Sentences with phrase «by contemporary artists like»

Ranging from the Light and Space Movement of the late 1960s, to works by contemporary artists like Dominique Gonzalez - Foerster and Cyprien Gaillard, and performances and workshops, this exhibition spans a panorama, featuring a great variety of immersive practices which dissolve categories of viewer and work and diminish the distance between subject and object.

But if Brazil sounds a tad more manageable, it's still quite a lot to fit into one exhibition: four centuries of art and culture represented by 350 items ranging from Dutch depictions of the Brazilian landscape, Amazonian feather capes, and a monumental Baroque altarpiece to Neo-Concrete objects by Hélio Oiticica and Lygia Clark and works by contemporary artists like Ernesto Neto.

Ranging from the Light and Space Movement of the late 1960s, to works by contemporary artists like Dominique Gonzalez - Foerster and Cyprien Gaillard, and performances and workshops, this exhibition spans a panorama, featuring a great variety of immersive practices which dissolve categories of viewer and work and diminish the distance between subject and object.

Ranging from the Light and Space Movement of the late 1960s, to works by contemporary artists like Dominique Gonzalez -...

Since founding her eponymous gallery, Altman Siegel, at 49 Geary in 2009, she has created inspired programs to raise awareness of work by contemporary artists like Trevor Paglen, Sara VanDerBeek and Garth Weiser throughout the Bay Area and beyond.

Since founding her eponymous gallery at 49 Geary in 2009, she has created inspired programs to raise awareness of work by contemporary artists like Trevor Paglen, Sara VanDerBeek and Garth Weiser throughout the Bay Area and beyond.

These will be shown alongside works by contemporary artists like the Egyptian - born Ghada Amer, who makes sculpture, painting and garden projects.

The abstract works in Marks Made are by such pioneers as Anni Albers, Helen Frankenthaler, Lee Krasner and Elaine de Kooning; and by contemporary artists like Julie Mehretu and Jessica Stockholder.

It's equally difficult to imagine the works by contemporary artists like Lisa Yuskavage, John Currin, and others, without the foundation of images laid by Rockwell.

Through the course of its history, the visionary acquisition policies of its often distinguished directors have given rise to an impressive collection that includes works by modern masters such as Picasso, Braque, Chagall, Kandinsky, El Lissitzky and Mondrian, as well as by contemporary artists like Douglas Gordon, Pierre Huyghe, Mike Kelley and Marijke van Warmerdam.

Not exact matches

Similarly, coffee brand Illy aimed for high - end cachet by partnering with contemporary artists like Jeff Koons and Julian Schnabel to release limited - edition espresso cups.

Like the ancient apocalyptic seer, the modern artist has unveiled a world of darkness, but whereas earlier seers could know a darkness penetrated by a new æon of light, the contemporary artist has seen light itself as darkness, and embodied in his work an all - embracing vacuity dissolving every previous form of life and light.

Their collection includes pieces by Jasper Johns, Roy Lichtenstein, Cy Twombly, and Andy Warhol, as well as works by more contemporary artists like Maurizio Cattelan, Katharina Frisch, and Ugo Rondinone.

In recent years they have branched out, acquiring works by contemporary Latin American artists like Gabriel Orozco and Damián Ortega.

Initially focused on work by Chinese modern and contemporary artists like Wu Guangzhong and Shi Qi, Wang (Asia's second - richest man as of July 2016, according to Bloomberg) began to buy Western art.

(The flickering fields of Reinhardt's European contemporaries can be traced back to the beech forests painted around 1900 by artists like Gustav Klimt and Kazimir Malevich.)

Opie was originally inspired by social documentary photographers like Lewis Hine, but outside of photojournalism, there aren't a lot of contemporary artists looking at the world the way Hine did.

Image Building: How Photography Transforms Architecture at the Parrish Art Museum features 57 photographs by artists who range from early modern architectural photographers such as Berenice Abbott, Samuel H. Gottscho, and Julius Shulman, to contemporary photographers like Iwan Baan, James Casebere, Thomas Demand, Andreas Gursky, and Hiroshi Sugimoto.

Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

We've had works by female contemporary artists working today whether it's someone who could have had a long career like Howardena Pindell or artist Kara Walker or someone very young like Xaviera Simmons, the photographer.

GALERIE FLUEGEL - RONCAK, with a strong focus on Contemporary Art and Pop Art will show various artworks of its classic collection of Pop Art by Andy Warhol, Mel Ramos, Alex Katz und Nelson De La Nuez and contemporary artists like Tracey Emin, Bozena Bosko, Damien Hirst, Mr. Brainwash, Gerhard Richter, Matthias Meyer, David Drebin and more from 01.12.2016 tilContemporary Art and Pop Art will show various artworks of its classic collection of Pop Art by Andy Warhol, Mel Ramos, Alex Katz und Nelson De La Nuez and contemporary artists like Tracey Emin, Bozena Bosko, Damien Hirst, Mr. Brainwash, Gerhard Richter, Matthias Meyer, David Drebin and more from 01.12.2016 tilcontemporary artists like Tracey Emin, Bozena Bosko, Damien Hirst, Mr. Brainwash, Gerhard Richter, Matthias Meyer, David Drebin and more from 01.12.2016 til 28.01.2017.

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.

It features key examples of the technique by artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.

Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.

They are not like modern or contemporary prints that were done in a defined edition from a matrix and signed by the artist and sold through a gallery.

Surrealist artists are also an important component of this show, with works by the likes of André Breton, Man Ray and Joan Miró shown with contemporary artists such as Robert Morris, William Anastasi, Isa Genzken and Susan Morris.

click here to download PDF By Tara Plath While Smoke, Nearby, an exhibition of work by Mexico City - based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist's first solo appearance in the United States, the show feels like somewhat of a homecominBy Tara Plath While Smoke, Nearby, an exhibition of work by Mexico City - based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist's first solo appearance in the United States, the show feels like somewhat of a homecominby Mexico City - based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist's first solo appearance in the United States, the show feels like somewhat of a homecoming.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

MI TIERRA: CONTEMPORARY ARTISTS EXPLORE PLACE Major installations by Latino artists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the AmericaARTISTS EXPLORE PLACE Major installations by Latino artists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the Americaartists like Ruben Ochoa, Ana Teresa Fernández, Ramiro Gomez and Gabriel Dawe consider issues of labor, memory and displacement — particularly as they relate to the American West.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

Displaying works by Dutch masters like Van Gogh and Mondrian alongside those from their French contemporaries Monet, Picasso, Cézanne, and Braque, the exhibit demonstrates how the artists and friends influenced one another's work in 19th century Paris.

The Musée d'Art moderne de la Ville de Paris presents «MEDUSA, Jewellery and Taboos», an exhibition,, curated by Anne Dressen, bringing together over 400 pieces of jewellery created by artists the like of Anni Albers, Man Ray, Meret Oppenheim, Alexander Calder, Salvador Dali, Louise Bourgeois, Lucio Fontana, Niki de Saint Phalle, Fabrice Gygi, Thomas Hirschhorn, Danny McDonald, Sylvie Auvray, avant - garde jewellery makers and designers such as Betony Vernon, Elie Top, René Lalique, Suzanne Belperron, Line Vautrin, Art Smith, Tony Duquette, Bless, Nervous System, contemporary jewellery makers and also high end jewelers, as well as anonymous, more ancient or non-Western pieces.

While he is occasionally associated with British groups like the Stuckists and YBAs, Childish does not see himself as connected to a particular contemporary movement; however, he is highly regarded and well known by his peers, including renowned artists Peter Doig and Tracey Emin.

Objects Like Us, a group exhibition featuring more than seventy tabletop art objects by fifty - six artists, will open at The Aldrich Contemporary Art Museum in May.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

A joyously crowded exhibition aiming to mingle contemporary artists with so - called «outsiders,» this show also includes pieces that aren't strictly art at all — like a 19th - century Japanese futon cover hung next to (and partially under) a dyed - textile painting by Cheryl Donegan.

One can also gauge the strength of the Italian market by the success of recent sales like Modern Art in NY, The Artist's Muse, and Post-War and Contemporary Art, which included works by such artists as Modigliani and Fontana.

While maintaining MoAD's focus on art through the lens of the contemporary Black diaspora, the museum has presented landmark exhibitions by notable and forward - thinking contemporary artists, like Toyin Ojih Odutola, Alison Saar, Mickalene Thomas, and Todd Gray.

This space with an all - caps name is the New York branch of a gallery in Brussels, Belgium, and like the home office, the Brooklyn shop focuses on contemporary art by an international roster of young emerging artists with up - to - the - minute sensibilities.

In the last decade or so, however, there has been a revitalization of landscape painting by such contemporary artists as Malcolm Moreley, Rackstraw Downes and Jennifer Bartlett (MATRIX 73), who, like Christopher Brown, have discovered its rich metaphorical and expressive potential.

Included are paintings, photographs, prints, and sculptural objects by emerging contemporary artists like Brian Belott, Jamian Juliano - Villani, and Sayre Gomez.

Drawing more than 50 paintings from museums like the Art Institute of Chicago and the Musee d'Orsay, the exhibition will look at the work of an artist whose career may have been overshadowed by his role as a patron and collector of his contemporaries.

A contemporary of artists like Jackson Pollock and Arshile Gorky, Lipton was interested in art's ability to tap into Carl Jung's theory of the collective unconscious by depicting primal symbols.

2018 will offer a variety of exhibitions to cater for everyone's taste in art from spending time with modern masters such as a year in the life of Picasso, Monet's relationship with architecture, drawings by Klimt and Schiele, through classical artists Ribera and Murillo to contemporary greats like Tacita Dean and Joan Jonas not to mention Frida Kahlo's iconic wardrobe.

Highlights include small - scale sculptures by modern masters like Auguste Rodin, Jacques Lipchitz, and Henry Moore; ancient Chinese mingqi tomb figures and Buddhist devotional statues; European bronzes of princes, putti, and classical heroes; and boundary - breaking work by contemporary artists including Magdalena Abakanowicz, John Chamberlain, Robert Irwin, and H. C. Westermann.

Within the gallery walls are more than 5,000 20th - century works by the likes of Henri Matisse, Pablo Picasso, Francis Bacon, David Hockney, Andy Warhol and Lucian Freud, as well as pieces by prominent contemporary artists such as Antony Gormley, Gilbert & George, Damien Hirst and Tracey Emin.

The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool.