Sentences with phrase «by early cinema»

ARTIST BIO Mere Phantoms is the Montreal - based duo Maya Ersan and Jaimie Robson, who are inspired by early cinema, papercutting and shadow theatre.

Kambalu's co-current exhibition Introduction to Nyau Cinema at the Whitechapel Gallery is inspired by early cinema and the experience of watching films as a child in Malawi.

Not exact matches

The building's elegantly restrained colonial architecture, the gray sky, the stately camera movement and music all convey an austere gravity, which, together with Schrader's use of Academy ratio (inspired, he has said, by Pawel Pawlikowski's «Ida»), point us back not only to an earlier era of American religion but also to such European cinema models as Bergman's «Winter Light» and Bresson's «Diary of a Country Priest.»

He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926.

Irma Vep (1996) channels the glamour of Hong Kong action movies, as represented by the film's star Maggie Cheung; but it also looks back to early French cinema and the serials of Louis Feuillade.

If we'd known about its existence six months earlier, do you think anyone would have cared as much by the time it arrived in cinemas?

A startlingly intelligent, incandescent thriller topped off by one of the great endings in recent cinema, Christian Petzold's Phoenix has been granted early canonization by the Criterion Collection, which releases the film in a deluxe Blu - ray edition featuring interviews with the director and his star Nina Hoss.

Iron Fist was created by Roy Thomas and Gil Kane in the early 70s and they've discussed how they got their idea for the character from Asian cinema.

The advanced techniques of the Hong Kong action cinema translated from the period kung fu and wuxia film to the modern world of cops and robbers, from swordplay to gunplay, not for the first time (it was preceded into the present by Jackie Chan's Police Story from the previous year, as well as Cinema City's highly profitable Aces Go Places series of comic adventures and a whole host of films from the Hong Kong New Wave like Tsui Hark's own Dangerous Encounters - First Kind, not to mention earlier films like Chang Cheh's Ti Lung - starring Dead End, from 1969), but better than anything before it.

Those distortions are given a life of their own with his digital tools and even become cinematic devices of their own, morphing from one image to another as if released by the ghosts of early cinema.

The conversation included the existential nature of the film, the Amish, the cinema of the early 1970s, as well as the unexpected dramatic turns taken by the film's traditionally comic stars: Owen Wilson, Zach Galifianakis, and Amy Poehler.

For fans of superhero cinema, that's amazing news, given that on the strength of «Cop Car's» early buzz and his previous film «Clown,» Watts landed the coveted job directing the next Spider - Man movie, co-produced by Marvel Studios and Sony Pictures.

by Bill Chambers Two Family House and Panic, a pair of overlooked films hopefully not destined to become overlooked DVDs, have more in common than a passing glance suggests, and their joint failure to earn even a pittance sounds the death knell for independent cinema as we knew it in the early -»90s.

Filming starts in early summer and Danny Boyle has said he wants it in cinemas by Christmas 2016.

This week, David is still off at Cannes, so Da7e and Patches digested Netflix's new true crime series Evil Genius, Katey celebrates Brooklyn 99 living through its cancellation by Fox, then Patches and Katey dig into Tully and The Letdown as examples of cinema about early parenthood.

Though an early 3D title, MGS was not the first third - person game influenced by cinema, nor was it Hideo Kojima's first time as director, and it wasn't even the first game in the series.

ARRIVING IN CINEMAS 2018 A.D. Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, EARLY MAN tells the story of how plucky caveman Dug (voiced by Eddie Redmayne), along with sidekick Hognob, unites his tribe against the mighty Bronze Age in a battle to beat them at their own game.

Written and directed by the godfather of «mumblecore» cinema - a genre known for nonprofessional actors and naturalistic dialogue - Andrew Bujalski's latest film is practically a Hollywood blockbuster compared with his no - budget early films.

