Sentences with phrase «by classicism»

In a statement she wrote on the occasion of a 1942 exhibition at the Museum of Modern Art she laid out precisely what she meant by this term: «By Classicism I mean, not traditionalism of any sort, but a highly conscious concern with esthetic structure which is the antithesis of intuitive, romantic, or realistic approaches to painting.

Camille Corot tried to escape the conventional and idealized form of landscape painting influenced by classicism to be more realist and sensible to atmospheric variations at the same time.

Romanticism appealed less to the ruling class served by Classicism, and more to the new middle class whose recent democratic enfranchisement was reflected in the promise of individual and direct engagement with the art, devoid of complex metaphors and philosophical theories.

Inspired by Renaissance nativity portraits, these studiedly scumbled and scratched pictures (her superimpositions and erasures rarely avoid predictability) appear less visceral meditations on motherhood than vastly scaled geegaws propped up by classicism and sheer bloat.

Inspired by classicism, music and contemporary art, each design displays a balance of strength and sensitivity, often with a raw element.

Not exact matches

While it is regrettable that he never made his peace with Italian classicism» one wonders what Cram might have learned from the delicate austerity of Florentine arcades or the freewheeling geometric brilliance of Borromini» his early embrace of the Mexican Baroque (spurred by his partner Goodhue), his late interest in the Iberian Renaissance, and his numerous forays into American colonial revival show he was no mere Gothic fanatic.

In more recent times, neo-classical theism (Whiteheadian process philosophy and theology) has reacted against the remote, transcendent, immutable and uninvolved God of classicism by making God totally immanent as evolving Deity.

Clerical control of the colleges was thus identified with classicism and amateurism by modern standards.

Combining classicism with colorful expression, the Pantone Fashion Color Trend Report Fall / Winter 2018 features a bold palette of autumnal hues complemented by some more unexpected shades.

Doki Doki Universe is one of those «liminal» experiences between video games and interactive story, held together by brilliant ideas and the willingness to break the classicism of entertainment.

Lubitsch's classicism gets continually cracked by the unruliness of the screwball genre and by the caustic thrust of the Billy Wilder - Charles Brackett screenplay

Sound & Vision Adam Pendleton's BAND by Holladay Penick and the Guggenheim's Chaos & Classicism exhibit by Chris Chang

They also integrated porticoes, pediments and colonnades influenced by Beaux Arts classicism as well.

This uniquely Spanish architecture was widely used in public buildings of post-war Spain and is rooted in international classicism as exemplified by Albert Speer or Mussolini's Esposizione Universale Roma.

Designed by Miami - based design firm Saladino Design Studios, AQ Chop House was inspired by a throwback to mid-century European design, culminating in a cross between the bold, modern designs of the 1970s and the quieter style of 19th century Italian residential classicism.

But that career as a whole is well defined by a reference to Classicism as an art which «takes its stand upon the drama of the universe.»

While there is an emphasis on the energy of the visible painted mark underpinning all of Manister's stylistic phases, this, in his own view, is always tempered by an engagement with modernist and postmodernist forms of classicism.

Frowned upon by generations of art historians as the last expression of irrationality (as opposed to perfect perspective) the primitive painters played a pivotal role in bridging Medieval styles with the resurgence of classicism characteristic of Renaissance artists and architects.

Nature served as the inspiration for his sculptural works and his output was devoted to lyrical works of reclining female nudes and elegant stone faces and torsos influenced by Greek classicism as well as sculpture from Asia, the Pacific, and Africa.

Characterized by sentiments of fear, violence, and pain; representations of fragmented, mutated, or distorted bodies; the appearance of monsters, phantasmagoria, and demons; and otherwise disquieting mise - en - scènes, this style represents a counter-impulse to traditionalism, classicism, and idealism.

Essays by the curators are included: Addressing the return to Classicism at the end of the 16th, 19th, and 20th centuries, Arkady Ippolitov discusses the obsession that defines both the work of Mapplethorpe and the Mannerists.

Informed by numerous sources, his work operates within a context of literature, mythology and classicism.

It includes a critical essay by Brooke Holmes investigating the concept of «liquid antiquity»; a series of 27 lexemes that critically rethink the traditional language of classicism, written by prominent critics and scholars; and ten interviews with contemporary artists (Matthew Barney, Paul Chan, Haris Epaminonda, Urs Fischer, Jeff Koons, Christodoulos Panayiotou, Charles Ray, Asad Raza, Kaari Upson and Adrián Villar Rojas).

