Maybe that's because so much of our talk around the devil is shaped
by cultural representations.
Not exact matches
Martin sees disturbing parallels between the
cultural representations of people who fall
by the wayside in the world of work — through unemployment, «deskilling» or lack of training — and those who fall ill as a result of «inferior» immune responses, leading to AIDS, cancer or a host of other diseases.
Unfortunately, our
cultural understanding of what «beauty» means is limited
by the media's
representations of women, which often pressure us into changing our appearance to what we think beauty should look like.
Cultural appropriation is particularly threatening with regard to Black hair because Black women have had to fight for equal
representations in several industries and for our beauty to be valued
by society.
In early 2015, Jaden released an album titled This Is The Album, comprised of three tracks designed to promote his new - age collective MSFTSRepublic, which includes Beats 1's MSFTS Frequency radio show, hosted
by Jaden Smith, an online «zine» of abstract
cultural and political
representations and a clothing line.
The strides taken in racial
representation in Black Panther have made the film a
cultural phenomenon, and the soundtrack, produced
by rapper Kendrick Lamar, honors this legacy.
The 90th Academy Awards turned Sunday night's ceremony in Los Angeles into a celebration and exhortation of
representation and inclusion, after a year marked
by seismic
cultural change in Hollywood that rippled across the world.
The piece proceeds in the mode of
cultural studies
by analysing the racial discourses surrounding the film: black rural folklorism, the
representation of stereotypical black comic or menial roles in film, the commodification and packaging of black culture, and what Naremore calls «a chic, upscale «Africanism», redolent of café society, Broadway theatre, and the European avant - garde.»
Take the
cultural cues in his work: the Rockwellian Americana he essays in Blue Velvet; the Bauhaus
by way of Antoni Gaudi of Dune; or the late - Hitchcock identity puzzles he rejiggers in Lost Highway and Mulholland Drive — both commonly seen as satires of what they represent but more accurately described, perhaps, as simple, uncommented - upon
representations of what a lower layer of consciousness might consider to be unadorned gospel.
A grisly critique of
representations of violence, the original version shot a hole right through the fourth wall, but Haneke's echo — which re-uses the same locations and stresses its own pointlessness at every turn — transforms his
cultural commentary into an endless hall of mirrors, completing the project
by repeating it.
As students learn to use technology tools to build
representations of a social world's characteristics, they generate reflective critical thought through their analysis and critique of the identities, relationships, and values constructed
by the
cultural practices and discourses in that social world.
Start
by marking «
Representation:
Cultural Representations and Signifying Practices» as Want to Read:
I don't think this approach enriched the game
by any means, but it does serve as a built - in defense to any accusations of poor or inadequate
cultural representation that could be levied at Infamous 2 and its characters.
Jack Whitten's narrative Abstract Expressionist works from the 1960s draw imagery from the Civil Rights movement, including ghosted images of Dr. Martin Luther King, Jr; Joan Semmel's figurative paintings question
representation of female sexuality through the lens of self - portraiture; Gay liberation and the AIDS crisis are the
cultural context for narrative paintings
by the late Hugh Steers (1963 — 1995).
By placing the Soviet plane in the setting of an empty sky, devoid of potential targets, the artist highlights our
cultural tendency to fetishize objects of war, while simultaneously neutering
representations of violence — a practice that is particularly manifest in the content of mass - market video games.
«American art
by definition includes several aesthetic realities, several
cultural realities and a broad geographical
representation.
[56]: 43 What, however, can be said, is that it was a movement that developed in the early 20th century mainly in Germany in reaction to the dehumanizing effect of industrialization and the growth of cities, and that «one of the central means
by which expressionism identifies itself as an avant - garde movement, and
by which it marks its distance to traditions and the
cultural institution as a whole is through its relationship to realism and the dominant conventions of
representation.»
Identity Shifts A companion exhibition to Posing Beauty, this collection - based display features works
by African American artists who use
representations of the human figure or some aspect of the body (including hair) to explore how we construct and perceive personal and
cultural identity.
Informed
by the Los Angeles mural culture, Cristi's complex paintings often intermix
cultural signs and
representations with painterly abstraction, connecting the politics of the canvas to the politics of the street.
This collection - based exhibition features works
by African American artists who use
representations of the human figure or some aspect of the body (including hair) to explore how we construct and perceive personal and
cultural identity.
Founded
by Dawne Langford and Avi Gupta, Quota is a curatorial collaboration dedicated to broadening
cultural diversity in public discourse around artistic creation and
representation.
The artworks included in this small, focused, survey exhibition encourage conversations surrounding indigenous
cultural practices such as mark - making and mapping; visual
representations of settlement and expansion; and depictions of changes to the landscape brought about
by colliding cultures.
It's in this same year that Tate Modern's exhibition «Soul of a Nation: Art in the Age of Black Power (1963 — 1983)» begins its story of the radical, brilliant and hugely varied art made
by African American artists in the political and
cultural landscape of Civil Rights, Black Panthers, Blaxploitation, and other manifestations of the fight for equality in education, jobs and
representation.
Gowda is interested in the power that objects and forms carry in capturing aspects of reality, with its social and
cultural narratives, that are otherwise unseen
by and unspeakable through other languages of
representation and analysis.
