Sentences with phrase «by early sixties»

By the early sixties he was well known for his paintings, collages, and printmaking, and for his association with the Ferus Gallery group, which also included artists Robert Irwin, Edward Moses, Ken Price, and Edward Kienholz.

By the early sixties, Davis was making hard edge acrylic paintings on canvas.

Nearly everything on the second and third floors looks derivative, and by early sixties standards would be classified as tenth - generation junk.

Pension wealth reaches a peak by her early sixties and then starts to decline.

Not exact matches

Acknowledging this, however, would call into question the revelation vouchsafed to another of the new environmentalism's ideological allies, the population - control movement: namely, that people are a pollutant» a pernicious idea, born of the earlier progressivist eugenics movement and brought to a popular boil in the Sixties by evidence - light propagandists like Paul Ehrlich, that continues to affect U.S. foreign - aid policy to this day.

In the tumultuous sixties, as an undergraduate at Harvard (for which I have prayed for forgiveness most of my life), I was disappointed again and again by the common Victorian and early twentieth - century convention of beginning a chapter with lush description and then abandoning it in favor of....

Beegle's first book, The Inspiration of Scripture, proved to be the most controversial book within evangelicalism in the early sixties.25 Published in 1963, it was given ten pages of review in Christianity Today by editor Carl Henry and contributing editor Frank Gaebelein.

When he died he weighed sixty pounds, the paper says, and I go out of my way to drive by the address where his brother locked him in the closet, wondering at the blue door, the flower boxes, wondering where the fury started, how early and how hidden the first bruise awaking like a bat, dark wings....

A large number of leading New Testament scholars have now rejected these traditions as unhistorical, leaving us with two conclusions: the first, that none of the Gospels was written by an eye - witness of the events described in it, and the second, that the earliest Gospel, that of Mark, was written thirty - five years or more after the death of Jesus, and the other three Gospels were written nearly sixty years or more after the same point.

Now, what I have referred to before as the something, the force, just waiting to spring on the American Zeitgeist would in the early sixties be given throaty articulation by the courtiers surrounding John F. Kennedy, who, while clearly doing little more than making rhetorical gestures, nevertheless managed to hit the cultural nail squarely on the head.

I don't have to go into all the characteristics of the failure of that particular account; it can most aptly be summed up by the fact that in the late sixties and especially the early seventies there was a marked and sudden increase in the adolescent suicide rate.

He was a liberation theologian before the phrase was coined by African - American and Latin American religious thinkers in the late Sixties and early Seventies.

The crisis in Plato's earlier theory of Forms comes to a head in his early sixties and is marked by two perhaps contemporary dialogues, Theaetetus and Parmenides.

In a summer during the early - to - mid sixties, I surreptitiously acquired a copy of a specific issue of Playboy — not for the pictures, though those were nice, but for an essay on The Great Comic Book Heroes, by Jules Feiffer.

And it's meticulously designed by Katarzyna Sobanska and Marcel Slawinski; the lounges and bars echo the mood of the underground spaces of Wajda's Fifties films (a friend also detected a flavor of early - Sixties Forman), but more than anything I was reminded of the melancholy retro of Aki Kaurismäki's Take Care of Your Scarf, Tatiana, while a wide shot of a car in a glum garage yard made me think of early Jarmusch.

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

Donald Sutherland, a paranoic early sixties pothead, nods solemnly at sophomoric truisms and admits he's as bored by Milton as everyone else.

Man, Pride and Vengeance (Blue Underground, Blu - ray, DVD, VOD)-- There were hundreds of spaghetti westerns produced by Italian studios in the sixties and early seventies.

Since acquiring the rights to the collection of the collection of timeless tales in the early Sixties, Walt Disney has adapted them to both the big and small screens, even extending the popular franchise in recent years by creating sequels for such peripheral characters as Tigger (2000), Piglet (2003) and Heffalump (2005).

Trivia note: the film is written and produced by Anthony Lawrence, who earlier wrote three of the silliest of Elvis musicals back in the sixties.

An all - star cast (Melissa Leo, Adam Scott, Peter Fonda, Juno Temple, Mad Men's Vincent Katheiser) recount the stranger - than - fiction tale of Madalyn Murray O'Hair, the woman who founded the American Atheists organization back in the early Sixties, helped to get Bible - reading out of schools and was later kidnapped and killed by one of her former employees.

First, summer study programs similar to those provided by the Education Professional Development Act of the late sixties and early seventies must be reinstituted.

ECMC's position, that the Murrays should be burdened by their student loans until they are in their late sixties or early seventies would guarantee «the certainty of hopelessness» in their declining years, the very outcome the Polleys decision explicitly rejected as unnecessary.»

Sixty - five percent of your pets have their own stockings hung by the chimney with care, and over half of you pet lovers have missed a holiday party or left early because you didn't want to leave your pets home alone for long.

A variety of regions offering more than sixty randomized dungeons; different PvP modes as well as more than 300 skills and thousands of items will guarantee hours of exciting gameplay, extended by regular content updates already during Early Access.

