Sentences with phrase «by cultural historian»

With a line - up of concerts and events spanning music, dance, theater, and literature, as well as an exhibition of past video collaborations with Glenn Ligon, Joan Jonas, Kara Walker, and Simone Leigh and Liz Magic Laser — and a new video by the cultural historian Maurice Berger — BLEED is a celebration of surprising synergy across the visual arts and music.

Sadly, there are no extras here save for the film's original theatrical trailer and a booklet featuring an in - depth analysis of the film by cultural historian Audie Bock.

PLUS: A booklet featuring a new essay by cultural historian Ian Buruma and Penelope Gilliatt's 1971 introduction to her published screenplay

A new book edited by the cultural historians Celeste Olalquiaga and Lisa Blackmore, «Downward Spiral: El Helicoide's Descent from Mall to Prison,» aims to bring its mysterious history to light.

The artistic practice of Geoffrey Farmer integrates forms of collecting and scholarship employed by cultural historians, and draws on a diverse repertoire.

Not exact matches

The sixth level of abstraction displays the categories of «forces» or «factors» traditionally used by historians to indicate their disciplinary perspective: economic, political, technological, aesthetic, psychological, social, or cultural.

The historian of religions finds himself in an analogous situation when he deals with archaic symbols that have been modified by cultural influences and events, for example, the World Tree, which in Central Asia and in Siberia received a new value by assimilating the Mesopotamian idea of the seven planetary heavens.

The effort to characterize construals of the Christian thing in the particular cultural and social locations that make them concrete will involve several disciplines: (a) those of the intellectual historian and textual critic (to grasp what the congregation says it is responding to in its worship and why); and (b) those of the cultural anthropologist and the ethnographer [3] and certain kinds of philosophical work [4](to grasp how the congregation shapes its social space by its uses of scripture, by its uses of traditions of worship and patterns of education and mutual nurture, and by the «logic «of its discourse); and (c) those of the sociologist and social historian (to grasp how the congregation's location in its host society and culture helps shape concretely its distinctive construal of the Christian thing).

Alewitz's mural was unanimously praised and accepted by the Puffin Foundations» officers and the committee of leading historians and cultural figures that oversaw the construction and installation of the Puffin Gallery.

The name is taken from the book «Homo Ludens: A Study of the Play - Element in Culture,» by the Dutch historian and cultural theorist Johan Huizinga, who claimed that the act of playing (ludus) is what makes human beings human — and that it predates culture.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

Wide - ranging and in - depth essays by over 30 contributors, including many of South Africa's leading art historians, cultural commentators and artists, make it an indispensable resource for curators, historians, students and artists.

Kat has won many awards for her art including Gold for Best of the Best East End Artist in 2016 and 2017 and The Award of Excellence by Juror Karen Marks, Director of Manhattan's Howard Greenberg Gallery, one of the world's leading photography galleries as well as Juror Dr. Naomi Rosenblum, eminent photographic historian and Juror Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill Cultural Center.

An art historian and gallery specialist by training, Liz is also an experienced educationalist, university lecturer and cultural consultant and works closely with artists to establish and lead an informal learning programme at the National Gallery in London.

With speakers Elvira Dyangani Ose (Lecturer in the Department of Visual Cultures, Goldsmiths and Senior Curator at Creative Time) and Sepake Angiama (Head of Education at documenta 14) and Melanie Keen (Director of Iniva), moderated by George Shire (cultural theorist and historian of ideas).

The centrepiece of the CIA campaign became the Congress for Cultural Freedom, a vast jamboree of intellectuals, writers, historians, poets, and artists which was set up with CIA funds in 1950 and run by a CIA agent.

The exhibition is accompanied by a full color catalog with essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.

In theoretical explorations by art historian Paulo Herkenhoff and Augustus Klotz, cannibalism is seen as a philosophical process of renewal and regeneration, as well as a form of cultural emancipation.

Curated by Kate Sutton, this year's theme, Borderline, focuses on the comprehensive changes that European cultural institutions face on a political, social, and cultural level as seen from the perspectives of artists, art historians, international collectors, museum directors, dealers, critics, and curators.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Featuring artists and art historians Cecily Brown, Emmelyn Butterfield - Rosen, and Nick Mauss, and moderated by Jutta Koether, this panel will consider different methods of reading Florine Stettheimer's work, through the lens of social and cultural history, or as an alternative example of modernism, creating its own series of networks from within.

Speakers will include Fatimah Jaber, Asiri house painter and founder of Fatimah Museum in Abha, and Ali Moghawi, Cultural Historian and member of Rijal Alma Unesco World Heritage Bid; the event will be moderated by Kate Seelye, Vice President, Middle East Institute.

It features essays by writer Taiye Selasi, Niger Delta historian Ebiegberi Joe Alagoa, environmental cultural studies scholar Stephanie LeMenager, exhibition curator Amy L. Powell, an interview with the artist by Princeton art historian Chika Okeke - Agulu.

