Sentences with phrase «by exhibition title»

This dichotomy is also reflected in her defining two performance concepts and point towards the narrative hinted by the exhibition title.

As suggested by the exhibition title, different strategies are employed to obstruct the viewer's effortless consumption.

In doing so, it presents visitors with various choices and experiences along the «way», as is suggested by the exhibition title.

The eponymous novel referenced by the exhibition title, Hans Henny Jahnn's Die Nacht aus Blei (The Night of Lead), served as a source of inspiration for the exhibition.

I gave up looking for a pattern here and have these alphabetized by exhibition title, so scroll on down.

This new exhibition was preceded at Barnes - Jewish Hospital by an exhibition titled Picture of Health.

Not exact matches

The Giants will be judged by the regular season and not by whether or not a team that has key cogs from two recent Super Bowl titles looks good in exhibition football.

Inspired by the 1980s solidarity movement in Poland and the more recent Orange Revolution in Ukraine, Ms. Onuch's academic work focuses on «Revolutionary Moments and Revolutionary Movements», the title of her dissertation which inspired her and her father to host a 2009 exhibition and symposium in Kiev, aptly called «Revolutionary Moments».

Mario Party 10 was just rated by the Australian Classification Board, giving the title a tame G for General Exhibition.

The Square of the title is an art installation, the centrepiece of an exhibition supervised by museum curator Christian (Claes Bang).

(courtesy Sundance Institute) A title card from Hero, by Navid Khonsari and Vassiliki Khonsari, which will appear in the New Frontier Exhibitions program of the 2018 Sundance Film Festival.

The Middle East's Leading Convention Centre honour was picked up by Abu Dhabi National Exhibition Centre, while Abu Dhabi Travel Bureau took home the title of Abu Dhabi's Leading Travel Agency.

Taking its title from the Bridge's color, named by the consulting architect Irving Morrow in the 20th century, this exhibition draws upon the varied narratives and conceptual inspirations the historical landmark manifests.

Beauty in Impermanence is the title of an exhibition of paintings by Joana Cutri an American who is inspired by Balinese life and culture and decided to live in Bali.

Titled «Special Exhibition: The World of Hatoful Boyfriend», it will feature concept art, drawings and various other designs by the creators of the bizarre dating sim.

The Gautreauxes organized an exhibition of selections from their collection titled «Piece by Piece» at the Kemper Museum in 2015, and have also lent works to the Nelson - Atkins Museum and the Venice Biennale.

Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern to enter.

Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

This exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first art - world solo show, and will feature eight of their kinetic sculptures alongside video documentation of other work, much of which looks at how technological objects can overpower their users.

It was held on February 5 at Michael Hoppen Gallery in London, an event to celebrate the exhibition of photographs by Guy Bourdin titled «Walking Legs».

This is the exhibition's only horizontally aligned canvas and the picture plane here appears to unfold, recalling the unraveling motion of Chinese and Japanese scroll painting and — as indicated by the work's title and emphasized by its green hues — the undulation of waves.

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

Newport Street Gallery will present a solo exhibition of work by American artist Jeff Koons, titled «Now».

Titled Visionary New England, this contemporary art exhibition is inspired by the impact and legacy of utopian, spiritualist, and mystical practices in the region.

Search by words in the exhibition title, venue, venue city, year, or exhibition catalogue number.

Originally titled Picasso in Contemporary Art, the exhibition was first presented at the Deichtorhallen Hamburg on the occasion of its own 25th anniversary and curated by the institution's general director, Dirk Luckow.

In 2009 Morgan Fisher had a solo exhibition, organised by Melanie Ohnemus, a site specific installation with the title «Portikus Looks at Itself» at the exhibition space Portikus in Frankfurt.

The exhibition title Electronic Superhighway (2016 - 1966) is taken from a term coined in 1974 by South Korean video art pioneer Nam June Paik, who foresaw the potential of global connections through technology.

A fully illustrated catalogue will be published to accompany the exhibition with an essay written by Walead Beshty titled «The Ritual of Everyday Life: On the Migrating Objects of Jay DeFeo».

The catalog is published by ArtAsiaPacific and accompanies the touring exhibition of the same title being launched in New Zealand at the City Gallery Wellington, running from September 25, 2010 to January 16, 2011, and later traveling to the Tel Aviv Museum of Art from October 22, 2011 to April 14, 2012.

Neochrome Gallery is pleased to announce the opening of the exhibition of works by Maurizio Pellegrin titled «The Stoker» on Friday, September 29th from 6 to 8 p.m..

Shields» signature format of a color - drenched field inscribed by stitching and sewing is represented in the exhibition by an important early work titled Sandbar 12, from 1969.

Titled «Nobody is Watching» by Manuel Mathieu» this is a solo exhibition of original work by Manuel Mathieu.

Guy Yanai's solo exhibition at Ameringer McEnery Yohe in New York takes its title from an unwritten book by the Russian - born American novelist Vladimir Nabokov.

The exhibition's title aims to reflect Borgmann's prescience in acquiring works by a new generation of artists.

Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.

If you think «Eight Movements,» the title of Liat Yossifor's latest exhibition of paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.

Other early historical exhibitions at the Greene Street space include a 1989 group show, «Early Conceptual Works,» which featured the work of On Kawara, Bruce Nauman, Alighiero Boetti, and Joseph Kosuth, among others; a 1999 Fontana exhibition titled «Gold: Gothic Masters and Lucio Fontana»; and selected presentations of work by Piero Manzoni.

Titled «Caryatides,» the exhibition includes a new monograph with a forward by Dakin Hart, published by Hatje Cantz.

The New York based gallery Ameringer McEnery Yohe has announced a forthcoming solo exhibition by the Brooklyn based artist Brian Alfred which will present recent works under the title It Takes A Million Years To Become Diamonds So Let's All Just Burn Like Coal Until The Sky Is Black.

The book was accompanied by an exhibition of the same title at the Akron Museum of Art, which will travel to The Queens Museum of Art in November 2011.

Later that year the work was shown again in the artist's second solo exhibition (Pollock added «A» to the title to avoid confusion with more recent work) and shortly thereafter was purchased by MoMA.

The title is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included in the exhibition.

A fully illustrated catalogue featuring an essay by Kirstin Hübner titled Paths of American Abstraction: The Pioneer Spirit of the Twentieth - Century American Avant - Garde, accompanies the exhibition.

The exhibition «Wind» is accompanied by an exhibition of new wall objects under the same title at Neugerriemschneider, Berlin and coincides with the reconstruction of the historic Installation «3 Vollellipsoide Skulpturen» of the artist from 1978 at the Museum für Moderne Kunst MMK in Frankfurt a.M.

Dominique Lévy is pleased to announce an exhibition of new work by German artist Günther Uecker, titled Verletzte Felder (Wounded Fields), on view at the gallery's Old Bond Street location.

The title of this exhibition references the 1962 poem, Conversation with a Stone, written by Wislawa Szymborska.

The exhibition title is taken from a flag called «Power for the People» installed by the artist on Battersea Power Station in 1972.

Organized by curator Gabi Ngcobo, the highly anticipated exhibition, «We Don't Need Another Hero,» takes its name from a 1985 Tina Turner song of the same title.