Using an online resource, such as Paletton.com, can help you find complimentary blends of colors
by experimenting with its color wheel.
An important feminist icon, Benglis expanded the purview of minimalism, a genre dominated by male artists,
by experimenting with color and form and engaging explicitly with the body.
Not exact matches
Experimenting with color mixing at the R&D operationPhotograph
by Ben Stechschulte for Fortune Magazine
A couple of practical realities we would have to guard are the occasional «flop» where, for example, a bad batch of acid has been delivered and the litmus paper does not change
color (we don't want anybody to claim that a prayer was answered) or intentional sabotage
by those
with a religious agenda, but that is no different to the risks of any other science
experiment.
Let your toddler
experiment with sorting
by color with this simple pom - pom activity.
For the most part, making a collage is more a matter of
experimenting with different mediums,
colors, and images than following step -
by - step directions.
When you build a bigger collection of plants, start
experimenting by layering
with color, texture, shape, and size.
Along
with this recognized freedom to explore and
experiment with more
color, fashion, and the people who interact
with it, no longer want to feel limited
by traditional
color guidelines.
By the same token, if you'd like to get a little adventurous
with color, patterns and prints, and maybe highlighting your décolletage for instance, don't be afraid to share some pins that pull elements you'd like to
experiment with.
Scarves and jewelry helped me get out of my
color rut
by allowing me to
experiment gradually
with color!»
I've been
experimenting with colors like coral and lime green, but
by «
experimenting,» I mean one sweater.
I love the way that a single
color can make for such a dynamic outfit
by mixing various fabrics and materials, and
experimenting with silhouettes.
You can have fun and
experiment with different base nail tones and tip
colors or really go the extra mile
by replicating this nude base nail
color and silver glitter finish.
Which,
by the way is something else I want to
experiment with this spring / summer —
color.
Meaning even if we never get
color e-Ink screens, if publishers never
experiment with eBook subscriptions, and interactive eBook formats never succeed, we will still see digital get close to $ 3 billion in size
by the middle of the decade.
Yes, you can bring back your ninth grade science glory days
by performing Sir Isaac Newton's
color spectrum
experiment with your fiancée's new rock.
He is
experimenting with creating dishes
by pairing foods which he sees as being of like, or opposite,
colors.
The show features works
by Charlene Broudy who finds inspiration in the vibrant
colors of Costa Rica, new works
by Carolyn Fox featuring luxuriously wide flowing lines suggesting rock, water, sand and sky, and Steven Gilbar, a self - taught artist who
experiments with mixed media and collage on paper and canvas, drawing from this histories of both mediums.
Sometime in 1940 Rothko makes his last figurative painting, then
experiments with Surrealism, and eventually does away entirely
with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of
color - Multiforms as they were called
by others - which were greatly influenced
by Milton Avery's style of painting.
These
experiments with color use remained unfinished, interrupted
by his sudden death caused
by heart failure at the age of only fifty - two, on May 13, 1962.
Inspired
by jazz and his family's quilting traditions, since the 1980s Al Loving has been broadening the definition of modern painting and drawing,
experimenting with heavy paper and
color to create three - dimensional collages.
More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of
color that read completely flat while other passages extrude and recede, impressions often complicated
by the introduction of objects and her recent
experiments with text.
Hélio Oiticica's installation Cosmococa C1 (1973/2010), made in collaboration
with Neville D'Almeida, is featured in the exhibition Suprasensorial:
Experiments in Light,
Color and Space, organized and previously exhibited
by The Museum of Contemporary Art, Los Angeles and on view until May 13th at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.. His famous installation Tropicália (1967) is currently being exhibited in From Revolt to Postmodernity (1962 - 1982) at the Museo Nacional Centro de Arte Reina Sofia in Madrid.
The treatment of space
by the New York group results in a more calculated rather than intuitive feeling, even though the New York artists
experimented with their
color choices like the DC and LA artists.
The set is presented
with two films, a black and white dance choreography
by Anita Pace in the manner of Martha Graham's mythological dance pieces, and a large
color projection of a dance filmed in Kelley's installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory
experiments,
with violent movements evoking the films of psychologist Albert Bandura's studies of the effect of televised violence of on children.
Dating from the 1970s to 2005, the 11 quilts included in the Souls Grown Deep Foundation gift / purchase triple the High's existing holdings of works
by these celebrated women artists and demonstrate the incredible legacy of their artistic production, which parallels many of the
experiments with color, flatness and abstraction associated
with postwar American painting.
