Speaking in an exclusive interview with the Observer to be broadcast tonight on the Variety Live@Cannes internet TV show, Jacob said the festival set a tough precedent in picking four films
by female directors in 2011, including Lynne Ramsay's We Need To Talk About Kevin.
Shockingly, Jenkins did not direct another feature in the 14 years between Monster and Wonder Woman — a gap that speaks volumes about the barriers faced
by female directors in Hollywood.
«Wadjda» Given that it was made
by a female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which made its U.S. debut at Tribeca on its way to a full release from Sony Pictures Classics — turned out as brilliantly as it did.
Not exact matches
Theresia Gouw, once a partner with Accel Partners, and Fonstad, formerly managing
director at Draper Fisher Jurvetson, founded Aspect Ventures; Aileen Lee left Kleiner Perkins to launch seed fund Cowboy Ventures; Gilt Groupe's former CEO Susan Lyne hatched AOL's BBG (Built
by Girls) Ventures; serial entrepreneur Anu Duggal launched the
Female Founders Fund with the express purpose of investing
in women.
Another example: White Lady Funerals
in which the typical dour - faced
director in a suit is replaced
by a kindly
females dressed all
in white.
Another prong
in No Ceilings» new program is an effort
by the nonprofit Catalyst to create what's being billed as an annual list of CEO - endorsed
female candidates who are ready to serve as
directors on U.S. corporate boards.
Much like the success of last year's Warner Bros. film Wonder Woman helped change the conversation around a
female superhero movie helmed
by a woman
director, a box - office smashing debut for Black Panther could pave the way for a similar paradigm shift
in Hollywood with regard to how studios approach big - budget stories about characters of color.
By comparing the rates at which each country's diverse boards outperformed male boards with the country's GDP, the firm estimated what it called the «opportunity cost,» or the increase
in business profits the country might have earned if all businesses had at least one
female executive
directors.
Co-presented
by Scotiabank and KPMG, the WXN awards celebrate and highlight the professional achievements of women across the country
in the private, public and not - for - profit sectors at a time when corporate Canada is under growing pressure to promote more
female leaders into senior management and corporate
director roles.
While the technology funding Braid could be a breakthrough, Peirone could help change filmmaking
in another way:
by being a
female director.
GLOW, an acronym for «Gorgeous Ladies of Wrestling» tells a heavily fictionalized version based on true events of what happens when down - on - his - luck Hollywood
director Sam Sylvia (celebrity podcaster and comedian Mark Maron) attempts to cash
in on the 1980s professional wrestling craze
by creating a Saturday morning wrestling show with an all -
female cast.
Education Minister, Dr. Matthew Opoku Prempeh, has said his Ministry will take on any regional
director of Education who fails to protect
female students who are victims of sexual abuse
by teachers
in Senior High Schools across the country.
It is certainly not an all male - club as the help - line
in the daytime is run
by a couple of dedicated women and the charity has a number of
female directors including a Conservative councillor (Cllr Roz Willis — North Somerset).
A clinical review entitled «Clinical Crossroads —
Female Mixed Urinary Incontinence»
by Deborah L. Myers,
director of the Division of Urogynecology and Reconstructive Pelvic Surgery at Women & Infants Hospital of Rhode Island and The Warren Alpert Medical School of Brown University, has been published
in the May 21, 2014 edition of the Journal of the American Medical Association (JAMA).
A team of researchers led
by Dr. Elliott Albers,
director of the Center for Behavioral Neuroscience and Regents» Professor of Neuroscience at Georgia State University, and graduate student Joseph I. Terranova, has discovered that serotonin (5 - HT) and arginine - vasopressin (AVP) act
in opposite ways
in males and
females to influence aggression and dominance.
The number of
female directors has gone up from 4.5 %
in 2005 to about 15 % today; MPG aims to reach 18 %
by 2020.
Director Tom Dey's film is yet another
by - the - numbers romantic comedy where the same tired escapades ensue, including one character's climactic discovery of the other's secret (
in this case, when Tripp finds out about Paula's career as a
female Hitch), and their eventual reunion at the end.
