Sentences with phrase «by documenta»

BILDERBEDARF includes works by Francis Alÿs, Georg Baselitz, Joseph Beuys, Christo & Jeanne - Claude, Jeremy Deller, Hans Haacke, Jörg Immendorff, Alfredo Jaar, Käthe Kollwitz, Wolfgang Mattheuer, A. R. Penck, Christoph Schlingensief, Willi Sitte, Klaus Staeck, as well as selected works from René Block's donation to the Lidice memorial by KP Bremer, Felix Droese, Gotthard Graubner, Rolf Julius, Gerhard Richter, Karin Sander and Stephan Wewerka, and a special section of works by documenta II artists Karel Appel, K. O. Götz, Hann Trier and Gerhard Wendland.
Pierre Huyghe, Untilled (detail), 2011 — 2012, Commissioned and produced by dOCUMENTA (13) with the support of Colección CIAC AC, Mexico; Fondation Louis Vuitton pour la création, Paris; Ishikawa Collection, Okayama, Japan.
Nicolas Krupp Gallery is presenting new works by documenta X participant Peter Friedl.
Commissioned and produced by dOCUMENTA (13).
Also ex libris (2010 — 2012), a work that was originally commissioned by dOCUMENTA (13), commemorates the approximately thirty thousand books from Palestinian homes, libraries, and institutions that were looted by Israeli authorities in 1948.
1: El Taco, edited by dOCUMENTA (13) and Hatje Cantz.
Commissioned and produced by Documenta 13 with the support of the Ministry of Culture of the Republic of Croatia, Culturnet Croatia.
Works in the exhibition include ex libris (2010 — 2012), originally commissioned by dOCUMENTA (13), which commemorates the approximately thirty thousand books from Palestinian homes, libraries, and institutions that were looted by Israeli authorities in 1948 and ENTRY DENIED (a concert in Jerusalem)(2003), a full length concert performed by Austrian nationals who were scheduled to perform in Jerusalem and Bethlehem but denied entry at Tel Aviv's Ben Gurion airport for «security reasons».
dOCUMENTA (13) is vast, even by Documenta standards.
Geoffrey Farmer, Leaves of Grass, 2012 Installation view at Neue Galerie Kassel Commissioned and co-produced by dOCUMENTA (13) / photo Anders Sune Berg
Commissioned and produced by dOCUMENTA (13) wil the support of Colección CIAC AC, Mexico; Fondation Louis Vuitton pour la création, Paris; Ishikawa Collection, Okayama, Japan.

