Sentences with phrase «by cops while»

Not exact matches

On the night of his first murders, while taking his dismembered male victim to the dump in garbage bags, he was stopped by a cop for wandering over the center line.

While this thought may bring comfort to some, to me it represents a cop - out defense by those who are, as katiepearl suggests, simply too lazy to think.

Change of direction and elusivenss on display while being chased by the cops.

I'm more balanced, while I see we have a squad bnetter than we had 6 years ago I also see we manage to royal mess up our chance to improve it by using the same old cop - out with money.

Mayor Giuliani yesterday insisted that Police Commissioner Howard Safir is here to stay — while city lawyers began probing whether the top cop broke ethics rules by taking an Oscars...

A deaf Staten Island landlady won a $ 750,000 settlement from the city after claiming she was falsely arrested by NYPD cops who refused to get her a sign - language interpreter while...

Rep. Hakeem Jeffries and relatives of two men killed by police called for NYC to end the practice of paying overtime to cops placed on desk duty while under investigation.

Laverne Dobbison, whose son Tamon Robinson, was struck and killed by undercover cops that had pursued the unarmed man suspected of stealing paving stones while he was on foot from their police car, said she was there to help.

Yasmin Seweid, 18, joined a growing list of local and national alleged hate - crime victims when she told cops she was taunted Dec. 1 on the No. 6 train by three men who called her a terrorist and tried to snatch her hijab off her head while straphangers did nothing.

This is like deja vu with the Tawana Brawley saga - while nobody disputed the point that there were people of color being unfairly and viciously treated by law enforcement - Tawana herself was not actually raped by the white cops she fingered.

«Regardless of how one feels about being stopped, once told that they are being placed under arrest, they must comply with the officer's orders,» he said of the video, which shows Grays being cuffed and led away by four cops after he allegedly told them off for nearly hitting him in an unmarked police car while he was working.

A cop may first be asked to fire on a target — a simple drill — but then asked to fire while standing on one foot and being heckled by an actor.

I've heard grumblings about Willis on set and much like Cop Out, also written by the same filmmakers here, he caused reshoots and unplanned scenes while filming.

The callous violence is tempered by Washington's irresistible presence — there's no one else I'd rather watch jamming C - 4 up a corrupt cop's rectum — and while the material is distasteful, it's delivered with thundering expertise.

You can easily get hundreds of points by destroying cops in interceptors mode, while when driving a perfect race you might only get rewarded with a disappointing amount of points.

The best thing about the game are songs in the radio while you race with 300km / h but you can't even listen to them because every **** second there is a cop coming out of nowhere and by getting in police chase causes songs stop playing and some rubbish action sounds start rocking... The most annoying thing on this game are probably cops coming out of nowhere and starting chases all the time, even if you don't drive fast...

Hank delivers a completed draft of «Santa Monica Cop» to Samurai Apocalypse but his attempts to leave town are once again thwarted when he's asked to show a night on the town to Kali, his «acquaintance» from the flight to Los Angles; Tyler crashes with Karen and Becca while he recovers from his injuries; things get unprofessional fast when Charlie is saved from a serious parental crisis by his son's nanny, Lizzie.

Created by The Job's Peter Tolan and Denis Leary, who also stars, Rescue Me could do for firefighters what «NYPD Blue» did for cops: strip them of myth while celebrating their humanity.

(Director and screenwriter: Matthew Chapman)-- Perched on a ledge, a man says he must jump by noon, while a cop races against time to get to the bottom of it.

The Ledge (Director and screenwriter: Matthew Chapman)-- Perched on a ledge, a man says he must jump by noon, while a cop races against time to get to the bottom of it.

That's Chris Allen (Casey Affleck), a rookie cop who is set up by his partner to provide a compelling distraction for the rest of the police department while said heist is going down.

This is the first English language film from director Alexandros Avranas (MISS VIOLENCE, 2013) and his cast is led by Jim Carrey as police inspector Tadek, a disgraced cop who takes care of his elderly mother while also obsessing over the now coldcase that ruined his career.

One day, while about to get caught in the middle of pulling the same job in the same place twice, another bigger fish named Marcos (Darin, The Secret in Their Eyes) saves his hide by posing as a cop, and later makes him an offer to work as his partner in the game.

The people of the city aren't all that dismayed at seeing them rid the city of crime, while the cops who are on their trail, headed by eccentric FBI agent Smecker (Dafoe, Spider - Man), are conflicted in wanting to nab the vigilantes or to side with them.

On another level, the film is an overly glossy, ostensibly intellectual but deliberately trite mass - market romance (from the screenplay written by Pierce) about a reporter and a movie star falling in love while she shadows him on the set of yet another movie (in which he plays a cop along side Brad Pitt) for a magazine fluff piece profile she's writing.

Elsewhere, Wilkinson is on auto - pilot as the dogged cop, while Spruell makes a suitably nasty villain and French actor Omar Sy (The Intouchables) brings a spot of welcome charm to his urbane drug boss, who goes by the not - very - subtle name of Genghis Khan.

By the way after Deadpool stop talking, cable came in another scene and showing his talent and mutant powers along with his cyborg body beating up cops, while Deadpool is punching some people.

Supporting performances by Danny McBride and Craig Robinson are also noteworthy, while the inspired casting of Gary Cole and Rosie Perez (as a dirty cop on Ted's payroll) only makes you wish they were given more screen time.

