Alejandro Cesarco's works are characterised
by conceptual strategies.
Informed
by the conceptual strategies of Surrealism, and echoing their simple, direct methods for constructing dream - like experiences, the videos in Betwixt & Between speak to notions of authority, alienation, and desire embedded in everyday objects and occurrences.
Not exact matches
While representing crucial
conceptual advances in targeting
strategies, such screens might be difficult to translate into the clinic, exemplified
by the discovery of salinomycin, a drug that has been shown to preferentially kill mesenchymal breast cancer cells [7], but also displays high neurotoxicity [8].
«A study done in the early 90s
by Guzzetti found Discussion Webs to be one of the most beneficial
strategies for promoting
conceptual change,» adds Swafford.
http://webarchive.nationalarchives.gov.uk/20110809091832/http://www.teachingandlearningresources.org.uk Literacy as a complex activity: deconstructing the simple view of reading Authors: Morag Stuart, Rhona Stainthorp and Maggie Snowling Department of Psychology and Human Development, Institute of Education The Rose Review into the teaching of early reading recommended that the
conceptual framework incorporated into the National Literacy
Strategy Framework for Teaching ˆ the Searchlights model of reading and its development - should be replaced
by the Simple View of Reading.
As a
strategy employed
by teacher leaders, lesson planning, review, or analysis may be used for various purposes: to focus attention on the content and learning outcomes in a lesson, rather than on an «activity for activity's sake»; to deepen understanding of «big ideas» and the content knowledge in a lesson; or for articulating the
conceptual flow across lessons that guides student learning over time.
These reform - based programs also emphasize reading engagement, comprehension, and
conceptual learning in science
by delivering explicit instruction of comprehension
strategies in the context of a scientific inquiry.
Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted
by the artists in this exhibition have subsequently been absorbed
by the contemporary generation using photography as
conceptual art, from Gabriel Orozco to Hank Willis Thomas.
Among the nearly 75 portraits which use symbolic and
conceptual strategies, rather than physical likeness, to represent specific people, are works
by Marcel Duchamp, Gertrude Stein, Yoko Ono, Eleanor Antin, Felix Gonzalez - Torres, Glenn Ligon, and L.J. Roberts.
By capturing impossibilities that seem conceived of in a dream state, her pieces hold a strong
conceptual link to some of the most famous visual
strategies of Surrealism, such as the «melting» clocks depicted in Salvador Dalí's seminal painting, The Persistence of Memory (1931).
After a prologue including other examples of radical, monochrome paintings
by Ellsworth Kelly, Frank Stella, and Ad Reinhardt, Singular Forms explores how these parallel artistic
strategies were manifest in Minimalist and
Conceptual art of the 1960s and 70s through the work of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, and Lawrence Weiner, among others.
The exhibition's second section, «Legacy,» explores Lawrence's own influence on contemporary artists who share similar formal and
conceptual strategies and themes, and includes commissioned works
by artists strongly influenced and inspired
by Lawrence such as Derrick Adams, Meleko Mokgosi, Barbara Earl Thomas and Hank Willis Thomas.
The catalog contains a foreword
by Dean Anthony Vidler that places Slutzky's paintings in dialogue with his seminal essay, Transparency: Literal and Phenonmenal, (written with Colin Rowe in 1955); an interview with Slutzky
by Emmanuel J. Petit that discusses the painter's critical
strategies of artistic production; an essay
by Robert C. Morgan that examines Slutzky's
conceptual position in the art historical tradition of Leon Battista Alberti and Josef Albers; and an essay
by Robert Slutzky with Joan Ockman on metaphor in his work.
The result of research conducted on two fronts — conservation and curatorial — the catalogue offers a reconsideration of the cut - outs
by exploring a host of technical and
conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative
strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.
The artists in this show challenge and re-interpret minimalist and
conceptual strategies,
by using either found objects or elements; in the legacy of Marcel Duchamp.
His art and activist practices are influenced
by the grassroots movements of Cesar Chavez and Dolores Huerta, as well as the formal and
conceptual strategies of post-minimalist artists.
do it also unites two
conceptual avant - garde
strategies: creating an artwork
by following written instructions, and the insertion of chance.
The metaphysics we knew about... a curatorial project
by Miami / NY / Lima based cultural practitioner william cordova focuses on
conceptual and philosophical
strategies that national and international artists share.
In two ads in Artforum magazine in 1970, including one announcing the adoption of her new name, Chicago used
conceptual strategies taken up in the following years
by a number of emerging feminist artists, such as Lynda Benglis and Hannah Wilke.
In this exhibition, I attempt to present a cross-section of contemporary painting being made in New York today
by emerging and mid-career artists, underscoring the
conceptual methodologies being strategically employed
by painters, and how
conceptual artists have turned to painting as a
strategy.
This approach seems like a particularly apt curatorial
strategy on the part of Mark More Gallery, as Azzarella's underlying
conceptual framework spans both media and unites the works on view
by reflecting developments in practice.
By the time I enrolled in college, many painting programs had become fully engaged in
conceptual strategy at the expense of traditional technique, especially at the MFA level.
1991 La metafisica della Luce / The Metaphysics of Light, John Good Gallery, New York, USA (curated
by Demetrio Paparoni)
Conceptual Abstraction, Sidney Janis Gallery, New York, USA The Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California, USA (curated
by David Pagel) Hybrid Abstraction, Bennington College Art Gallery, Bennington, Vermont, USA (curated
by Joshua Decter)
Strategies for the Next Painting, Wolff Gallery, New York; traveled to Feigen Incorporated, Chicago, Illinois, USA (curated
by Saul Ostrow) Contemporary Abstract Painting: Resnick, Reed, Laufer, Moore, Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia, USA (curated
by Molly Sullivan)
A century later, his term continues to resonate, and CAM curator Valerie Cassel Oliver has appropriated its connotations of invisibility and displacement as means to reevaluate
conceptual strategies taken up
by African - American artists over the past three decades.
From screening the legendary film The Misfits (1961) without the picture in A Movie Will Be Shown without the Picture (1979) to installing works
by other artists in a new configuration for her Arrangements of Pictures (1982), Lawler uses
conceptual strategies and intentionally contrived installations to expand her engagement with her subjects and to further question the systems that govern art as well as its display and consumption.
We could resolve this debate if we adopted a new set of
conceptual categorizations for geoengineering
strategies that emphasized the relevant normative considerations for evaluating those
strategies rather than
by physical mechanism.
I submit that we could easily resolve this debate if we adopted a new set of
conceptual categorizations for geoengineering
strategies that emphasized the relevant normative considerations for evaluating those
strategies rather than
by physical mechanism.
Help intermediate and advanced Schema Therapists identify and develop the therapeutic capacities,
strategies, and
conceptual framework, and to work more effectively and in greater depth with more challenging patients and the ability to identify less challenging patients whose treatment will be optimized
by using this enriched and expanded limited reparenting framework; a framework that involves being significantly more real, flexible and responsive than «standard» limited reparenting.