Written in an engaging, straight forward style by prominent art historian Matthew Israel, The Big Picture presents ten outstanding examples of contemporary art, each with significant historical or cultural relevance to contemporary art's big picture.

It coincides with the Armory Show and the Whitney Museum of American Art Biennial and will be accompanied by a fully illustrated catalogue, complete with original texts by the writer and cultural critic Wayne Koestenbaum and the art historian and Dean of the Yale University School of Art Robert Storr.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.University Art Gallery 712 Arts Plaza Irvine, CA 92697 - 2775 tel. [phone] fax.

This publication, which includes a DVD and essay by art historian Hubertus Butin, is the first to present this film, analyzing it in its original cultural context, and situating it within the artist's oeuvre.

The fascinating selections for the exhibition have been made by well - known people and groups including artist Cornelia Parker, historian and cultural commentator Simon Schama, politicians including Lord Mandelson and Lord Boateng, Deputy Prime Minister Nick Clegg and staff from 10 Downing Street.

All of these artists have succeeded by avoiding what cultural historian Ian Buruma calls the «trap of hybridity,» in which self - conscious efforts to merge different traditions produce little more than superficial decoration hiding ill - digested ideas.

The catalogue includes essays by MoMA curator Ann Temkin, cultural critic Michael Bracewell and art historian Robert Pincus - Witten, along with a conversation between Hirst, Ed Ruscha and John Baldessari.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

Panel discussion on Performance Art, featuring Kate Gilmore» 97, Stamatina Gregory, curator and art historian, and Associate Dean, Cooper Union, and Myron Beasley, Associate Professor, African American and American Cultural Studies, moderated by Dan Mills, director.

«With essays by important authors, historians, and cultural critics, the catalogue places Mark's work within the context of our society's vital conversations about race, gender, and identity.»

This is due in part to curators and feminist art historians that have helped persuade cultural institutions by addressing the invisibility of female and queer artists and artists of color.

By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work functionBy anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work functionby leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work functions.

Every spot painting Hirst has produced is included in this substantial publication with over 99 % of them illustrated.The Complete Spot Paintings includes essays by Museum of Modern Art curator Ann Tempkin, cultural critic Michael Bracewell and art historian Robert Pincus - Witten as well as a conversation between Damien Hirst, Ed Ruscha and John Baldessari.

All Rock n Roll is Homosexual: An evening hosted by Alexis Petridis with Jon Savage and Nicky Wire Wednesday 29 February 2012, 7:30 pm Purcell Room, Queen Elizabeth Hall Ticket price: # 8 Music journalist Alexis Petridis hosts an evening exploring the extensive and sometimes unexpected influence of gay culture in rock and roll and pop music, with pop music writer and cultural historian Jon Savage and Manic Street Preachers lyricist and bassist Nicky Wire.

Iniva operates as an arts publishing house, often working in collaboration with larger publishers and producing books by writers such as the cultural theorist Kobena Mercer, [11] curator and educator Sarat Maharaj, artist Sonia Boyce [12] the art historian Guy Brett, and the art critic Jean Fisher.

The publication will feature three specially commissioned texts by critic JJ Charlesworth, independent writer, curator Ellen Mara De Wachter and cultural historian Timotheus Vermeulen, alongside an interview between Anita Zabludowicz and Gregor Muir, Executive Director of the ICA.

This work has been led by art historian, critic and curator, RoseLee Goldberg, whose unique approach to the role of Founding Director and Curator of Performa has initiated expanding knowledge and understanding of this important area of cultural history.

In addition, there is a 200 - page exhibition catalogue produced by Tate Publishing featuring essays by Jan Debbaut, curator, Ben Borthwick from the Tate, novelist and cultural commentator Michael Bracewell, and art historian Marco Livingstone.

Schell, a journalist and cultural historian, will sign his book «Wealth and Power,» co-written by John Delury.

Brand New Gallery is a new space in Milan dedicated to contemporary art, a cross between a gallery and a center for cultural promotion created by two art historians, Chiara Badinella and Fabrizio Affronti.

Dancer / filmmaker Yvonne Rainer, cultural critics Chris Kraus and Eileen Myles, cultural historian Sarah Lewis and photographer Nikki S. Lee are among the guest artists scheduled to take part in this fall's public events series hosted by the NYU Steinhardt Department of Art and Arts Professions.

The beautifully illustrated publication includes an introduction by co-curators Alnoor Mitha, Artistic Director of Asia Triennial Manchester 11 and Research Fellow at MMU MIRIAD and Sarah Perks, Programme and Engagement Director, Cornerhouse; an essay by David Elliott, curator, writer and cultural historian; and an interview with Rashid Rana conducted by Hans Ulrich Obrist, curator, writer and Co-director at the Serpentine Gallery.

Check out the entire database of «1,700 entries, with content created by academics, volunteers, and advocates, vetted over the past decade by dozens of researchers and historians» on the Cultural Landscape Foundation site.