In Un Bárbaro en las Sierras (A Barbarian in the Hills)(2015) Cambre
experimented on an unstretched canvas
with a series of squares and rectangles in several
colors framed
by bright yellow lines; he translated the arrangement into blue on another square canvas, then copied the same shapes, but in different positions and in green, for an outdoor mural in Buenos Aires, before finally rearranging them again for a brown canvas in yet another configuration.
Inspired
by a visit
with artist Larry Rivers's pregnant wife, the Nanas ultimately signaled a major shift in Saint Phalle's artistic practice: although she had
experimented with conceptual art in the»60s, Saint Phalle gravitated toward creating brightly
colored, whimsical, and imaginative humanoid sculptures.
Executed during a period when Riley was beginning to
experiment with color, in particular incorporating gray tones into her compositions as a chromatic intermediary between black and white, these works are animated
by the sum effect of the interaction of
color and form.
The Nabis, influenced
by Paul Gauguin and the fashionable Japanese woodblock prints,
experimented with arbitrary
color, expressive line, and flat, patterned surfaces.
Inspired
by the work of Matisse and Conrad Marca - Relli, he
experimented with collage, cutting and gluing papers to represent figures and landscapes, adopting a language of flat
color and simplified drawing.
His return to the United states was followed
by further
experiments in painting,
with the red
color this time.
Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question
by employing unusual materials that had never before been used.Throughout his career, Sonnier has
experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working
with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space
with light and
color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.
Prior to the show, the photographer renewed the figurative focus
by some of his
color - saturated works and
experiments with the process.
By employing a range of mediums, expanding spatial capabilities, and
experimenting with abstraction and structure, the artists of this exhibition explore the visual information — the light,
color, tones and shapes — we encounter from moment to moment, offering new translations of these optic experiences.
This exhibition explores the highly formulated and transitional status of geometrical abstraction in the work of women artists from three generations: beginning
with (Neo) concrete works on paper from the 1950s
by Lygia Pape, to Minimal and
Color Field paintings from the 1960s
by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern paintings
by Barbro Östlihn, to post-Concretist installations, structural and systemic
experiments and text pieces from the 1970s and 80s
by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original contemporary formulations of this history
by Paloma Bosquê.
Instead of
experimenting with shaped canvasses or geometric painting to imply volume, he takes the canvas into three dimension to see how line and
color are disrupted
by actual volume.
The later, colorful paintings were executed
by assistants, following designs
by the artist made after her extensive
experiments with colored paper strips.
The artist
experiments with a variety of geometrical shapes and neon
colors which differ from the softer and more blended tones used
by many abstract expressionist artists.
The museum has an extensive collection of large - scale paintings
by Washington
Color School artists, who were conducting innovative experiments with color and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma Th
Color School artists, who were conducting innovative
experiments with color and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma Th
color and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma Thomas.
From Maurice Prendergast and Stuart Davis to Andy Warhol and Faith Ringgold, generations of artists have taken cues from Matisse to
experiment with wild
colors, fluid lines, strong structural components and varied subjects, as manifested in this exhibition of 19 works
by Matisse and 44
by Americans.
He
experimented with bands of pure
color in bull's - eye and chevron motifs and horizontal parallel stripes, emphasizing the flatness of his usually large canvases and the vibrancy of his
colors by staining paint into raw canvas and using uniform
color values.
Together
with the two canvases acquired
by Sterling and Francine Clark in 1946 and 1955, these magnificent landscapes demonstrate how Inness
experimented with color, composition, and painterly technique in an attempt to present a vision of the natural world that transcends its physical appearance.
By capturing spaces at various times of the day, McKinley
experiments with a range of
color palettes, from rich, dusky tones to sunny pastels.
Experiment with colors, techniques, and materials inspired
by the work of Frank Stella through art classes offered in collaboration
with the Essex Art Center.
[5] For thirty years he
experimented with color theory in three main series: Semaphores, Scrolls and Diptychs, all of which are characterized
by their flat application of acrylic lacquer onto aluminum.
Deeply influenced
by traditional Chinese brush painting and calligraphy, she
experiments with material and
color to characterize modern western painting.
It allows you to
experiment with color in real time,
by creating and applying
color palettes to a sample Material Design environment, or through components in CodePen.
The best way to find out what it will look like is to
experiment with some craft paints or sample pots of paint in the
color you want on scrap wood to see the different effects you can achieve
by using glazing liquid.