A catalogue with essays
by cocurator Margot Norton, Alison M. Gingeras, and artist Thomas Grünfeld accompanies the show.
Given Carly Berwick's branding in New York magazine of the 2008 Whitney Biennial as the exhibition's Facebook installment (a characterization prompted in part
by cocurator Shamim Momin's legendary predilection for what she terms «the embrace of locality»), it was perhaps unsurprising that Tuesday night's VIP opening was packed not only with boldface names but also, seemingly, with all their old classmates.
The 176 - page exhibition catalogue ($ 50, hardcover; $ 40, paperback) features 160 illustrations along with a groundbreaking new interview with Serra, contributed
by cocurator Gary Garrels, that represents five days of conversation that took place in 2010 in preparation for the project.
My entrée didn't arrive till 11 PM, when it was past time to arrive at the New Museum for its $ 150 - per - ticket Next Generation Party, orchestrated
by the cocurators of the museum's 2015 triennial, Lauren Cornell and Ryan Trecartin.
The six - page booklet, developed
by the cocurators of «Within These Walls...,» gives you the scoop on how they pieced together the history of their 240 - year - old house from Ipswich, Mass., and how you can do the same thing with homes in your area.
Not exact matches
My curatorial vision had been deeply influenced
by that decade of exhibitions... The 1993 biennial was also important because I had an amazing opportunity to learn from my colleagues: Elisabeth Sussman, the biennial's director, along with
cocurators Lisa Phillips and John Hanhardt.
Moderated
by art historian Katy Siegel, the panel boasted a weighty lineup featuring Prospect New Orleans curator Dan Cameron, Whitney curators Gary Carrion - Murayari and Elisabeth Sussman, Quadrilateral Biennial curator Christiane Paul, and Singapore Biennale
cocurator Trevor Smith.
Indeed, on the cerulean - blue walls of the Kasmin gallery are a small museum's worth of paintings
by Magritte, Brauner, Mata, Cornell, Warhol, Copley, and Ernst, and several early works
by Kasmin gallery artist Francois - Xavier Lalanne — all gathered
by the show's
cocurators, Vincent Fremont and Adrian Dannatt, who do not want the memory of Iolas to fade without refreshing the history.
Intended to redress what
cocurator Lynn Zelevansky calls Korea's «virtual absence from the Western imagination,» the show is accompanied
by a catalogue with essays
by Zelevansky,
cocurator Christine Starkman, and art historian Joan Kee, as well as interviews with the artists and an informative time line of Korean art and politics from 1945 to the present.