Sentences with phrase «by emerging artists not»

The exhibition acts as a platform for project - based works by emerging artists not currently represented by the gallery.

Not exact matches

Encouraged by what emerges when different kinds of artists - including those not necessarily from the world of games - collaborate, these game developers are fast - tracking initiatives to bring even more different kinds of people into the field.

«Kaari Upson: Good thing you are not alone» is made possible by the Toby Devan Lewis Emerging Artists Exhibitions Fund.

M E N is a contemporary art gallery located in the Two Bridges neighborhood of New York City, presenting singular artistic gestures by emerging and mid-career artists in a purposefully - small storefront exhibition space.

With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a significant number of borrowed shows and works by emerging artists.

We see that in the breadth of people included in major recurring exhibitions, in the interests of younger artists, critics and curators, in the editorial choices made by the most current magazines, in the increasing visibility of artists emerged in the 60s and 70s, but did not enter the canon.

Don't be fooled by the reckless attitude and cool looks, Christian Rosa is not just any other emerging artist.

We will be visiting nine of the seventeen galleries hosting exhibitions by their international colleagues, allowing emerging artists not often seen in London to be appreciated.

London's Herald Street, which presents work by Pablo Bronstein and Jessi Reaves, among others, is another gallery hoping that Art Basel can cement the reputation of artists no longer emerging but not yet firmly established.

This opportunity is open to emerging artists who live within a 50 - mile radius of the Bronx, and have a record of solid achievement and potential, and who are not represented by a commercial gallery, not a student, and have not previously shown at Wave Hill.

«Throughout the century you're dealing with women artists who are producing at a consistently high level — encouraged by the emerging opportunities for women at this time — whose work contains a level of nuance you don't always get with the male artists.»

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Today, Kohn Gallery boasts not only works by important late twentieth - century artists, but also a roster of emerging and mid-career artists as well, such as Simmons & Burke, Ryan McGinness, Rosa Loy, Dennis Hollingsworth, Mark Ryden, Eddie Martinez, Tom LaDuke and Troika.

It's not often that such a sprawling narrative emerges from within a work of art, but such is the case with the series of photographs by San Francisco - based artist Danielle Nelson Mourning in her debut solo exhibition at Taylor De Cordoba Gallery in Culver City.

While our focus is on modern and contemporary art created by emerging, established and historically important artists, our mission is to present a program of artistic excellence not limited to any genre or medium.

Currently on view in their long and narrow gallery across the hall from Kavi Gupta is a group show featuring mostly «non-traditional, action - driven» works by five emerging artists not on the gallery's roster.

«Goshka Macuga: Time as Fabric» is presented by The New Women's Project and Founding Partner D K N Y. Additional support for the exhibition is provided by the O'Grady Foundation, Fundación Almine y Bernard Ruiz - Picasso para el Arte, and the Toby Devan Lewis Emerging Artists Exhibitions Fund.

«Beatriz Santiago Muñoz» is presented by The New Women's Project and Founding Partner D K N Y. Additional support for «Beatriz Santiago Muñoz» is provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Baxter St at CCNY is proud to present Don't Look Back: The 2013 Baxter St at CCNY Staff Show, curated by I - Hsuen Chen and Alexander Perrelli, an exhibition featuring work from emerging photographers and celebrating each artist's valuable commitment to supporting Baxter St at CCNY in fulfilling its non-profit mission.

In his introduction to 50 West Coast Artists, published three decades later (1981) by the San Francisco Museum of Modern Art, its director framed «the question of local designation» as an abiding problem for art history as well as for artists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» desigArtists, published three decades later (1981) by the San Francisco Museum of Modern Art, its director framed «the question of local designation» as an abiding problem for art history as well as for artists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» desigartists and the art world: «It seems to emerge from the unspoken and challenged tendency on the part of New York writers to assume that artists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» desigartists living and working within a hundred - mile radius of New York City represent the mainstream of American art and therefore don't require a «New York» designation.

