Sentences with phrase «by critics of standards»

These findings are largely consistent with the concerns sometimes raised by critics of standards - based reforms.

Not exact matches

In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.

The standard reply by defenders of traditional free will theism is that «worst» is a relative term so that, if God had prevented the worst evils, then the next worst evils would have been the worst, and the critic would claim that God should have prevented those, and so on, so that, in Hick's words, «There would be nowhere to stop, short of a divinely arranged paradise,» which would defeat the divine purpose of soul - making (363 - 64).

Critics of process theology have carped that God, by history's standards, is not a very effective persuader.

Critics say the new rules will roll back the Healthy, Hunger - Free Kids Act championed by Former First Lady Michelle Obama, who worked to establish strict nutritional standards on the program as part of her campaign against obesity.

Controversial federal legislation to limit funding for subsidized school lunches and change some of the program's nutritional standards passed a House committee on a 20 - 14 vote May 18, and the proposal is being hammered by critics who believe it would endanger the health of American school children.

Critics of the once - revered independent screening panels now abound, including Ling - Cohan herself, who said the process at least needs to be «tweaked» by having the county consider the standard in Brooklyn that requires a 75 percent negative vote for an incumbent not to be «continued» for renomination.

Conservative critics say New Jersey's solar success is driven by government programs, including a renewable portfolio standard that requires utilities to derive more than 20 percent of their electricity from clean sources.

Dr. Feinman is also a critic of the current state of nutrition and medical research which is plagued by a decline in standards.

The beautiful people dating site despite its critics does not define beauty, but it gives a representation of what the society views as the ideal standard of beauty as decided by its members.

It's a small but prestigious citation for the film, voted as it is by a panel of leading British critics, including Standard stalwart Derek Malcolm and the Telegraph's excellent Tim Robey.

Critics polls confirm Gus Van Sant's The Sea Of Trees as one of the most despised films to compete for the Palme, while Jia Zhang - ke and Pixar get ambitious even by their respective standardOf Trees as one of the most despised films to compete for the Palme, while Jia Zhang - ke and Pixar get ambitious even by their respective standardof the most despised films to compete for the Palme, while Jia Zhang - ke and Pixar get ambitious even by their respective standards.

I have always wondered if «professional» movie critics are being honest with themselves... about whether they truly like a movie or if it is merely meeting some set of stuffy standards established by self - important inhabitants of the «arts» world.

LIMITED EDITION CONTENTS • Limited Edition Blu - ray collection (4000 copies) • Brand new 2K restorations of all four films in the series presented on High Definition Blu - ray (1080p) and Standard Definition DVD • Original mono audio (uncompressed PCM on the Blu - rays) for all films • Optional English subtitles for all films • Double - sided fold out poster of two original artworks • Reversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan • Booklet featuring new writing on the film by critic Chuck Stephens, a brand new interview with Toru Shinohara, creator of the original Scorpion manga and an archive interview with Meiko Kaji by Chris D. illustrated with original stills

Critics see the combination of program accreditation standards, revised by the National Council for Accreditation of Teacher Education (NCATE) in 2000; a growing curricular emphasis on «social justice» issues; and a left - leaning education professoriate as yielding a one - sided approach to teacher education and the certification of teachers based on ideology, rather than teaching skills or mastery of content knowledge.

Howard Gardner, Harvard Graduate School of Education professor, best known for his theory of multiple intelligences, a critic of the notion that there exists but a single human intelligence that can be assessed by standard psychometric instruments, advises caution when educators emphasize the results of one test.

was at long last being asked in earnest, the worst of these critics used it as an excuse for bombast and dark mutterings while the best sat idly by, carping on the standards rather than using the occasion to guide thoughtful implementation.

I often challenge critics to pick out just one standard of our 18 that they don't think «makes sense» and I generally am greeted by silence.

Steiner's study looked primarily at the syllabi of elite preparation programs, said by critics to be atypical of standard practice.

For example, Gov. Mike Pence invited a committee of independent experts, led by Common Core critic Sandra Stotsky, to review a draft of Indiana's new standards.

The government says free schools will drive up standards and give parents more choice of good schools by putting more power in head teachers» hands, while some critics see them as an experimental «vanity project» which has led to schools being built where they are not needed.

These critics argue that low - quality students are recruited to education schools, drawn by low admissions standards and perceptions of education schools as a fallback option.

Some critics of Common Core say many of the standards are not driven by research and are not developmentally appropriate for students.

But support began to wane when critics from all sides of the political spectrum began to emerge with concerns on a variety of fronts, including problems with the content of the standards and the developmental inappropriateness of those for the earliest grades, the design of the new tests, how the new exams were written and by whom, and the federal government's funding of new standardized tests aligned to the Core.

Both math and reading scores declined for first time since the National Assessment of Educational Progress (NAEP) took its current form in 1998, according to data released by the National Assessment Governing Board on Wednesday, and Common Core watchers say the many critics of the standards could use the dip as ammunition in their war against the Common Core.

Some critics point out that Adobe, by promoting its flavor of encryption on top of the open ePub standard, is promoting a version of vendor lock - in.

The Guild is generally painted by the many who don't like it as an a promotional club that protects and enhances the career gains of the most already - successful, traditionally contracted authors, the perceived «haves» as opposed to the «have - nots» for whom standard publishing deals and conditions are frequently described by critics as flatly punitive.

And if brokers were held to the same standard as doctors or lawyers, critics say, fewer would be cleared of wrongdoing by the Financial Industry Regulatory Authority, or FINRA, an industry - funded group that oversees arbitrations and can impose fines and other penalties.

The last NBA Live game was largely panned by critics for failing to live up to the high standards of its competitor.

Capcom acknowledged that its 2012 Resident Evil 6 was a flop or as they put it a commercial «failure», and feel although the game can't be considered a disaster on a critics level it fell way short of the standard they expect and that was set by Resident Evil 4, a commercial and critical success.

Thus she was first schooled in the aesthetic standards of the male universal — then represented by Modernist formalism, in particular as it was espoused and delineated by critics such as Clement Greenberg — before she began to search for what might constitute a feminine / female / feminist aesthetic, whether such a thing might be, and, if so, how it might be different than the first system.

Organized by Josh Kun, music critic, MacArthur fellow, American Book Award winner, and USC professor, and presented as part of Pacific Standard Time: LA / LA.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Premiered at Tate Britain in September 2014 and heralded by critics across the U.K. as «an exciting, entrancing show» (The Guardian) and «sensational» (London Evening Standard), J.M.W. Turner: Painting Set Free focuses on the final and most experimental phase of the artist's career.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

(One admiring critic spoke of his work as having «cosmic» significance — always a sure sign that we are not being asked to judge an artist by «mere» artistic standards.)

Their critics say their stance, however well intentioned, will produce the real delays, given how much can be done now simply by cutting energy waste with tools already on the shelf — ranging from strengthening efficiency standards to eliminating billions of dollars in persistent fossil - fuel subsidies that continue to make coal and oil much cheaper than they really are when all their hidden costs are revealed.

Critics will say that some of the market forces acting in favor of gas against coal for EPG are market distortions brought to you by an overeager EPA — that the new air quality standards are unnecessary and if removed will level the playing field back toward coal.