Sentences with phrase «by different curators»

Taking place each day at 3 p.m., the tour will be guided by different curators who will each bring a unique focal point and present exciting artistic items, explain contexts, and gladly answer questions.
The shows were organized by different curators — Clarrie Wallis and Katherine Stout, respectively — though they occupied adjacent galleries and shared an exhibition guide, which explained that the «exhibitions run in parallel, offering visitors the chance to see the work of two complementary British artists from different generations».

Not exact matches

Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
Frances Morris places Martin's work in the art historical context of the time; art historian Richard Tobin analyzes Martin's painting «The Islands»; conservator Rachel Barker offers the reader a close viewing of «Morning»; curator Lena Fritsch provides a visual biography by comparing photographic portraits of Martin from different periods; and art historian Jacquelynn Baas delves into the spiritual and philosophical beliefs so present in Martin's art, including Platonism, Christian mysticism, Zen Buddhism and Taoism.
At each of the stages of the exhibition tour, namely at WIELS, the Fondation Beyeler and, now, at the MMK in Frankfurt, the show is initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.
The exhibitions will take place in 2014, 2016, and 2018 and will be organized by a different team of curators, from locations throughout the Western Hemisphere.
Each issue is curated by a different guest curator from around the country.
Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.
Guest curated by Tanya Zimbardo, Assistant Curator of Media Arts at the San Francisco Museum of Modern Art, the exhibition brings together for the first time historic works by these two artists, exploring their different approaches to the description of space through structured activity performed for the camera.
Gathering the contributions of researchers, artists and curators, this conference aims to examine the different ways by which contemporary art...
At 19:30 the curator Ofir Dor will offer a final tour through the exhibition with the focus on how the displayed works of different generations of Israeli artists are interwoven with each other in a complex manner by the theme «body».
The art exhibition «Triangles» features seventeen contemporary artists and their different approaches on the subject of the triangular shape and is curated by Brooklyn based abstract artist and curator Melissa Staiger.
Janet McKenzie: How different do you think an exhibition will be that has been curated by artists as opposed to curators?
As much as her career parallels Schutz's, and as loved among artists and shunned by curators as she is, however, Bernhardt's market story is very different.
What's different today is not just the heightened economic inequality we see within the US, but also the widespread de rigueur expectation — reinforced by curators, academics, and, indeed, critics — that serious artists offer a kind of protest, working to subvert the very social and economic power structures their patrons uphold.
By then I was the curator at the Musée d'Art Moderne de la Ville de Paris, doing the program at ARC [the museum's experimental wing] on the contemporary palette, and my colleagues and I felt that the situation had changed to something very different in the seven years since «The Broken Mirror.»
At each of the stages of the exhibition tour, the show was initially installed by the exhibition's curator Elena Filipovic and, halfway through its duration, is completely reinstalled by a different selected artist whose own practice has been influenced by Gonzalez - Torres.
Different sections are introduced with excerpts from interviews conducted with the artist, and are further discussed in a detailed appendix by curator Ulrich Loock.
Organized by Curator of American Art Jonathan Frederick Walz, Ph.D. and Columbus State University alumnus Isaac Sabelhaus, this project presents a new selection of over two dozen infrequently seen works on paper by 18 different women.
Since its founding FLAG has organized over 50 exhibitions showing the work of almost 500 artists, curated by 18 different curators, including Lisa Dennison, Prabal Gurung, Jim Hodges, and Shaquille O'Neal, among others.