But at least in Williams's case, a lot of his idiosyncratic, exciting early scores were at least nominated; the films almost everyone agrees represented Desplat's finest work to date (e.g. Birth; The Painted Veil; Lust, Caution; to say nothing of his compositions for French cinema) were all ignored by Oscar.

This weekend, MUBI explores a decade in the life of the acclaimed Berlin School, an exhilarating movement of German cinema spearheaded in the early 1990s by directors like Christian Petzold and Angela Schanelec, and attracting new attention with Maren Ade's Toni Erdmann.

It's as if the stoic / pragmatic spirit of that earlier time, also to be found in English literature (think of Ford Madox Ford's World War I — era Parade's End), had survived the transposition to modern cinema, specifically the strain initiated by Alain Resnais with the somber uncertainties and temporal splintering of Hiroshima mon amour (1959).

That would be Ismael Vuillard (Mathieu Amalric), a genial, shambling man of cinema who's on a beachside retreat with his astrophysicist girlfriend, Sylvia (Charlotte Gainsbourg), when the two are suddenly paid a visit by his wife, Carlotta (Marion Cotillard), who vanished mysteriously 21 years earlier.

The film led by a breathtaking cast of Jean Dujardin and Berenice Bejo, accurately captures the essence of a famous film or nickelodeon that would have been seen in the early days of cinema.

Nevertheless, the film's U-turn is so radical that it arguably transforms They Drive By Night into one of the U.S. cinema's earliest experiments in portmanteau — adequate absolution, really, for this borderline social - conscience picture's zany mutation into a gothic melodrama.

But then there are those unforgettable set pieces, like an early foot chase in London's Waterloo train station where Bourne has to remote - control a nervous newspaper reporter played by Paddy Considine, not to mention the climactic car chase in New York City, a dazzling bit of action cinema made all the more compelling by the tactile nature of Greengrass» cinematography and editing (you practically want to brush the broken glass off of your face when it's over).

By the early»70s, François Truffaut was no longer one of the great pioneers of French cinema.

With iffy prosthethics in the early days of cinema who can blame filmmaker F.W. Murnau for utilizing the ever - creepy image cast by the night - dwelling creature?

Born in a region of Austria / Hungary that is now part of Poland, Wilder's story feels like an archetype of the émigré - to - Hollywood experience that shaped so much of the early studio system, and by extension, narrative cinema as we know it.

The box includes a film by one of the cinema's earliest women filmmakers, Alice Guy Blache.

In the early to mid 1960s, the Italian cinema was going through a sort of renaissance, as it not only produced important films by such renowned...

If Kinect isn't the «revolution» we were promised, however, its early success and just as sudden decline have been thrilling to behold: a tale of commercial and creative ambition scuttled by inattention to practicalities, of hubris and inertia elevated to a kind of apocalyptic cinema by the PR misfires of an industry juggernaut.

With great visuals inspired by the early days of cinema, Guns of Icarus Online is shaping up to be an incredibly promising title.

By the early 1970s, influenced by the experimental films of Andy Warhol, Jack Smith, and George and Mike Kuchar, Waters was presenting his work in underground cinemaBy the early 1970s, influenced by the experimental films of Andy Warhol, Jack Smith, and George and Mike Kuchar, Waters was presenting his work in underground cinemaby the experimental films of Andy Warhol, Jack Smith, and George and Mike Kuchar, Waters was presenting his work in underground cinemas.

The photographer — who rose to fame in the early 1990s with a modern style characterised by the merging of digital manipulation and darkroom techniques — has since started «composing» his images by integrating an interest in the natural world with concepts typically associated with painting and cinema.

True North's counterpart, Fantôme Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, the centre for cinema in Africa, and the arid spaces of rural Burkina Faso, and is punctuated by archival footage from early colonial expeditions and landmark moments in African history.

The public will have a unique chance to see early photographs, painting, and prints, as well as one of the first examples of American avant - garde cinema, Mannhata, made by Paul Strand and Charles Sheeler.