There are no obvious hits
in its lineup, though the studio has once again enlisted major or critically acclaimed
directors, including Imitation Game helmer Morten Tyldum (for the sci - fi film Passengers), Paul Feig (for a
female Ghostbusters reboot), Antoine Fuqua (a Magnificent Seven remake co-written
by True Detective's Nic Pizzolatto), Ron Howard (Inferno), and Ang Lee (Billy Lynn's Long Halftime Walk).
Beyond Braff at the helm, Going
in Style is scripted
by Theodore Melfi, the recently Oscar - nominated writer /
director behind Hidden Figures, which similarly followed a trio of undervalued people —
in that case, three brilliant - but - overlooked black
female NASA scientists — and found a way to make its dramatic hamminess (mostly) work to its own advantage.
News surfaced on Wednesday that the Office of Federal Contract Compliance Programs (OFCCP) was involved
in an ongoing gender bias investigation launched
by the Equal Opportunity Employment Commission last October, the result of a survey given to
female directors by the ACLU.
TheWrap editor -
in - chief Sharon Waxman moderates a panel featuring film executive Chaz Ebert,
director Lucy Walker, producer Cassian Elwes, Creative Coalition CEO Robin Bronk, Swedish Film Institute CEO Anna Swerner and actress Dionne Audain participate
in TheWrap and The
Female Quotient's «Changing Hollywood: The Road to 50/50
by 2020» panel at The Girls Lounge
in Cannes.
«More significantly, it stands as an extraordinary opportunity to challenge the prevalent norms
in Hollywood
by not only featuring an entirely
female - leading cast but also a
female writer /
director, producer and DP.»
This would be the second
female director hired
by Marvel, who brought on creative duo Anna Boden and Ryan Fleck (Half Nelson) for the upcoming Captain Marvel, film which is set to be released
in 2019.
In the wake of #MeToo and the tidal wave of outrage over allegations of ongoing sexual misconduct by the likes of Harvey Weinstein, Brett Ratner, James Toback and many more, The New York Times reports that 300 prominent female actors, agents, writers, directors, producers and entertainment executives have formed a vast and ambitious initiative to fight systemic sexual harassment not only in Hollywood a but also in blue - collar workplaces nationwid
In the wake of #MeToo and the tidal wave of outrage over allegations of ongoing sexual misconduct
by the likes of Harvey Weinstein, Brett Ratner, James Toback and many more, The New York Times reports that 300 prominent
female actors, agents, writers,
directors, producers and entertainment executives have formed a vast and ambitious initiative to fight systemic sexual harassment not only
in Hollywood a but also in blue - collar workplaces nationwid
in Hollywood a but also
in blue - collar workplaces nationwid
in blue - collar workplaces nationwide.
As reported
by Variety, casting
director Jeanne McCarthy will also fill two
female singing roles before production begins
in January.
Best Film: Manchester
by the Sea Best
Director: Barry Jenkins, Moonlight Best Actor: Casey Affleck, Manchester
by the Sea Best Actress: Amy Adams, Arrival Best Supporting Actor: Jeff Bridges, Hell or High Water Best Supporting Actress: Naomie Harris, Moonlight Best Original Screenplay: Kenneth Lonergan, Manchester
by the Sea Best Adapted Screenplay: Jay Cocks and Martin Scorsese, Silence Best Animated Feature: Kubo and the Two Strings Breakthrough Performance (Male): Lucas Hedges, Manchester
by the Sea Breakthrough Performance (
Female): Royalty Hightower, The Fits Best Directorial Debut: Trey Edward Shults, Krisha Best Foreign Language Film: The Salesman Best Documentary: O.J.: Made
in America Best Ensemble: Hidden Figures Spotlight Award: Creative Collaboration of Peter Berg and Mark Wahlberg NBR Freedom of Expression Award: Cameraperson
Tsui Hark, the producer, eventually took over as
director, recasting the
female lead, and the film was finally released four years after it began shooting,
in a version disowned
by Yim (though the film credits list him as the only
director).