Including 121 artists from 40 different countries as selected by 79 curators, critics and established artists, Vitamin Ph includes the following artists: Armando Andrade Tudela, Alexander Apostól, Miriam Bäckström, Yto Barrada, Erica Baum, Valérie Belin, Walead Beshty, Rut Blees Luxemburg, Luchezar Boyadjiev, Frank Breuer, Olaf Breuning, Gerard Byrne, Elinor Carucci, David Claerbout, Anne Collier, Phil Collins, Kelli Connell, Eduardo Consuegra, Sharon Core, Rochelle Costi, Gregory Crewdson, Nancy Davenport, Tim Davis, Tacita Dean, Olafur Eliasson, Hans Eijkelboom, JH Engström, Lalla Essaydi, Roe Ethridge, Peter Fraser, Yang Fudong, Anna Gaskell, Simryn Gill, Anthony Goicolea, Geert Goiris, David Goldblatt, Katy Grannan, AES+F group, The Atlas Group / Walid Raad, Mauricio Guillen, Jitka Hanzlová, Anne Hardy, Rachel Harrison, Jonathan Hernández, Sarah Hobbs, Emily Jacir, Valérie Jouve, Yeondoo Jung, Rinko Kawauchi, Annette Kelm, Idris Khan, Joachim Koester, Panos Kokkinias, Luisa Lambri, An - My Lê, Tim Lee, Nikki S Lee, Zoe Leonard, Armin Linke, Sharon Lockhart, Vera Lutter, Florian Maier - Aichen, Malerie Marder, Daniel Joseph Martinez, Gareth McConnell, Scott McFarland, Ryan McGinley, Trish Morrissey, Zwelethu Mthethwa, Zanele Muholi, Oliver Musovik, Kelly Nipper, Nils Norman, Catherine Opie, Esteban Pastorino Díaz, Paul Pfeiffer, Sarah Pickering, Peter Piller, Rosângela Rennó, Mauro Restiffe, Robin Rhode, Sophy Rickett, Noguchi Rika, Andrea Robbins / Max Becher, Ricarda Roggan, Anri Sala, Dean Sameshima, Alessandra Sanguinetti, Markus Schinwald, Gregor Schneider, Collier Schorr, Josef Schulz, Paul Shambroom, Ahlam Shibli, Yinka Shonibare, Efrat Shvily, Santiago Sierra, Paul Sietsema, Alex Slade, Sean Snyder, Alec Soth, Heidi Specker, Hannah Starkey, Simon Starling, John Stezaker, Clare Strand, Darren Sylvester, Guy Tillim, Nazif Topçuoglu, Danny Treacy, Fatimah Tuggar, Céline van Balen, Annika von Hausswolff, Bettina von Zwehl, Deborah Willis, Sharon Ya'ari, Catherine Yass, Shizuka Yokomizo, Amir Zaki, Liu Zheng, Tobias Zielony With and introduction by TJ Demos and individual texts about the artists by Rodrigo Alonso, Thomas Boutoux, Isolde Brielmaier, Stuart Comer, Dina Deitsch, TJ Demos, Frits Giertsberg, Mark Godfrey, Catherine Grant, Alison Green, Katerina Gregos, Rachel Haidu, Jens Hoffmann, Michael Ned Holte, Ana Finel Honigman, Vincent Honoré, Vasif Kortun, Sarah Lewis, Roxana Marcoci, Dominic Molon, Shamim M Momin, Jessica Morgan, Jonathan Napack, Sally O'Reilly, Tetsuya Ozaki, Bethany Pappalardo, Alona Pardo, John Reed, Catsou Roberts, Jose Roca, Barry Schwabsky, Brian Sholis, Luke Skrebowski, Kerstin Stremmel, Margaret Sundell, Gloria Sutton, Nato Thompson, Sarah Thornton, Grant Watson, Axel Wieder
Each chosen by a different CAMH curator, the artists worked with them to conceptualize and develop their respective installations.
Competently put together by Starr Figura, MoMA's curator in the Department of Drawings and Prints, the show brings to our attention Pollock's works in different media — drawings, prints, paintings, and even one decorative design on the lid of a wooden box — in a compact, but thorough overview of his career.
By invitation of both Rodeo and Yama and in dialogue with curator Krist Gruijthuijsen, Gabriel Lester has conceived an exhibition on two separate platforms, one as a commission for Yama's video screen located on top of the Marmara Pera hotel, which will also include screenings in two different rooms located inside the hotel, and a solo show at Rodeo.
Milder has been recognized by critics and museum curators as a visionary whose exuberant colors and cosmic symbols continue to resonate across different generations and cultures.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
At this year's Whitney Biennial, the museum broke new ground by giving three different curators one floor each, where they could organize their own exhibitions of contemporary art without reference or corresponding to the others.
I was struck then, as I've always been struck, by the diversity of his practice, by the different directions that he takes, and it's something a lot of writers and curators have grappled with, trying to place his different approaches into a framework.
As a curator, one of my main goals is to encourage a dialogue between different artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.
With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.
Art Night is a mini-festival conceived and organised by Unlimited Productions who, each year, will invite a leading cultural institution and curator to work in a different area of London, exploring the history, culture and architecture.The first edition is curated by the Institute of Contemporary Arts (ICA), with curator Kathy Noble, who will present a series of artists» works and new commissions in unusual locations across Westminster, forming a trail running from Admiralty Arch to Temple.
