soap
by contemporary artist Janine Antoni in an effort to explore
classical concepts of beauty.
...
By 1949, when urban,
classical, tribal, and primordial imagery had been successively eliminated from his work and his shapes gradually enlarged, Rothko devised the
concept of pictorial «clarity» as «the elimination of all obstacles between the painter and the idea, and between the idea and the observer.
With reference points ranging from Sudanese cliff dwellings and Native American amphitheaters to
classical Greek forms to the mobile structures of nomadic and seafaring groups, Rudofsky's stated goal was to «break down our narrow
concepts of the art of building
by introducing the unfamiliar world of nonpedigreed architecture» — a notable early instance of non-Eurocentric thinking in the American art establishment.
Mikkel Carl is inspired
by art theoretical and culture critical movements such as the historical avant - garde, the «60s neo-avant-garde, postmodern appropriation art and the»90s relational aesthetics, all of which tried to challenge the
classical art institution and the existing
concept of art.
The Barcelona chair was intended as a modern throne
concept; a thick cushion upholstered in luxurious leather and set upon a curved metal frame in the shape of an X, a shape inspired
by classical furniture.