Visiting Dia: Beacon for the first time and seeing installations by colorists Blinky Palermo and Imi Knoebel, I became fascinated
by color relationships, value, and saturation.
If you... are moved only
by their color relationships, then you miss the point.»
And if you... are only moved
by their color relationships, then you miss the point!»
And if you, as you say, are moved only
by their color relationship, then you miss the point» (S. Rodman, Conversations with Artists, New York, 1957, p. 93 - 94).
And if you, as you say, are moved only
by their color relationship, then you miss the point.»
Not exact matches
The picture is a sharply mixed one, inasmuch as
relationships were limited and
colored by the hierarchical framework, a boundary well understood
by both.
A Committee member's response to the minister is inevitably
colored by the member's previous
relationships with authority figures.
This label is designed to change
color when activated
by a period of time and its
relationship to temperature.
«In this anthology, we are exploring how we are informed
by and participating with those mothers, especially radical women of
color, who have sought for decades, if not centuries, to create
relationships to each other, transformative
relationships to feminism and a transnational anti-imperialist literary, cultural and everyday practice.»
This picture is
color - coded
by brightness; others documented the constant flickering of the corona and clarified the
relationship between coronal holes and high - speed streams in solar wind.
After analyzing dinosaurs» genetic
relationships to reptiles and birds, the researcher determined that dinosaurs not only possessed the three
color receptors for red, green and blue that the human eye possesses, but that they, like their closest living relatives, crocodiles and birds, were probably also able to see extremely short - wave and ultraviolet light
by means of an additional receptor.
By that, I mean, everything that has shaped you; your education, gender, upbringing, whether you live in a rural area or urban, the
color of your skin, your family
relationship, if you have allergies, if you work with physical or health considerations, whether you have been sexually assaulted... and on and on
Anyway, y ’ all should know
by now that I used to have a large hate
relationship with the
color pink.
If you would ask about my favorite
colors, I would without any doubt tell you navy and dark green share the number one spot, followed
by an on and off
relationship with mustard yellow, a red - addiction on some occasions, and of course bubble gum pink, when I feel like it.
It has advanced search facility to find the match
by writing the user name, age, profession, ethnicity,
relationship, religion, body type, eye
color and even hair
color.
Caste, creed, gender, race, background, ethnicity, culture, or skin
color does not have any importance for them and they just want get into a
relationship by looking at the nature of the other person.
The
Color Code is a fun and accurate personality profile that helps build stronger
relationships by teaching you more about yourself and your matches
Instead, the
Color Code is designed to help you build stronger and more meaningful
relationships by giving you the tools to understand what drives the behavior of yourself and others.
Eden rivals the recent Blue Is the Warmest
Color in emotional potency, in addition to this central romantic throughline, we also see the doomed
relationships with other impressive, interesting and nuanced female characters, played
by Greta Gerwig, Golshifteh Farahani, Laura Smet and Léa Rougeron.1
Davis» true, off - beat
colors begin to show, especially as he develops a unique
relationship with the vending company's customer service representative, Karen (Naomi Watts), who is moved
by his letters.
While none of these scenes change the overall film, and you can understand why director Martin McDonagh left them on the cutting room floor, a couple of them show a movie that at least wants to look at Dixon's
relationship with people of
color, represented
by Denise (Amanda Warren) and Jerome (Darrell Britt - Gibson).
Full of bright primary
colors, punny chapter breaks, all manner of meta - winks and other strenuous bits of Godardian business, the movie draws an unambiguous parallel between the disintegration of their
relationship and the loss of Godard's filmmaking mojo as he is swallowed whole
by his own surly, disagreeable post -»60s obscurantism.
Keeping the film afloat are fine performances
by Travolta (A Civil Action, Primary
Colors) and Stowe (Twelve Monkeys, Short Cuts), who not only work well together but are also quite funny in their bantering
relationship.
Blue Is the Warmest
Color stars the remarkable newcomer Adèle Exarchopoulos as a high schooler who, much to her own surprise, plunges into a thrilling
relationship with a female twentysomething art student, played
by Léa Seydoux.
Given the unique and unprecedented opportunity to involve Mayor Michael B. Hancock, a product of Denver Public Schools, this initiative leverages his
relationships in the broader community
by positioning business, civic and religious leaders to engage, incentivize, and mentor teachers and leaders of
color to consider careers in Denver.
The strategies that leaders from each RPP described for improving opportunity structures for young men and boys of
color focused on disaggregating data
by race and gender, naming racist and patriarchal practices to be dismantled, creating culturally responsive environments to nurture masculine identities, and fostering trusting
relationships among students and adults.
PRODUCT PERKS Master the fundamentals of place value and regrouping with this base ten set of units, rods, flats, cube and more Unique
color - coded value Plastic is durable and easy to clean WHAT TO TEACH Adding and Subtracting - Developing the concept of addition and subtraction Multiplication and Division - Developing the concept of multiplication and division Number sense - Develop number concepts up to 10 and beyond Place Value - Diferentiate number values Counting - Emphasize the
relationship between groups of blocks Decimals - Explore and develop decimal concepts, compare decimals, and perform basic operations with decimal numbers
by letting the cube, flat, long, and unit represent 1, 0.1, 0.01, and 0.001, respectively.