Not exact matches

Language and articulation are in fact key aspects of Le fort des fous, which was in part commissioned by this summer's documenta 14 exhibition, where it was presented as an installation before its festival premiere in Locarno's Filmmakers of the Present section.
No one wanted the gigantic 120 - by -168-inch Jeff Koons painting of the debut of the artist's flower Puppy in a Documenta 9 — upstaging unveiling in front of the Residenzschloss Arolsen in Hesse, Germany, in 1992.
In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.
This period culminated with Dugger and Medalla being asked by Harold Szeemann to curate their own pavilion as part of Documenta 5 in 1972.
In 1977, Stamm was included by curator Manfred Schneckenburger in Documenta 6 in Kassel, Germany.
Highlights of Unlimited will include Carl Andre's floor work «Steel Peneplain» (1982) presented by Konrad Fischer Galerie (Dusseldorf), which consists of 300 steel plates and was created especially for Kassel's Documenta 7 in 1982.
Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).
1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan
He was notably commissioned by Okwui Enwezor at Documenta 11 in 2002 to create his most recognised work «Gallantry and Criminal Conversation'that launched him on to an international stage.
Curated by Okwui Enwezor — who has a Documenta under his belt and is currently the director at Munich's Haus der Kunst — «All the World's Futures» comprises 136 artists from 53 countries.
The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).
I was invited by the Eternal Internet Brotherhood / Sisterhood, a project of documenta 14.
Documenta 14 in Athens, by Raimar Stange Hannah Black at Mumok, Vienna, by Kimberly Bradley The Absent Museum at Wiels, Brussels, by Sam Steverlynck Splice: Re-examining Nature at Oulu Museum of Art, Finland, by Mike Watson Ulla von Brandenburg at Galerie Art: Concept, Paris, by Violaine Boutet de Monvel Adrian Paci at Kaufmann Repetto, Milan, by Barbara Casavecchia Rodrigo Hernández at Kim?
1968 The Art of the Real: 1948 — 68, Museum of Modern Art, New York, NY Plus by Minus: Today's Half - Century, Albright - Knox Art Gallery, Buffalo, NY Documenta IV, Kassel, Germany Art Students League, Centennial Decade, 1968 — 1969, Art Students League, New York, NY
The 2013 Award Jury is led by Carolyn Christov - Bakargiev, former Artistic Director of dOCUMENTA (13).
Cruzvillegas, Abraham, Abraham Cruzvillegas: 100 Notes, 100 Thoughts, Documenta Series No057, published by Hatje Cantz, Berlin, Germany, 2012
click here to download PDF by Stephanie Cristello On April 8, 2017, in Athens, my first encounter of documenta 14 was marked by the translation of Arseny Avraamov's Symphony of Sirens (1919 — 1923).
In addition to participating in an international array of group exhibitions including the Venice Biennale (1997, 1980, 1976), the Whitney Museum of American Art Biennial (1995, 1977), and Documenta, Kassel, Germany (1972), Martin has been the recipient of multiple honors including the Lifetime Achievement Award on behalf of the Women's Caucus for Art of the College Art Association (2005); the Governor's Award for Excellence and Achievement in the Arts given by Governor Gary Johnson, Santa Fe, New Mexico (1998); the National Medal of Arts awarded by President Clinton and the National Endowment for the Arts (1998); the Distinguished Artist Award for Lifetime Achievement by the College Art Association (1998); the Golden Lion for Contribution to Contemporary Art at the Venice Biennale (1997); the Oskar Kokoschka Prize awarded by the Austrian government (1992); the Alexej von Jawlensky Prize awarded by the city of Wiesbaden, Germany (1991); and election to the American Academy and Institute of Arts and Letters, New York (1989).
With speakers Elvira Dyangani Ose (Lecturer in the Department of Visual Cultures, Goldsmiths and Senior Curator at Creative Time) and Sepake Angiama (Head of Education at documenta 14) and Melanie Keen (Director of Iniva), moderated by George Shire (cultural theorist and historian of ideas).
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
It remains to be seen whether the political turn in contemporary art suggested by the recent Whitney Biennial and Documenta 14 in Athens translates into the commercial context of Art Basel.
Summer tends to be a relatively quiet season art-wise, but this year major international events — Venice Biennale, Documenta 14, and Art Basel — are coinciding with compelling gallery and museum exhibitions featuring works by black artists.
Recent public and group exhibition projects include Art Basel Miami Public Sector, Miami; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal; Inside, Palais de Tokyo, Paris; Imagineering, Okayama Castle, Okayama; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Japan; The artists have the keys, 2 Willow Road, London; The Human Factor, Hayward Gallery, London; Unlimited, Art Basel; Esperluette, Palais de Tokyo, Paris; dOCUMENTA (13), Kassel; Locked Room Scenario, commissioned by Artangel, London; ILLUMInations, 54th Venice Biennale; Intervals, Solomon R. Guggenheim Museum, New York; and The Happy Prince, Public Art Fund, New York.
Other Documenta remnants (mainly sculptures) can be found in many places in Kassel; among those the «7000 Oaks», a work of land art by the German artist Joseph Beuys.
He also participated in many international exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta His first comprehensive retrospective in the United States was mounted by the Museum of Fine Arts, Houston, in 1966.
Supported by Jean Leering, director of the Van Abbemuseum Eindhoven, his work was also included in seminal exhibitions such as the 1967 Biennal of São Paolo together with Jan Schoonhoven and Peter Struycken and the Documenta 4 in Kassel in 1968, in a gallery room shared with Elsworth Kelly.
His recent projects include Art Basel Miami Public Sector, Miami, US; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal, CA; Inside, Palais de Tokyo, Paris, FR; Imagineering, Okayama Castle, Okayama, JP; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen, DK; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Okayama, JP; The artists have the keys, 2 Willow Road, London, UK; The Human Factor, Hayward Gallery, London, UK; Unlimited, Art Basel, Basel, CH; Parcours, Art Basel, Basel, CH; Esperluette, Palais de Tokyo, Paris, FR; dOCUMENTA (13), Kassel, G; Locked Room Scenario, commissioned by Artangel, London, UK; ILLUMInations at the 54th International Art Exhibition of the Venice Biennale; Intervals at Solomon R. Guggenheim Museum, NYC, US and The Happy Prince, Public Art Fund, Doris C. Freedman Plaza, Central Park, NYC, US.
This exhibition is the first solo exhibition by the artist, whose work was exhibited in Germany at Kunsthaus Hamburg (with the Gedok Association) and at Documenta 5 in 1972.
1 Theaster Gates, «Statement» in Theaster Gates: 12 Ballads for Huguenot House, Museum of Contemporary Art, Chicago and documenta (13), 2012, p. 23 2 Gates quoted in the information package about the project prepared by Kavi Gupta Gallery, Chicago, 2012
Spanning 1962 - 2002, 25 exhibitions that have contributed to shifts in modes of perception, presentation and the practice of art have been selected for investigation, from Dylaby at the Stedelijk Museum in 1962, featuring work by Robert Rauschenberg, Niki de Saint Phalle and others, to Documenta 11 in 2002, curated by Okwui Enwezor and a team of co-curators.
As a result of the Documenta 6 (1977), Kassel became the first town in the world to be illuminated by laser beams at night (Laserscape, by artist Horst H. Baumann).
In 1968, she went to Documenta, an international art show in Germany, and was bowled over by the freshness and originality of the work on display by a new generation of artists seeking to come to terms with their nation's past.
De Keyser's great breakthrough occurred in 1992, when he participated in the Documenta IX show in Kassel, Germany, organised by his compatriot Jan Hoet.
Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.
Spencer Finch's light work Goldberg Variations, new paintings by Art & Language, Michael Rakowitz's What Dust Will Rise project from Documenta, a hanging sculpture by Richard Rezac, and other recent works buttress the exhibition's historical pieces...
The gallery at 510 West 25th Street will center on a new installation by the artist that expands on his project for Documenta 13.
He was notably commissioned by Okwui Enwezor At Documenta 10 in 2002 to create his most recognised work Gallantry and Criminal Conversation that launched him on an international stage.
An artist book, published by Hatje Cantz to accompany the Documenta installation, will also be on view.
Performance by Puamiria Parata - Goodall and Iaean Cranwell at EMST — National Museum of Contemporary Art, Documenta 14 Athens Athens (Greece), April...
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