Kiev international Biennale ARSENALE 2012, Mystetskyi Arsenal, (Kiev, Ukraine, 2012), Ain't no sorry, Museum of Modern Art, (Warsaw, Poland, 2008) Stay: January 21 - March 23, 2014 Co-organized by: The Agency of Cultural Affairs (Bunkacho) Event: BYOB - Bring Your Own Beamer at AIT (February 22, 2014) Polish Art Night: «Franek kimono king bruce lee karate mistrz «Video art and food with two emerging artists from Poland.

Not one to rest on her laurels, Adnan has responded to the newfound attention by continuing to expand her approach, creating a series of folding leporellos as well as public projects in addition to her much - loved landscapes — a lesson in dedication and sustained inventiveness emerging artists a third of her age would do well to note.

Wild West will present a similar curatorial approach by showing not only the works of Franz West, but also of his collaborators and emerging artists.

The exhibition «Les Nouveaux chercheurs d'or» by the artists Émilie Brout & Maxime Marion, questions the relationship between aesthetics and perceived value, through a research on materiality and virtuality, the boundaries between physical and digital, where the presented materials are not always what they seem, and where value does not necessarily emerges where we expected.

To serve the collection and not just exhibitions, Rita and I re-envisioned «Art Here and Now» (originally «New Talent Award») to more actively acquire work by emerging L.A. artists.

the Young Masters Art Prize, a not - for - profit initiative founded in 2009 by Gallerist Cynthia Corbett, celebrates emerging and established contemporary artists who pay homage to the skill and innovation of the Old Masters and art of the past.

First's primary motivation is a desire to help young and emerging artists, which he does not only through showing them at the Cabin, but also by hosting them at the residency he runs out of his nearby studio.

Although realist sculpture first emerged in the form of portrait busts of Roman Emperors (compare these gritty works with romantic Greek sculpture), and was continued most memorably by sculptors like Auguste Rodin (1840 - 1917), it wasn't until the advent of Pop - Art in the 1960s that artists like Duane Hanson (1925 - 96), John De Andrea (b. 1941) and Feuerman began to produce superrealist figurative sculpture.

Art about the institutions of art, both physical and discursive, is hardly a new phenomenon, but unlike Marcel Broodthaers and Hans Haacke, cited by Doeringer as predecessors for the work included in this exhibition, what emerges most clearly here is not «institutional critique» but a sense of anxiety or anger about the artists» own marginalization and lack of mainstream success.

Be sure not to miss booths by Azart Gallery from New York, focusing on innovative and original work of artists influenced by abstract, figurative, illustration, pop culture and street art; En Foco Gallery from Chicago, a non-profit that supports contemporary primarily U.S. - based photographers of African, Asian, Latino, Native American and Pacific Islander heritage; Haven Gallery from New York, exhibiting emotionally, intellectually and imaginatively driven, representational artwork; Lilac Gallery from New York, focusing on emerging international artists that explore new media in their concept with cutting edge techniques; Mirus Gallery San Francisco, championing new movements in contemporary art; and Stephen Romano Gallery from New York, amongst others.

After all, dealers and artists alike used to consider premature auction - market debuts a terrifying prospect for emerging talent, because it can either spike their primary market prices to a height that can't be sustained over time by still - immature work, or worse, present an opportunity for an embarrassingly public flop.

The term «emerging» artist refers to new artists (not necessarily young artists), often recently graduated (within five years of graduating from a Fine Art Degree course) artists attracting critical interest and commercial representation by arts professionals and their peers.

I was not surprised by either invitation, given that part of the work for me emerged from my thinking about the format and culture of conferences and artist talks.