Increasing racial, ethnic, linguistic, socio - economic, and gender diversity in the teacher workforce can have a positive effect for all students, but the impact is even more pronounced when students have a teacher who shares characteristics of their identity.20 For example, teachers of
color are often better able to engage students of
color, 21 and students of
color score higher on standardized tests when taught
by teachers of color.22 By holding students of color to a set of high expectations, 23 providing culturally relevant teaching, confronting racism through teaching, and developing trusting relationships with their students, teachers of color can increase other educational outcomes for students of color, such as high school completion and college attendance.
by teachers of
color.22
By holding students of color to a set of high expectations, 23 providing culturally relevant teaching, confronting racism through teaching, and developing trusting relationships with their students, teachers of color can increase other educational outcomes for students of color, such as high school completion and college attendance.
By holding students of
color to a set of high expectations, 23 providing culturally relevant teaching, confronting racism through teaching, and developing trusting
relationships with their students, teachers of
color can increase other educational outcomes for students of
color, such as high school completion and college attendance.24
This site provides a visual representation of a range of meanings for any target word and illustrates up to 15 distinct
relationships among words
by connecting them with
color - coded links.
What does Gail mean
by this and how has it
colored Ben's
relationship with his ex-wife, his children, and with Paula?
Our genres are: self - help,
relationship, mystery, romance, sex, novels, LGBT books, books about or written
by people of
color, any fiction, any non-fiction, memoirs.
With recent protests
by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the
relationship between power structures and persons of
color in America.
My answer is that the
color in each painting is determined
by the
relationships between the geometric shapes within each painting.
The presentation of the boxes as a group allows for their unique spatial arrangements and
colors to be apprehended
by the viewer as a whole, while also emphasizing their
relationship to the surrounding architectural environment.
«The entrance plaza, formed
by the building's cantilevered structure and the ground floor lobby, share the vibrant ruby
color pattern establishing a dynamic and porous
relationship between indoor and outdoor elements.
I strive to create intense, even and stunning
color relationships that are balanced
by form and texture into a controlled elegance.
The exhibition, titled Intersections Intersected, looks at the
relationship between the past and present
by pairing Goldblatt's earlier black - and - white images with his more recent
color work.
Hofmann's art work is distinguished
by a rigorous concern with pictorial structure, spatial illusion, and
color relationships.
Ultimately, however, we were captured
by fluid
relationships of breathtakingly sensitive lines, smudges of
color, and assertive scribbles and forced to think of these potent inventions, once again, as evocative, multivalent, and deeply moving, but unidentifiable.
That the complexity of
color and their
relationships to others is something that is learned and expanded upon, not only
by making paintings, but also
by looking at them.
She simultaneously exploits the medium's limitations — the inflexible grid that forms the basis of weaving, the particular ways in which
color relationships can develop, the textures that make the surface — and moves beyond them
by assembling and juxtaposing found images to explore ideas about human existence.
Among all four works, the complex
relationships that unfold — between surface and volume, object and image,
color and line — are redoubled in an adjoining gallery, where a big
color photograph
by Thomas Demand hangs all alone.
Starting
by testing dabs of
color within another, he structured
color relationships into a series of squares, adopting the iconic, off - centered layout used in Josef Albers» Homage to the Square.
And, as its subtitle suggests, the work supports the influence of painting on his practice
by invoking
color relationships adapted from the renowned series
by Josef Albers (1888 — 1976).
Gary Petersen, Wish You Well, 2009 Acrylic on panel, 20 x 16 inches February 10 — March 17, 2010 Curated
by Joanne Freeman and Kim Uchiyama,
Color - Time - Space is an exhibition of thirteen geometric abstract painters that highlights the
relationship between art and music.
The artists created a new model of depicting space
by using only the
relationship of
color and line without texture or shadow to achieve movement that projects and recedes.
Lawless writes, «I'm attempting to engage the viewer
by exploring spatial and
color relationships, scale, the similarity between packaging and architecture, and the ways that manipulating visual logic can animate what we see.»
Although their approaches are radically different, both artists are driven
by not only the formal possibilities of the print medium, but the perceptual effects as well — re-envisioning the viewer's
relationship to
color, light and space.
Diane Ayott,
by contrast, attempts to erase any distinction between foreground and background, thereby creating an orchestrated
relationship in which her use of
color and geometric forms interacts with viewers and constantly draws attention from the surface deep into the structure of the work and then seamlessly back again.
With multiple layers of paint,
color and line, she creates an ambiguous space that affords the viewer an intimacy with her subject matter and both obscures and recalls the pain it evokes («Pietà») In her catalogue essay, Tina Kinsella writes, «Bracha's recent paintings beckon us to reprise the work of mourning, to return to the grounds from which the act of lamentation arrives and to reappraise the particular emotion that the laboring through grief produces... the Pietà always threatens to disclose this excess of sorrow
by surfacing the penumbra of future loss that lurks in the heart of the maternal
relationship between mother and child.»