Sentences with phrase «by endless scenes»

By comparison, this film consists of maybe twenty minutes of discernible storyline — almost all of which could have simply been folded into «Darker» without missing a beat — surrounded by endless scenes of nothing much happening enacted by a couple of actors whose key motivation throughout seems to have been the knowledge that they would never have to see each other again once it finally hit theaters.

Not exact matches

Then, as it turns out, most viewers will guess the Big Twist, and be annoyed at how ludicrously it plays out in an endless scene that again feels more out of «Hedda Gabler» by high schoolers on speed than anything, as Penn and the assassin shriek at each other as the assassin pushes a gun against the dictator's head.

I suppose these trashy losers are supposed to be amusing in their incompetence, but instead they're shrill and boring, and the endless scenes of various members of the cast getting their faces pulverized seem to add up to nothing but a pathetic attempt by Friedkin to get back on the list of hot directors.

But for all its ripped - from - the - headlines urgency, Polisse plays out as something close to a histrionic farce, with endless scenes of the detectives themselves verbally and / or physically abusing suspects and colleagues, railing against Sarkozy, and holding forth about their personal lives in the company of a photojournalist (played by the director) assigned to document the unit for a government - sponsored book.

Endless scenes of Gilbert, bathed in golden light by the great cinematographer Robert Richardson, complaining about guys (Billy Crudup, James Franco, Javier Bardem) who don't understand her needs made me want to starve curse hate and put commas where they belong.

One scene set in an endless room filled with crystal balls sitting on shelves could have been dazzling, but Yates undercuts the infinite quality of the room by cutting to overhead shots, showing the very definite floor.

The second scene happens in Vegas where the remaining people of the convoy and Alice are attacked by an endless stream of extra-strong zombies from a commercial container.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Rather than build upon clues, the movie passes time by shooting endless scenes of palm trees at night set to the beats of different techno songs.

These scenes — which genuinely feel endless — are driven by hokey, hoary computer effects that stand apart from the otherwise tactile world this film creates.

But there's also plenty of laughter to be found, especially in the seemingly endless library of sweded Criterion and arthouse films that are made by Greg and Earl, played masterfully by Mann and the scene - stealing R.J. Cyler.

Many scenes are surrounded by an endless white void, as if the universe is so intensely focused on the character's life that nothing else matters; this is her story, but it often feels told from a parents» - eye view.

Blessed by a simply stunning marina and a vibrant and exciting nightlife scene, the alluring seaside resort of St. Julian's offers an endless array of opportunities for those setting foot on the Maltese coast.

In the game, you are Dark Slash Hero who equipped with dual blade and gun blood, jump and shoot attack to kill the bad guy and bring peace to the gangster city In every city, you have to kill the bad stickman boss to pass and discover new city Features — Real experiences of shooting bad guys in crime city — Slashing and kill the stickman gangster with infinity blade in the gun and blood scene — Run, jump and shoot over 5 unique cities — Challenging with endless boss fighting — Ultimate gun fighting with tons of weapon — Collect combo fighting to multiply scores — Summon motobikes, tank and helicopter — Purchase equipment to upgrade dark hero abilities — Power up with dead ninja mortal ability — Game do nt take up much space on your device — Game do nt need wifi or internet connection — Play Game without facebook Weapons list: — Gun blood: attacking in low range and low speed — Big gun: Shooting in medium range and low speed — Dual blade: Slashing in range with low speed — Rocket: attacking in large range and high speed — Tank: Shooting gangster automatically — Helicopter: Shooting and protecting from your behind — Bike: Shooting in high speed and protected by shield How to kill the bosses: — Kill the boss 1 (green goblin): kill on time when goblin attacks — Kill the boss 2 (electric man): Electric man through blue and red electric ball.

Paired with idyllic scenes of grassy planes and endless forests, her paintings are shockingly interrupted by man's influence.

«Acutely observed, remembered and then re-imagined, these futuristic scenes are not so much renditions of a specific location as they are dizzying translations in paint of Mitty's wonderment at the endless variety of visual information offered up by her subjects.»