Sentences with phrase «by cult american»
The animation is beautiful, the slowly unfolding narrative intriguing, and there's a great soundtrack by cult American songwriter Terry Scott Taylor.
https://www.theguardian.com/ Not exact matches
In Updike's view, the ineluctable disappearance of religion in the life of Americans has been replaced by the ersatz religions of devotion to the bitch goddess of material success, and to the excitements of a degraded popular culture (the cult of the silver screen figures large in Lilies).
You idiots give Obama a pass on his racist, anti American cult church and god forbid you say anything about Islam, which by definition is out to destroy the west, read their own writing.
I just watched the movie «September Dawn» where on 9 - 11 many Americans lost their lives to this cult and I spoke with my Son about this movie where they believe by killing gentiles (anyone not a mormon) that they are saving us, and we can go to the planet kolob and be a god.
Americans in the two opposing strains of Protestantism, the evangelical and liberal, along with many adherents of Pentecostal and holiness cults, would agree that religious knowledge is special knowledge that can not be taught or learned by ordinary means (Philip J. Lee, Against the Protestant Gnostics, 113).
By contrast, pathetic movements such as the American Indian Ghost Dance of the 1890s and the New Guinea Cargo Cults of the 1940s fall under demotic and restorative.
This changing role of cults — from the haven of a few eccentrics to a real threat to core American values — is possible because the American civil religion has itself been made precarious by trivialization and corruption.
Like the Rastafarians in Jamaica, who worship the Sacred Herb, and the Native American Churchians, who experience the Holy Cactus as a sacrament, here at the Natural Chilehead Cult we prove our faith by the ritual consumption of all - powerful pungent pod eight times a day.
The Thing Universal Studios John Carpenter's 1982 cult thriller The Thing tells the story of an American research outpost terrorized by an elusive shape - shifting creature.
Driven largely by instinct and a cult of personality, the company's one - time dream team of «merchant prince» Mickey Drexler and «geek chic» creative director Jenna Lyons transformed the sleepy American catalogue business into a retail success story and cultural phenomenon, widely loved for its tongue - in - cheek take on classic, preppy tropes and famously embraced by former US first lady Michelle Obama.
The vampire Prince Manuwalde is revived by the member of an American voodoo cult, who is then made his slave.
Appropriately enough it was directed by Monte Hellman, the cult American maverick who co-produced Quentin Tarantino's directorial debut Reservoir Dogs in 1992.
Paul Giovanni — «The Wicker Man» (1973) From «Witchfinder General» to «A Field In England,» pastoral horror has been a particularly British concern, one that reached its perfect form with Robin Hardy's bizarrely terrifying 1973 cult hit «The Wicker Man» and its folk soundtrack by American playwright and director Paul Giovanni.
«Hello, My Name is Doris» is directed and co-written by Michael Showalter, best known as a writer and actor for the MTV sketch group The State and, with David Wain, as co-creator of the cult classic «Wet Hot American Summer.»
The stop - motion animation drama played to a clunky, awkward Q&A when I saw its North American premiere at Telluride, but now that people will have seen the film in droves by Sundance 2016, one can imagine this will be an indeed special event, the first big meeting of the cult following Johnson and Kaufman's film so richly deserves.
An American schoolteacher in Germany is terrorized by a murderous Satanic cult that is plotting to plunge the world into darkness.
Factory's «Roger Corman's Cult Classics» line of drive - in classics and exploitation items presents a pair of standouts that are both superb examples of their respective genres and early works by major American film artists.
But the real stranger in this strange land was cult director Nicolas Roeg, fascinated by the American Southwest — its listless nurses (the brilliant Candy Clark) and bored college professors (a fearless Rip Torn).
To date, Halloween Horror Nights will also feature the following mazes: American Horror Story: Roanoke, based on FX's critically - acclaimed, Emmy ® and Golden Globe ® Award - winning television series; The Shining, inspired by the greatest horror film of all time; and Ash vs Evil Dead from the hit cable series based on the cult classic.
It's a flawless balance of serious racial themes and a parodical look at «positive» discrimination as an African - American played by Daniel Kaluuya gets caught up in a cult of white body - snatchers.