The focus of the Jerome Foundation is to support emerging professional artists who are the principal creators of new work, and: who take risks and embrace challenges whose developing voices reveal significant potential who are rigorous in their approach to creation and production who have some evidence of professional achievement but not a substantial record of accomplishment who are not recognized as established artists by other artists, curators, producers, critics, and arts administrators

Recalling the Polaroid snapshot taken beneath the artist's kitchen table, the concept for this large - scale furniture emerged when Therrien was struck by the fascinating perspective and vantage of a view not usually seen, wondering, «What if people could walk into an environment like that?»

-- Finally emerging from semi-retirement after co-running Chelsea's Family Business Gallery with Massimiliano Gioni, Italian artist Maurizio Cattelan will be opening a new solo show, «Kaputt,» at the Beyeler Foundation in early June, which is scheduled to run in conjunction with this year's Art Basel fair, and will feature a single work inspired by a «classic subject in art history» that may or may not involve a horse.

1:00 pm Notes for Now: A Panel Discussion with contributors to the Prospect.3 catalogue, co-moderated by Artistic Director Franklin Sirmans and PNO Development Manager Elizabeth Baribeau, Dillard University, Professional School Building, 2601 Gentilly Boulevard Prospect.3: Notes for Now is a city - wide exhibition curated by Franklin Sirmans in response to his exploration of what is going on in the studios of artists today, and the P. 3 catalogue is a continuation of that reflection, not only by Sirmans, but also by 40 emerging curators from around the country, each invited to contribute writings on the 58 artists included in P. 3.

«Tal R is a master of the elevation and mystification of everyday life... The bronze sculptures by Tal R that have been emerging over roughly the past two years are not formed by the artist's hand in the classical sense.

The Young Masters Art Prize is a unique not - for - profit competition, which aims to give international recognition to emerging and newly established artists who are inspired by the Old Masters.

As if his artwork has not been enough to permanently glue him onto the pages of art history, Baldessari has also championed emerging artists that came out of California Art Schools, further extending his legacy by influencing many younger people through his extensive teaching career.

The vision for the new gallery is not only to have solo shows by established and emerging artists but to introduce local audiences to artists from other parts of the continent and further afield.

LEAP is open to exceptionally talented graduate students and / or emerging artists who are beginning to receive recognition for their work and are not currently represented by well - established galleries.

It's not the first time the Biennial will spill out of its home, this time into Hudson River Park, at 17th Street, with a monumental multimedia work by Tony Tasset, composed of colored acrylic panels etched with the names of 400,000 artists, from Picasso and Warhol to little - known emerging artists.

A student at Slade between 1957 - 1960, Evans did not begin his career with the» New Generation» group that emerged around Anthony Caro at Central St. Martins and left to teach in New York by the time the artists loosely classified under the label New British Sculpture, including Richard Wentworth, Tony Cragg, and Richard Deacon, broke onto the scene in the 1980s.

«Nicole Eisenman: Al - ugh - ories» is presented by The New Women's Project and Founding Partner D K N Y. Additional support for the exhibition is provided by the O'Grady Foundation, Fundación Almine y Bernard Ruiz - Picasso para el Arte, Martin and Rebecca Eisenberg, and the Toby Devan Lewis Emerging Artists Exhibitions Fund.

Not just another art fair, NEWD aims to invigorate the fair model by bringing collectors to the territory of art production to engage with emerging artists in their studios and discover experimental curatorial initiatives.

At the Spiral Group, a little known group of African - American artists, we see the early beginning of Romare Bearden's collage style, and an outstanding painting from 1962 «Sun Above City» by James Yeargans, one of many works by virtually forgotten artists in this show.A second question emerges: What happened to all the good artists that did not become brand names?

Curated by Sara Reisman, don't let the conceptual heaviness scare you away from this exhibition's great range of both established yet under - shown and fascinating, still emerging artists.

It isn't going to be easy, particularly since the emerging carbon markets are threatened on one side by Enronization and phalanxes of quick - buck artists, and on the other by eager politicians, who hope now, above all, for «efficiency» and easy cash, even if they come without real decarbonization.