By replacing the typical European aristocrats depicted in those paintings with contemporary black subjects, Wiley is able to draw attention to the absence of African Americans from historical and
cultural narratives and raise questions about race, gender, and the politics of
representation.
Informed
by Ringgold's legacy as well as the current political climate, the exhibition poses questions about how to reconceptualize
cultural representation, engagement, and critique: What spaces for agency are available to black artists today, and
by what means have they produced spaces for themselves?
Thursday, May 11, 11:00 a.m. U.S. Pavilion Press Conference U.S. Pavilion, Giardini della Biennale, Venice Mark Bradford's Tomorrow Is Another Day, the official U.S.
representation at the 57th International Art Exhibition — la Biennale di Venezia — is co-organized
by the Rose Art Museum at Brandeis University and The Baltimore Museum of Art and is presented
by the Bureau of Education and
Cultural Affairs of the U.S. Department of State.
The Whitechapel Gallery has published this list of objects, which are being loaned to the gallery for a forthcoming exhibition, as information under The Protection of
Cultural Objects on Loan (Publication and Provision of Information) Regulations 2008 and that
by publishing this information the Gallery makes no
representations that any of these objects fulfill all the requirements of the section 134 of the Tribunals, Courts and Enforcement Act 2007.
The paintings themselves are conceived
by involving elements of
cultural and geographic surroundings, as well as elements of digital
representations culled from vast online sources to my own camera.
Moroles has strong
representation in Dallas which include commissions
by the Belo Corporation, Stele Gateway, 1995, made with Fredericksburg granite; the Latino
Cultural Center, Granite Weaving, 2001 made with Dakota Mahogany Granite; and three works installed at UT Southwestern Medical Center.
Kheirkhah's multi - disciplinary art practice and her specific focus on decentralising the generalising
cultural forms of categorization, explores the
representations of the so called «Middle Eastern» female identities through a practice which is generated
by the interplay of history, politics, media and visual arts within contemporary Western visual culture.
By turning the camera on herself, Sherman raises challenging and important questions about the role of women in society and the
representation of
cultural stereotypes.
Nine sculptures
by artist Charles Rudy (1904 - 1986) will be on display alongside three - dimensional
representations made possible through a partnership with the Google
Cultural Institute.
The artist is particularly interested in the social and political legacies of cinema;
by revisiting twentieth century revolutionary movements through their
cultural manifestations, Jones proposes that new forms of collective action and self -
representation may yet be possible.
Furthermore, Namsa Leuba's (b. 1982) work, presented digitally
by Lensculture, explores shifting themes of self - image, using the bold language of fashion photography to explore the African
representation and
cultural heritage.
By appropriating technologies of
representation from the sciences, architecture, and the commercial arts and combining the dimensional properties of video, photography, sculpture, and drawing, Sarah Dornner investigates the ways in which
cultural and social constructs inform individual perceptions of space.
She «is critical of African American
cultural history and the
representation of black bodies, and her portraits are satirical manifestations of identities shaped
by political, social, economic, and
cultural influences.»
With some 250 works
by more than 80 schooled and unschooled artists, this exhibition argues for a more diverse and inclusive
representation in the
cultural arena.
The official U.S.
representation at the 55th International Art Exhibition — la Biennale di Venezia, 2013 was organized
by The Bronx Museum of the Arts and presented
by the Bureau of Educational and
Cultural Affairs of the U.S. Department of State; made possible with the collaboration of the Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York) and Co-Commissioned
by Holly Block, Executive Director, The Bronx Museum of the Arts, and Carey Lovelace, Independent curator and critic.
For their first exhibition at Andrea Rosen Gallery following the announcement of their
representation by the New York dealer, Lizzie Fitch and Ryan Trecartin have delivered an ambitious debut, translating typical gallery experiences into a staggering, surreal encounter with
cultural formats and blurred informational structures.
Stories of
representation, dispossession, and the day - to - day politics of
cultural difference collapse into and spiral out of the work His research in Singapore has involved connections between Southeast Asia, the Caribbean and Great Britain in an «umbilical» relationship linked
by the trade of cotton and other essential goods.
Yishai Jusidman: Prussian Blue, Memory After
Representation is made possible
by support from Mex - Am
Cultural Foundation and the Mexican
Cultural Institute of New York.
The Brooklyn Commune's
Cultural Democracy and
Representation Team, led
by Kyoung H. Park, has designed an artist survey to invite artists to share their experiences working in the field in order to open up public discussions regarding diversity and inclusion in the performing arts.
Bill is also the author of the Canada Chapter in Media, Advertising and Entertainment Law Throughout the World published and updated annually
by Thomson Reuters, and a number of published articles on legal topics such as Merger and Acquisitions
representations,
Cultural Industries under the FTA, International Commercial Arbitration and Equipment Leasing.
The cautious approach adopted
by the Court seems even more problematic since targeting specifically MSM population relies on
cultural demeaning
representations of gay and bisexual sexualities connected to promiscuity.
The
cultural representations, values, and norms were variables explored
by Trainor (2010b) to devise strategies regarding how to solicit more involvement from parents who are culturally and linguistically diverse.