To help with the design of the galleries, an astonishing, tiny replica of SFMOMA has been constructed: over the past four years, a model - maker has made maquettes — detailed, accurate and some as small as half an inch long — of at least 2,000 artworks, which have been moved around by the curators to see how effective different hangings are, and what connections between pieces are suggested from different viewpoints.
Said Christina Mossaides Strassfield, Museum Director and Chief Curator, Guild Hall Museum, «We wanted to present Peter Beard's body of work through a different lens, by exploring the artist's visions of Kenya and Montauk as encampments / refuges where his art and life converge.»
Because I knew so many artists from my generation, who exhibit mainly at publicly sponsored exhibitions and felt suffocated by the traditional art world, we started various projects such as: group exhibitions, curators exhibitions, architecture exhibition and educational projects with universities; We made a foundation for different fields of artists to interact.
In addition, a further unveiling of work from 14 different makers, selected by special guests Jay Osgerby, the Crafts Council's Head of Exhibitions and Collections, Annabelle Campbell and Project Curator Julia Ravenscroft, will take place from 22 to 25 February 2018.
«The curator's selection and interpretation of the pieces is influenced by a different cultural background than the artists who created them.
Also by inviting highly influential curators from different countries to Ireland we hope to inform them about the Irish art scene.»
Curated by David Ho Yeung Chan, a curator based in Hong Kong with an MA from the Centre for Curatorial Studies at Bard College in new York, The Thid Script aims to look at two different ways of deconstructing a narrative - through a site - specific installation by Lai and a time - based artwork by Boo.
Begun by a collective of six art curators and organisers in 2001, ARTS INITIATIVE TOKYO is a non-profit space that organizes various artistic programmes and projects, including an artist - in - residence program and Making Art Different (MAD), which embraces new approaches to contemporary art.
The exhibition spans about twenty - seven years of work, and was put together by curator Joan Simon in collaboration with Marta Gili of the Jeu de Paume and Okwui Enwezor of the Haus der Kunst in Munich, both of whom I have worked and exhibited with in the past, in different European countries.
The Haudenschild home is like a salon frequented by curators and artists from different countries.
According to Jane Simon, MMoCA's curator of exhibitions, this interplay of different - but - related forms «suggests multidimensional spaces that can be mapped by mathematics but are imperceptible to the human eye.»
Curated by internationally renowned curator David Elliott, the exhibition presents intriguing new works by two young artists who respond in different ways to the history, culture and current social fabric of Hong Kong.
It is shaped by the different concepts of curators appointed to enter into a dialogue with the city of Berlin, its general public, the people interested in art as well as the artists of this world.
The exhibition series debuted in 2014, with the first edition Unsettled Landscapes, and continues in 2016, with the exhibition, much wider than a line and 2018, and is organized by a different team of curators for each edition, from locations throughout the Western Hemisphere.
It gathers the work of more than 200 artists from different parts of the world (with a special section devoted to Mexican artists selected by guest curator Miguel Calderón): Richard Serra, Ozzy Osbourne, R. Crumb, Neckface, Karen O, Raymond Pettibon, José Luis Sánchez Rull, Alejandro Magallanes, Melinda Beck, Rita Ponce de León, Tony Cox, Matt Damhave, Xiaoquing Ding, Iwan Effendi, Ron English, How & Nosm, KMNDZ, Leslie Sternbergh and many more.
The exhibition series debuted in 2014, with the first edition Unsettled Landscapes, and will continue in 2016, and 2018, and is organized by a different team of curators for each edition, from locations throughout the Western Hemisphere.
(Rio de Janeiro, Brazil) The show consists in the presentation of works by contemporary Brazilian artists, selected by three curators from different places and generations, with the goal of bringing to the viewer a panorama of Brazilian contemporary art, based on the exchange of different looks.
She also participated as a guest curator for Guatemala in different international biennials and as an independent curator for several exhibitions in Guatemala and Latin America, including: Móvil, an exhibition and performance by Regina José Galindo, Museo de Arte Contemporáneo (MUAC) and UNAM's Independence BiCentury celebration project: The Liberty Ghost, México 2010.
Future shows will be organized by freelance curators — the museum will have no in - house curatorial staff — «to keep the collection fresh and bring different viewpoints,» Manné said.
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