Sentences with phrase «by classical painters»

Lorca is not hiding his fascination by classical painters such as Rembrandt and Diego Velazquez and that influence can be observed in his Baroque influenced work which is dealing with sensitive issues such as violence, sensuality, innocence and childhood.

The «limitations» perceived by Classical painters were embraced by modernist practice as openly positive identifiers of Modernism.

After 1940, artists began using plastic - based material that was a far cry from the oil - based paints used by classical painters.

Not exact matches

The trout dinner, planned at a classical concert where Ross's cellist daughter is to perform, is hosted by the doctor and his painter wife; the guests are an out - of - work salesman (Fred Ward), who stopped off at the greasy spoon where the waitress works before going fishing, and his wife (Anne Archer), who dresses as a clown for children's parties and previously turned up at the hospital where the doctor works, after being stopped and sexually harassed by the cop.

Later in his artistic life De Chirico changed into a more «classical» painting style, inspired by the painters of early Renaissance, Giottto and Ucello.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

... By 1949, when urban, classical, tribal, and primordial imagery had been successively eliminated from his work and his shapes gradually enlarged, Rothko devised the concept of pictorial «clarity» as «the elimination of all obstacles between the painter and the idea, and between the idea and the observer.

It emphasized the lyrical turn of the painter's late work, in which graffiti - like passages thicken into vine - like forms or give way altogether to inspiration by passages of classical literature or mythology.

In addition, Nu aux jambes croisees by the Fauvist leader Henri Matisse (1869 - 1954) went for $ 6,031,268 (estimate: $ 3.9 m - $ 6.3 m), while Le baiser by the Belgian classical surrealist painter Rene Magritte (1898 - 1967) sold for $ 1,935,428 (estimate: $ 0.9 m - 1.27 m).

An heiress of pathbreaking abstractionists like Lee Krasner and Joan Mitchell, the British painter Cecily Brown updates the idiom of Ab - Ex painting by reaching back farther into history, summoning such figurative touchstones as the harrowing caricatures of Goya and the classical reposes of Poussin and Ingres.

In 1980, objects from the Warren Robbins collection became part of the museum, including works by 19th century artists Joshua Johnson, the earliest documented professional African - American painter; classical landscapes by Edward Mitchell Bannister and Robert Scott Duncanson; and neoclassical sculptures by Edmonia Lewis, the first professional African American sculptor.

Her work is created by a wholly original mash - up of Western modernism and post-modernism, classical South Asian and Tibetan traditions, and is always defined by the commonality of the painter's touch and sensitivity for process and materiality, creating work of a deeply personal iconography that investigates the universal dilemmas and mysteries of existence.

In 1897, Weir became a member of the Ten American Painters, generally known as The Ten, a group of painters who left the Society of American Artists in late 1897 to protest what they saw as the overemphasis on Classical and Romantic Realism over Impressionism by the Painters, generally known as The Ten, a group of painters who left the Society of American Artists in late 1897 to protest what they saw as the overemphasis on Classical and Romantic Realism over Impressionism by the painters who left the Society of American Artists in late 1897 to protest what they saw as the overemphasis on Classical and Romantic Realism over Impressionism by the Society.

In the vein of the French classical landscape painter, Claude Lorrain, he produced the Liber Studiorum (1807 — 19), 70 drawings that were later reproduced by engraving under Turner's supervision.

One of the most important categories of art developed by the «classical» painters of the 17th century was landscape painting.

His finest landscape paintings - riverscapes and scenic views with placid livestock are characterized by great serenity and masterful handling of glowing light in an Italianate style - a style he took from Claude Lorrain and other classical painters.

Waterhouse was also influenced by Frederic Leighton, a sculptor and painter who painted classical, historical and biblical subjects.

American portraiture is represented by James Peale and Mather Brown; landscapes by the painters of the Hudson River School; classical realism by Winslow Homer and Thomas Eakins; Impressionism by Childe Hassam and William Merritt Chase.

He was a classical painter who was influenced by the subject matter of Antiquity.