Sentences with phrase «by female contemporary»

The photographs and one video on show are from the National Museum of Women in the Arts in Washington D.C. — the only international museum dedicated to work by female contemporary artists.

In February, a series of exhibitions opens pairing works by female contemporary artists (priced between # 2,000 and # 35,000) and Modern British women (priced up to # 90,000) with the work of Gluck, a British painter born in 1895 who famously eschewed any gender - defining prefix.

We've had works by female contemporary artists working today whether it's someone who could have had a long career like Howardena Pindell or artist Kara Walker or someone very young like Xaviera Simmons, the photographer.

Not exact matches

By uncovering as much as possible about such female liberation, the womanist begins to understand the relation of black history to the contemporary folk expression: «If Rosa Parks had not sat down, Martin King would not have stood up.»

Anyway, the younger guys have been lured away from their contemporary females by the «cougar» phenomenon.

With medical malady and not a misaligned personality to blame, a female finally gets to embrace the regression so widely celebrated by contemporary comedy's male heroes.

Created by Issa Rae and Larry Wilmore, the comedy series «Insecure» explores the contemporary black female experience in an unclichéd and authentic way.

In contemporary London, struggling computer video game creator Roger (Jeff Daniels) is pulled into the park by his male dalmatian Pongo for a meet - cute with fashion designer Anita (Joely Richardson) and her female dalmatian Perdita.

Much more than just a film about dancing, this dazzling doc about the American contemporary performer is a raw and intimate exploration of the creative process, female desire and the dilemmas encountered by a woman in her thirties.

MacGregor's contemporaries have also drawn attention to this issue: Timandra Whitecastle — whose grimdark debut Touch of Iron aims to redefine «strong» female characters — recently expressed similar views about the frustrations caused by those who insist upon such a divide.

Girlebooks is your resource for classic and contemporary ebooks by female writers.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

The Untitled Space gallery is pleased to present exhibition, UPRISE / ANGRY WOMEN, curated by Indira Cesarine, featuring the work of 80 female contemporary artists responding to the current social and political climate in America in light of the recent presidential election.

This collaborative programme led by Centre for Chinese Contemporary Art (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland China.

From traditional approaches to the more challenging usage, Out of Easy Reach will investigate the contemporary and conceptual expansion of abstraction by female - identifying artists from the black and Latina diasporas.

The legacy of these women is conveyed through a section of the exhibition that presents works by contemporary female artists and designers that reflect and expand upon the work of the earlier generation.

7:30 pm Women Painting television premiere Television premiere of Women Painting, a video documentary produced by Girls» Club interviewing eleven contemporary female painters in South Florida and the New York area.

GoMA has been researching and acquiring documentary media by influential female artists since 2007, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.

A contemporary abstract expressionist acrylic painting by American female artist Rebecca Allan.

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

The three playwrights have created original performance pieces inspired by contemporary female artists Leah Brown, Rosemary Laing and Lori Nix, focusing on the elements of story telling - plot, setting and character.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Saccoccio's work is featured in Confronting the Canvas: Women of Abstraction, one of the first museum exhibitions to focus solely on contemporary female painters, with works by Keltie Ferris, Maya Hayuk, Jill Nathanson, Fran O'Neill, and Anke Weyer.

Through works by seventeen contemporary artists the show will examine this timely topic attempting to revolutionizing the way we visualize conventional gender as exclusively male or female.

In recent years there has been a shift in the presence, appreciation, and exhibiting of art by both historic and contemporary female artists across all art fields.

Contributed by Jonathan Stevenson / Mixed Greens» enterprising group exhibition «Common Thread,» on view through August 28, positions a 1973 Bauhaus grid study by Anni Albers and Ellen Lesperance's 2009 grid - based gouache deconstruction of her pre-Josef Albers sweater pattern as aesthetic and cultural springboards for work by nine contemporary female artists.

By juxtaposing these seminal post-war and contemporary female artists, the exhibition examines affinities between their works, the variety of their practices, and how their works and sensibilities interact.

This catalog from the exhibition presents artists from all over the world who have been inspired by Virginia Woolf and her female contemporaries.

As a female artist, Hepworth has been cited as inspirational by many contemporary figures, such as Charlotte Moth and Tracey Emin.

Co-commissioned by Yorkshire Sculpture Park and 14 - 18 NOW, and made possible with Art Fund support, this installation by contemporary artist Katrina Palmer commemorates the remarkable rescue work undertaken by the all - female First Aid Nursing Yeomanry (FANY) in the First World War and beyond.

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art icontemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art iContemporary Art in collaboration with five other UK art institutions.

On display is a prestigious new commission by leading international artist, Aliza Nisenbaum, made possible by the Valeria Napoleone XX Contemporary Art Society scheme which each year supports a regional UK museum's acquisition of a work by a leading, living female artist.

annual exhibition hosted by Desert Caballeros Western Museum in Arizona features contemporary female artists working in the Western genre.

In response, The Untitled Space art gallery has assembled work by 80 contemporary female artists expressing anger and defiance through their art.

Curated by Peter Drake, Dean of the Academy, and gallerist George Adams, Piss and Vinegar unites two generations of provocateurs: five men who came of age in the 1960s and five contemporary female artists.

She was named «Latina of Excellence in the Cultural Arts» by the U.S. Congressional Hispanic Caucus in 2005 and remains one of the most impactful Mexican - American female artists in the contemporary art world.

The exhibition creates both the historical context for female erotic work, and a contemporary forum for further sexual art by women.

Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the global conversation about contemporary art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

The artist has also participated in several group exhibitions, including Engender at Kohn Gallery, Los Angeles, 30th Anniversary Exhibition, Part Deaux, at Jack Hanley Gallery, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, American Optimism at Able Baker Contemporary, Portland, Fathoms at Radical Abacus, Sante Fe, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery, A Thing of Beauty at Geoffrey Young Gallery in Great Barrington and New Paintings By at Jack Hanley Gallery.

In this disorienting present, Contemporary female artist Bruna Esposito, alters our perception of reality by placing untamed bamboo brooms and glistening fish eyes next to each other.

The Letter Paintings, by incorporating the names of mainly male and female African - American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary.

Inspired by the landmark 1972 «Womanhouse», the National Museum of Women in the Arts gathers 36 contemporary female artists to explore domesticity.

Framing Marisa Merz as the «sole female protagonist» of Arte Povera — a term coined by Germano Celant in 1967 to describe a group of Italian artists who rejected loftier forms for «poor» materials such as rocks, wood, burlap and industrial remnants — «The Sky Is a Great Space», the artist's first US retrospective, forefronts her importance within the dominantly male group and broader category of postwar contemporary art.

Like the Gap, the Fisher Collection is a brand, and it's a brand that is primarily dominated by post-war, blue - chip, contemporary male artists with a few female exceptions that include Joan Mitchell and Agnes Martin.

Napoleone is an experienced collector who exclusively purchases work by contemporary female artists, and is on a mission to support «those realities which are overlooked and ignored», while CAS has long helped public art institutions acquire new art for their collections.

The Contemporary Art Society (CAS) has teamed up with the collector Valeria Napoleone to give a work of art by a female artist to a UK museum each year from April 2016.

Valeria Napoleone XX Contemporary Art Society is a joint initiative of philanthropist Valeria Napoleone and the Contemporary Art Society to purchase and donate a significant work by a living female artist to a UK museum each year.

GOOD FIGURES is an exhibition that celebrates the enduring appeal of the female figure depicted by 30 Contemporary female artists, including Rosie Emerson's cyanotypes (right) and «Knickers» by Jane McAdam Freud (below), courtesy of TINT - ART.