Robert Murray, Ronald Bladen, Ann Truitt, Beverly Pepper, Robert Hudson, Larry Bell, Alexander Liberman, Robert Grosvenor, Forrest Myers, Michael Steiner, Peter Reginato, Marisol, Manuel Neri, Joel Perlman, Willard Boepple, James Wolfe, and dozens of others were by the late sixties - early seventies making important and expressive sculpture in a variety of styles.

In LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISE.

At the Met, sixty works carefully chosen from the Lehman Collection offered a rapid, staccato trip through the history of European art, distinguished by such spectacular inclusions as a scrupulously observed walking bear by Leonardo da Vinci, from the late quattrocento, a cranky Dürer self - portrait from about the same time, an exquisite Fra Bartolomeo landscape of figures moving through mountainous terrain, from the very beginning of the cinquecento, and a startlingly intimate, casual study after Leonardo's Last Supper, drawn in red chalk by Rembrandt in the early 1630s, when he was still in his twenties.

Devoted exclusively to papier collés and related works on paper from the 1940s and early 1950s by Robert Motherwell, this exhibition features nearly sixty artworks and examines the American artist's origins and his engagement with collage.

In the early sixties, Richter discovered an artistic niche for himself by using trivial photographs as source material.

In his instructive memoir, Guston In Time, the late poet Ross Field, a close friend, described Guston's late Fifties / early Sixties style as being «so classically discreet that it was dubbed by some as abstract impressionist».

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

In the installation and its related catalogue, both titled Robert Rauschenberg: The Early 1950s, Hopps closely examined the groundbreaking experimentation undertaken by Rauschenberg between 1949 and 1954, charting the emergence of the principal themes and motifs that would come to define the sixty - year arc of the artist's career.

The exhibition is the first retrospective dedicated to John Giorno, American poet, performance artist, and iconic figure of the underground scene of the Sixties, whose work was influenced by the encounter with artists like Andy Warhol (he played in many of Warhol's early films), Jasper Johns, Robert Rauschenberg, John Cage, Trisha Brown, and Carolee Schneeman.

John Hoyland, born in 1934, belongs to that generation of British painters whose careers were decisively affected in the late fifties and the early sixties by the impact of American painting since the war.

During those years, the early sixties, we were regularly bombarded by American Art and we awaited each new instalment like food parcels to a half - starved community.

In the late» sixties and early» seventies, with a modesty matched only by that of his first master, Corot, he produced a series of landscapes so disarming in their unassailable visual rectitude, so unforced in execution and composition that Cézanne said of them in later years: «If he had continued to paint as he did in 1870, he would have been the strongest of us all.»

Just a year after her Madison Avenue headquarters took over a former Rag & Bone boutique, Dominique Lévy has opened another outpost of her eponymous gallery — this one in Mayfair — with a group show of work by Donald Judd, Enrico Castellani, and Frank Stella from a brief moment in the early sixties when the three artists» lives intersected.

Willem de Kooning» sWoman 1, 1950 - 1952 and a blue abstract landscape from the early sixties (my favorite period of his work), looked really good hanging side by side.

Anthony Caro's 1962 sculpture, Early One Morning, was purchased by the Contemporary Art Society in 1965 from the exhibition British Sculpture in the Sixties and presented to Tate the same year.

Brown was a San Francisco native, taught by Bay Area Figurationists Bischoff, Oliverira, and Lobdel at the California School of Fine Arts (now SFAI); exhibited at legendary Beat venues (6 Gallery, Batman); lived next to Jay DeFeo and Wally Hedrick during the painting of DeFeo's The Rose; married noted Bay Area sculptor and fellow student Manuel Neri; counted such disparate artists as Wallace Berman and Bernice Bing as friends; and gained early recognition (a New York exhibition at age 22) resulting in a lifelong teaching post at Berkeley, a Guggenheim fellowship, over sixty solo shows, and inclusion in an equal number of posthumous group exhibitions.

Including full - color plates of over sixty works spanning York's career, a new essay by poet and art critic Bruce Hainley, plus earlier essays by Fairfield Porter and Calvin Tomkins, an extensive chronology, a complete bibliography, and a detailed catalogue of works, this publication is a testament to, as Hainley puts it, York's «pursuit of lyric intensity while negotiating a point - blank confrontation with history — all in stealth relation to the leopard - alive instant at the end of the brush.»

Influenced by the cultural landscape of the early sixties, particularly the burgeoning Pop Art movement, these works pre-date more familiar works such as the non-site objects and the seminal, outdoor earthworks.

The scope of the show, a traveling exhibition organized by The Contemporary Museum, Honolulu, and curated by Michael Rooks, covers Westerman's earliest efforts, including work he made while studying to be a commercial artist at The School of the Art Institute of Chicago (1947 - 1950), and continues through the early sixties.

In the fifties and early sixties there was a wonderful newspaper series, Closer Than We Think, drawn by Arthur Radebaugh.

The state Medicaid office informed health providers that they could receive reimbursement when administering the screening tool during each trimester and within sixty days postpartum and ensured that the parent screen could be covered by the Early Periodic Screening, Diagnosis, and Treatment (EPSDT) program to address parent well - being as a critical factor in child well - being.

Sixty - five percent of Pillar To Post franchisees are now offering the three - tiered line of home inspection packages, and all franchisees will be offering it by early 2013.