Sentences with phrase «by contemporary art curators»

DTL Projects is a collective initiative by contemporary art curators Diane Vivona, Tara Riley Chazen and Lexie Palmer.

Not exact matches

The awardee is selected by an independent panel of leading contemporary art curators, museum directors, and artists.

The 2018 New Museum triennial will be organized by Gary Carrion - Murayari, who is a curator at the museum, and Alex Gartenfeld, the deputy director and chief curator of the Institute for Contemporary Art in Miami, the New York Times reported... Read More

The show is organized by Bennett Simpson, senior curator, with Rebecca Matalon, curatorial associate, The Museum of Contemporary Art, Los Angeles.

The presentation of the film is organized by Senior Curator of Contemporary Art Kristen Hileman and presented in the Black Box Gallery in the museum's Contemporary Wing.

In 2017, in addition to organizing and installing exhibitions by Wangechi Mutu, John Bock, and Carol Bove, Grachos served as guest curator of the Keshet Award organized by the Herzliya Museum of Contemporary Art in Herzliya, Israel.

The first edition took place on Saturday 2 July 2016 and was guest - curated by the Institute of Contemporary Arts (ICA) with curator Kathy Noble.

Blues for Smoke is organized by The Museum of Contemporary Art, Los Angeles, and Curator Bennett Simpson.

The exhibition will be curated by Adelina Vlas, the AGO's Associate Curator of Contemporary Art.

The prizes will be awarded by Christopher Bedford (Dorothy Wagner Wallis Director, The Baltimore Museum of Art), Omar Kholeif (Manilow Senior Curator and Director of Global Initiatives, Museum of Contemporary Art Chicago) and Suzanne Cotter (Director, Mudam Luxembourg Musée d'Art Moderne Grand - Duc Jean).

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

This lead Alan Sondheim, then curator at Atlanta's Nexus Contemporary, to take matters into his own hands, by creating the first ever Atlanta Biennial as platform for contemporary art emerging from and impacting culture in the southeastern UnContemporary, to take matters into his own hands, by creating the first ever Atlanta Biennial as platform for contemporary art emerging from and impacting culture in the southeastern Uncontemporary art emerging from and impacting culture in the southeastern United States.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collcurator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collCurator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowermeArt at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowermeart with a selection of works engaging themes of gender, equality, and empowerment.

Curator Mark Ormond has organized «Summer Abstractions» gathering paintings, prints and sculpture by abstract artists at Allyn Gallup Contemporary Art Gallery, 1288 N Palm Ave., Sarasota.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

Contemporary Arts Museum Houston senior curator Valerie Cassel Oliver probably summed it up best by stating, «Expo Chicago provided a glimpse of some of the best work happening in the field.

Curated by Margaret Miller, Director, USF Institute for Research in Art, and Megan Voeller, Associate Curator of Education, USF Contemporary Art Museum; organized by USF Contemporary Art Museum.

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museart historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Museum.

Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.

Pamela Topham's art was selected by Marla Prather, Curator for the Development of Modern and Contemporary Art at the Museum of Modern Art, as Top Winner of the 2015 Guild Hall Artists Members Exhibitiart was selected by Marla Prather, Curator for the Development of Modern and Contemporary Art at the Museum of Modern Art, as Top Winner of the 2015 Guild Hall Artists Members ExhibitiArt at the Museum of Modern Art, as Top Winner of the 2015 Guild Hall Artists Members ExhibitiArt, as Top Winner of the 2015 Guild Hall Artists Members Exhibition.

, Minneapolis, MN 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artisart by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artists.

The shortlist for the Prize, announced on July 27, 2016, was selected by an international jury that included Kitty Scott, the AGO's Carol and Morton Rapp Curator of Modern and Contemporary Art; Russell Ferguson, Professor in the Department of Art at the University of California; and Stan Douglas, acclaimed artist and filmmaker.

The prize was devised by Hammond in 2007, the independent curator then went on to compile The Catlin Guide, a yearly book that presents a collection of recent graduate and postgraduate artists from UK art schools, which is now recognised as an essential reference for collectors of contemporary art.

The exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator at the Museum of Contemporary Art Chicago.

The presentation at P.S. 1 includes selections from the exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of Contemporary Art, San Diego.

Robert Rauschenberg: Autobiography is organized by curator of contemporary art Lisa Dorin, professor of art C. Ondine Chavoya, and the students from fall 2016 Art History 3art Lisa Dorin, professor of art C. Ondine Chavoya, and the students from fall 2016 Art History 3art C. Ondine Chavoya, and the students from fall 2016 Art History 3Art History 319.

The exhibition was curated by Sabine Breitwieser and Laura Hoptman at MoMA in collaboration with curators at the museums to which the show traveled in 2014 — Michael Darling at the Museum of Contemporary Art Chicago and Jeffrey Grove at the Dallas Museum of Art.

Joined by Jamillah James, Curator at the Institute of Contemporary Art, Los Angeles, and Assistant Curator of John Outterbridge: Rag Man, together we will explore the possibility of an exhibition to create change in our community.

The 2018 grantees were selected through a competitive application process by an independent panel that comprised Naomi Beckwith, a curator at the Museum of Contemporary Art Chicago; artist and activist Andrea Bowers; Ciara Ennis, director and curator at Pitzer College Art Galleries; Christopher Y. Lew, an associate curator at the Whitney Museum of American Art; and multimedia artist Bruce Yonemoto.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

2006 Art LA, represented by Linda Warren Gallery, Los Angeles, CA Urban Institute for Contemporary Art, Grand Rapids, MI Drawing No Conclusions, curated by Dominic Molon, Associate Curator, Museum of Contemporary Art Chicago, IL Judith Racht Gallery, Layer on Layer: a collage show, Harbert, MI

Essays by curator Lisa Baldissera and New York art critic, poet and editor Barry Schwabsky examine contemporary art and the unique history of modernity in Saskatchewan and internationally.

Co-organized by Dina Deitsch, independent curator, and Lillian Hsu, Director of Public Art, Common Exchange featured ten contemporary artists whose work addresses connectivity in the twenty - first century.

This exhibition is organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator of Contemporary Art, Crystal Bridges; and Chad Alligood, Chief Curator of American Art, The Huntington Library, Art Collections, and Botanical Gardens.

Curated by Brenda Croft, formerly Senior Curator of Indigenous Art, National Gallery of Australia, Culture Warriors will be the largest and most comprehensive exhibition of contemporary Australian Indigenous art ever presented in the UArt, National Gallery of Australia, Culture Warriors will be the largest and most comprehensive exhibition of contemporary Australian Indigenous art ever presented in the Uart ever presented in the U.S.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

Southern Accent is co-organized by Miranda Lash, Curator of Contemporary Art at the Speed Art Museum in Louisville, Kentucky, and Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University.

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Jasper Johns and Edvard Munch was conceived and organized by Curator John B. Ravenal during his tenure as VMFA's Sydney and Frances Lewis Family Curator of Modern and Contemporary Art.

An exhibition catalogue will be published, including a text by the British physicist and cosmologist Roger Penrose and a text by Maaretta Jaukkuri, Chief Curator at KIASMA Museum of Contemporary Art, Helsinki.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

Curated by Kitty Scott, the AGO's Carol and Morton Rapp Curator, Modern & Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with livContemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with living artisArt, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with livcontemporary art and commitment to working with living artisart and commitment to working with living artists.

A full - color catalog will document the exhibition and include an introduction by Catharina Manchanda, SAM's Jon & Mary Shirley Curator of Modern & Contemporary Art, who organized the exhibition.

The Berlin Biennale for Contemporary Art, which has been funded since its fourth edition by the Kulturstiftung des Bundes (German Federal Cultural Foundation) as an «outstanding cultural event,» is delighted to announce Gabi Ngcobo as the curator of the upcoming 10th Berlin Biennale.

The jury was headed by Kitty Scott, the AGO's Carol & Morton Rapp Curator of Modern and Contemporary Art, and included artist Stan Douglas and art scholar Russell FergusArt, and included artist Stan Douglas and art scholar Russell Fergusart scholar Russell Ferguson.