Stylized and provocative, the graphite drawings of Elie Nadelman and Gaston Lachaise are rooted in classicism; they carry a clear affinity to the better - known sculptural works by these artists which grace many public spaces including The Museum of Modern Art, The Metropolitan Museum of Art and Lincoln

The retrospective, as such, is a joint effort by the Hague Municipal Museum, holder of the largest collection of works by Piet Mondrian (some 300 works) and Tretyakov State Gallery, Russia's preeminent museum of Russian Classicism and Avant - garde art.

Rossetti and Brown are two of the three founding members of the Pre-Raphaelite Brotherhood (PRB) that, piqued by religious and Romantic fervor in mid-19th-century Victorian England, renounced classicism in favor of the flattened mystery of quattrocento painting.

Highlights of his multifaceted oeuvre include Basilica di Siponto (2016), a permanent installation that merges contemporary art and archaeology by restoring a Paleo - Christian basilica in Puglia, Italy, Aura, a site - specific, two - part, floating installation that took over the halls of Le Bon Marché, the prestigious Parisian department store in the autumn of 2017, and Archetipo (2017), a sprawling, indoor «piazza» in Abu Dhabi synthesized from domes, arches, colonnades, and other architectural fragments of Italian classicism.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Chaos and Classicism: Art if France, Italy, Germany, and Spain, 1918 — 1936 is organized by New York University Professor of Modern Art Kenneth E. Silver, a renowned authority on European art between the wars, assisted by Helen Hsu, Assistant Curator, Solomon R. Guggenheim Museum, with Vivien Greene, Curator of 19th - and Early - 20th - Century Art, Solomon R. Guggenheim Museum, as curatorial adviser.

Chaos and Classicism presents works by established masters of the first half of the 20th century, including Georges Braque, Carlo Carrà, Giorgio de Chirico, Otto Dix, Pablo Gargallo, Fernand Léger, Aristide Maillol, Ludwig Mies van der Rohe, Pablo Picasso, Gio Ponti, Emile - Jacques Ruhlmann, and August Sander.

Chaos and Classicism and Brancusi - Serra are describen by El Cultural as two of the ten most important exhibitions in 2011.

The reclamation of Italian classicism is also evident in the monumental Winged Victory whose hands surround a laurel wreath from 1940 by Achille Funi, a member of the Novecento group.

The ultimate expression of Renaissance classicism and a symbol of Florentine independence, its original location at the entrance to the Palazzo Vecchio in the Piazza della Signoria is occupied today by a plaster copy.

One of the most respected Old Masters, and one of the foremost artists in Rome during the era of Baroque art, French painter Nicolas Poussin was greatly influenced by historical Greek and Roman mythology, and as a result abandoned mainstream Baroque painting in his early 30s, preferring to develop his own unique style of classicism.

Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters with works by modern and Old Master artists, his creative interaction with pre-classical and tribal art, his invention with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and classicism — the groundwork for all the developments in his later career.

Of special note are two concurrent exhibitions, one by the Romanian artist Geta Brătescu, which in its way shows a variant methodology for combining classicism with cartooning, deploying humor and a stylized visual wit; and another showing never - before seen latter - day works on paper by the iconic Louise Bourgeois.

Classicism and Naturalism Movements in 17th Century Italian Painting embodied by Annibale Carracci and Caravaggio.

Mr. Condo's art can be viewed as a multi-layered experience incorporating art historical references ranging from European classicism to American contemporary culture, often combining elements of each to achieve a unique vision informed by all its sources.

Inner Worlds Outside takes its title from a phrase by poet Rainer Maria Rilke, who championed intuition over the rational and romanticism over classicism.

In England classicism was championed by Sir William Chambers, Robert Adam (1728 - 92), John Nash (1752 - 1835), Sir John Sloane (1753 - 1837), William Wilkins (1778 - 1839) and Sir Robert Smirke (1780 - 1867).

Impulse, given to decorative architectural details by the Ancient World, weaved into all history of architectural embellishments with further variations - classicism, renaissance, baroque, rococo, empire are always giving to interiors the gift of balance, harmony, and festivity.