This free screening will be followed by a discussion with Steve Wurtzler, associate professor of cinema studies, and Diana Tuite, Katz Curator, about the film's representation of landscape and the influence of wide - screen Technicolor cinematography on the early work of artist Alex Katz.

Hamilton was very taken with cinema and produced a series in the early 1960s inspired by film stills.

OPERA (QM.15) is influenced by the development of photography, early cinema and the interest in the uncanny shared by many 19th - century artists and writers.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

Profoundly inspired by cinema at early stage, «How to Act», one of Lester's best known and widely exhibited piece expands territory of cinema and bring it into a discourse of space and time.

In conjunction with Tokyo 1955 — 1970: A New Avant - Garde, MoMA presents a 40 - film retrospective of the Art Theatre Guild, the independent film company that radically transformed Japanese cinema by producing and distributing avant - garde and experimental works from the 1960s until the early 1980s.

Works included in the exhibition range from film posters painted by Peter Doig for his weekly film club in Trinidad, a video projection, Ligne de Foi, 1991, by James Coleman, Polaroid photographs by film director Andrey Tarkovsky, which were selected by Dominique Gonzalez - Foerster for their poetic representation of landscape, photographs presenting an example of early self - cinema by Victorian photographer Lady Clementina Hawarden and the screening of Michael Powell and Emeric Pressburger's iconic The Red Shoes, 1948.

BOOKS by Jerry Schatzberg «Women Then: Photographs 1954 - 1969» [Hardcover] by Julia Morton (Author), Jerry Schatzberg (Photographer), Gail Buckland (Preface) published by Rizzoli, 1st edition (October 12, 2010) «Paris 1962: Yves Saint Laurent and Dior, Christian Dior, The Early Collections» [Hardcover] Jerry Schatzberg (Author), Julia Morton (Author), Patricia Bosworth (Introduction) published by Rizzoli, 1st edition (April 29, 2008) «Thin Wild Mercury: Touching Dylan's Edge» [Hardcover] Jerry Schatzberg (photographer) published by Genesis Editions, collector & deluxe edition (2006) EXHIBITIONS: Solo & Retrospectives (selected) 2013 ART BASEL MIAMI, Nikola Rukaj Gallery 2013 ART SOUTHHAMPTON, N.Y., Nikola Rukaj Gallery 2013 CONTACT Photography Festival, Toronto, «Schatzberg» 2013 AIPAD, Steven Kasher Gallery, N.Y. 2011 MUSEE MAILLOL, Banyuls Sur Mer, France, «Bob Dylan» 2009 INSTITUT LUMIERE, Lyon Film Festival, Lyon, France 2008 PROUD GALLERY, London, U.K., «Bob Dylan» 2006 LE GRAND PALAIS, Paris, France, «Bob Dylan» 2006 GALLERIE LUC BELLIER, Paris, France, «Bob Dylan» 2006 ATLAS GALLERY, London, U.K., «Jerry Schatzberg: Photographs» Retrospective 2004 SOFIA FILM FESTIVAL BULGARIA, Sredetz Gallery 2003 JANOS GAT GALLERY, N.Y., «Behind the Scene, a Collection» 2003 STALEY / WISE, N.Y., «Homonym» 2002 HELLENIC AMERICAN UNION Athens, Greece, Retrospective 2002 MUSEUM OF CINEMA, Torino, Italy, Retrospective 2002 ALBA INTERNATIONAL FILM FESTIVAL, Retrospective 2001 INTERNATIONAL THESSALONIKI FILM FESTIVAL, Greece 2000 DINA VIERNY, Paris, France, Retrospective 1999 PAMUKBANK FOTOGRAF GALERISI, Istanbul, Turkey 1996 STALEY / WISE N.Y., Retrospective 1985 ALLIANCE FRANCAIS N.Y., «Behind The Scene, a Collection» 1983 CENTRE POMPIDOU, Paris, France, Retrospective