To cite only one example — which includes a spoiler — how likely is it that the racist white cop (Matt Dillon) who gropes a well - to - do black woman (Thandie Newton) while pretending to search her for weapons one night will be the officer who rescues her from a potentially fatal car accident less than 24 hours later, or that during the same time frame his partner will save her husband from being shot by another policeman?

The sophisticated script, by Hanson and Brian Helgeland, is based on the 1990 novel by James Ellroy, which cleverly weaves in actual Hollywood history while telling the see - speak - and - hear - all - evil story of three cops:

Shaft told the story of a black detective hired by «the man» to find his daughter, while Dirty Harry sent one cop sick of the system in search of vengeance.

Matt Dillon plays a racist cop who humiliates a black couple by pulling them over for no cause and taking rude liberties with the woman (Thandie Newton) while her husband (Terrence Howard) watches helplessly.

Jet plays a Chinese undercover cop named Liu Jian, who while an on assignment in France, is framed for the murder of a certain bigwig by a French law enforcement honcho, Inspector Richard (Karyo, The Patriot).

Samuel is thus compelled to zap a cop with a defibrillator, bludgeon his boss with a handgun, and perform other assorted crimes, all while being pursued by two different sets of detectives, one good and one clearly not so good.

Brooklyn's Finest (R for nudity, graphic sexuality, pervasive profanity, drug use and gory violence) Gritty, NYC crime saga, directed by Antoine Fuqua, about three NYPD cops (Don Cheadle, Richard Gere and Ethan Hawke) stationed in three different outer boroughs whose paths cross serendipitously while working the same case.

But when it turns out that «cool kids» like Eric (Dave Franco) and Molly (Brie Larson) share more in common with Schmidt's sensitivity than they do Jenko's blustery indifference, the cops get sidetracked from their duties by the unexpected discoveries they make, while stuck on the other side of the social paradigm.

Here it is a cop played by James McAvoy who is in therapy for his less - than - acceptable predilections while on or of duty.

Possibly the last of their kind, moving from town to town and still working out some serious parent - child issues (not the least of which is their approach to handling their prey) Gemma Arterton literally vamps it up, putting on a prostitute pose to seduce lowlives and cops, while her daughter, plays more school girl, a more subtle and melancholic performance by Saoirse Ronan.

Willis plays Steve Ford, a Venice Beach private eye and disgraced loose cannon cop whose beloved Parson Russell terrier gets abducted by drug dealer Spyder (a conceptually Latino Jason Momoa) while he's supposed to be working a case for local real estate developer Lou The Jew (Adam Goldberg)-- a simple enough premise that first - time director Mark Cullen and his co-writer and brother, Robb Cullen, excruciate into 35 minutes.

While Gibson and Glover have been replaced by Clayne Crawford and Damon Wayans, respectively, the energy and chemistry between the two mismatched cops is still ever - present and the series allows for even more character growth than the successful four film franchise.

In this 30 - Episode, 3 - Disc collection, the hit cartoon spin - off of the legendary law - and - disorder comedy franchise, Mahoney and Co. are joined by the stalwart members of the K - 9 Corps, dog cops who are a few bones short of being top dogs, while battling super-villains like the Kingpin, Lockjaw, Amazona, Numbskull, Mr. Sleaze and the Claw.

There's an uneasy relationship between the town and the tribe, which is fighting for formal recognition from the government while struggling with poverty and crime, that is exacerbated by a forbidden romance between the cop's teenage daughter and the ex-con's young half - brother.

«Caught in the Crossfire»: Police thriller about two detectives (Chris Klein and Adam Rodriguez) who are targeted by gang members and crooked cops while investigating a crime.

Writer - director Ryan Coogler opens the narrative on videos presumably taken by several passersby indicating that a huge, burly, cop manhandled a number of Black passengers on the BART while ignoring the White guy who started the brawl.

While the cops are stymied by the lack of concrete evidence in the case, San Francisco homicide detective Harry Callahan (Eastwood, Joe Kidd) begins to suspect that the culprit is one of their own, perhaps a renegade traffic cop exacting his own brand of vigilante justice.

They are people like Chino (Luis Guzman), another escapee who, while being hand - cuffed face down in the dirt by a lady cop, takes the time to comment, «Nice purse.»

Missy and her husband Dean (Bradley Whitford), who are white, have already copped to the unfortunate optics of being waited on by black employees in their fancy country estate, while insisting the pair are part of the family.

At another point, a drug run gets interrupted by the DEA and Seal ends up ditching the plan in a small town in Louisiana, getting away from the cops on a children's bicycle while covered in cocaine.

There are a lot of big, attention - getting films in 2012, and one that I forget about once in a while is Gangster Squad, the film in which Zombieland director Ruben Fleischer follows the efforts of a squad of LA cops (Josh Brolin, Ryan Gosling, Nick Nolte, Giovanni Ribisi, Anthony Mackie) to stop the incursion of organized crime into LA, led by Sean Penn as famed mob boss Mickey Cohen.

While this speaks to the latent homoeroticism in many buddy - cop films, it also makes Danny the vibrant heart whose sheer enthusiasm eventually melts the icy professional Nicholas, and that's an irresistible transformation as played by Pegg.