American Horror Story: Cult, Written by Brad Falchuk, John J. Gray, Joshua Green, Todd Kubrak, Crystal Liu, Tim Minear, Ryan Murphy, Adam Penn, James Wong; FX
WARREN OATES AND THE WORKING - CLASS ACTOR By Nick Pinkerton The beloved cult star Warren Oates epitomizes the waning American tradition of homegrown actors whose personas speak to the struggles of the working class
But the movie discovered a passionate cult following on DVD, and when a 20 - minutes - longer director's cut was released, well before 2004, «Donnie Darko» had been vindicated as one of the most remarkable if head - spinning first features by an American independent filmmaker in then - recent memory.
Here's a juicy debut for you: Inspired by the author's own difficult separation from religion, the harrowing, fierce The Incendiaries is set in a small college town, where a young Korean - American woman finds herself wrapped up in an extremist cult with North Korean ties.
While all around us in America today our economy has imploded, a historic number of Americans are out of work and all our jobs are being replaced by foreign immigrants or off - shored to other countries, the Cult of the Animal has taken over our very lexicon and showcases the destruction of American society.
Marriott hotel devotees currently have a choice between the Marriott Rewards and Ritz Carlton Rewards cards issued by Chase and the longtime cult favorite, the Starwood Preferred Guest credit card issued by American Express.
What was once a slice of tranquil American life is now being torn apart by a fanatical cult intent...
Led by Joseph Seed and backed up by his three siblings Jacob, John, and Faith (known as The Heralds), the cult take the traditional right - wing American values of freedom, faith, and firearms to their limits.
Far Cry 5 sends you to Hope County — a picturesque American countryside setting that's been taken over by a Doomsday Cult known as Eden's Gate, led by the villainous Joseph Seed (more commonly known as «The Father» to his followers) and his family.
Led by preacher Joseph Seed, the cult is prepping for the fall of the American government and is forcing its will on the inhabitants of Hope County.
What was once a slice of tranquil American life is now being torn apart by a fanatical cult intent on converting the town's populace by any means necessary — ...
For 2015 Milan's Design Week, KALEIDOSCOPE presented an exhibition that combined glass works by the cult design group with an installation by the young American painter.
The Cult of the Machine: Precisionism in American Art, by Emma Acker with Sue Canterbury, Adrian Daub, and Lauren Palmor, is published by the Fine Arts Museums of San Francisco / de Young in association with Yale University Press.
Grounded in Shaw's interest in the influence of religious movements on American society, The Donner Party is the centerpiece of a series based on «Oism», a fictional cult invented by the artist.
Christened «the future of American cinema» by Werner Herzog, Korine first garnered critical acclaim at 18 years old for writing the screenplay for Kids, Larry Clark's 1995 cult classic about mischievous New York City youth.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FrCULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FrCult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
A selection of books and catalogues featuring Crumb's work includes Cult Fiction (2007) published by Hayward Gallery, London; The Best American Comics, 2006 (Houghton Mifflin, Boston); An Anthology of Graphic Fiction, Cartoons and True Stories, 2006 (Yale University Press, New Haven, CT); R. Crumb's Heroes of Blues, Jazz & Country, 2006 (Harry N. Abrams, Inc., New York); Masters of American Comics, 2005 (Hammer Museum and The Museum of Contemporary Art, Los Angeles); and Yeah, But is it Art?
Although Lowman's work is influenced by such earlier appropriation artists as Andy Warhol, Richard Prince, and Cady Noland, his own brand of image recycling disperses into an unstructured installation - environment in which posters, record jackets and silk - screened imagery create a large - scale narrative that ruminates on specific issues, from American gun culture to celebrity cults.
The show is directly inspired by American writer Richard Brautigan's 1976 cult classic, Sombrero Fallout: A Japanese Novel, and is comprised of nine small scale paintings exquisitely rendered in pencil, watercolour and collage.
The sculpture's title refers to a short story by American horror fiction author Stephen King about a forsaken farm town taken over by a cult.
With «Cargo Cult,» (2005) Bedia refers to a phenomenon which occurred amongst cultures in the South Pacific when they became dependent upon provisions carried by cargo ships, chiefly American, during World War II, and stopped producing their own products.
The contradiction between a culture that is — at least by Canadian terms — green, and one that makes a cult of quarter mile in twelve seconds flat post-war American sedan worship does cause a double take.