Perhaps
in reaction to that criticism, Apatow has started to work with more
female talent
in a creative capacity, which includes producing an upcoming project
by Lena Dunham, the writer /
director of last year's SxSw favorite «Tiny Furniture.»
In the last few years we've seen quite a few films that center around a coming of age story with a
female character, directed
by a
female director.
Other highlights
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced
by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed
in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in «Tondoscope» — a circular frame
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian
director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between
female best friends, starring Elisabeth Moss.
Competition Jury Golden Bear: Jodaeiye Nader Az Simin (Nader and Simin, A Separation)
by Asghar Farhadi Silver Bear The Jury Grand Prize: A Torinoi Lo (The Turin Horse)
by Bela Tarr Silver Bear Best
Director: Ulrich Kohler for Schlafkrankheit (Sleeping Sickness) Silver Bear Best Actress: the
female ensemble
in Nader & Simin Silver Bear Best Actor: the male ensemble
in Nader & Simin Silver Bear Best Screenplay: The Forgiveness of Blood written
by Joshua Marston and Andamion Murataj.
Director Ridley Scott, who previously proved his prowess with a strong
female hero
in the form of Sigourney Weaver's Ripley
in 1979's «Alien,» might have been behind the wheel, but it was Callie Khouri's smartly provocative script and the savvy performances
by Geena Davis and Susan Sarandon
in the title roles that put a tiger
in the tank of this action vehicle.
• «Lady Bird» screenwriter and
director Greta Gerwig's choice of a yellow gown
by Rodarte designers Kate and Laura Mulleavy felt especially appropriate: The Mulleavys wrote and directed their first feature film
in 2017, the Humboldt - set «Woodshock,» and have been major advocates for
female filmmakers.
The movie is the latest exercise
in comic noir
by the writer /
director Shane Black, and it shares a great many attributes with his terrific 2006 comeback film, Kiss Kiss Bang Bang: the two mismatched detectives and their more practical
female associate, the convoluted plot that features intersecting crime cases — even the hand maimed
in an unfortunate encounter with a closed door.
The Palme d'Or winning film's two
female leads, Léa Seydoux and Adèle Exarchopoulos, told The Daily Beast
in an interview last week that
director Abdellatif Kechiche demanded their «blind trust,» didn't know what he wanted from many scenes and then pushed them too hard with takes
by the dozen — to the point where they wouldn't want to work with him again.
Writer -
director Shane Black's horribly enjoyable action comedy The Nice Guys is an jauntily arch return to this tradition, the story of two dishevelled and incompetent private detectives
in 1970s Los Angeles — played
by Russell Crowe and Ryan Gosling — who have been expensively tasked with solving the mystery surrounding the death of a missing porn actress, and what other kind of fascinatingly damaged
female character can there be?
While Barbera has broken an 11 - year run of male Venice jury heads
by appointing Annette Bening as this year's president, the number of
female film - makers at this year's festival is less impressive, with just one — the Chinese
director Vivian Qu — appearing
in competition.
Three of the movies from
female filmmakers of color that made our «Best Films About Women
in 2014» list — Amma Asante's Belle, Gina Prince - Bythewood's Beyond the Lights, and Ava DuVernay's Selma — are happily among the 17 films helmed
by female directors to crack the top 250 list.
Though Unbroken made it
in, the NBR threw a polite but very insulting bone to the other film
by a
female director who is on the rise, Ava DuVernay's powerful film Selma.
With «Alien: Covenant,»
director Ridley Scott returns to the form that so impelled and captivated audiences
in the original 1979 film: a crew
in trouble, an alpha no nonsense
female lead (this time Daniels played
by Katherine Waterston) and plenty of blood curdling aliens popping up everywhere.
FEMALE PRISONER # 701: SCORPION • Newly filmed appreciation
by filmmaker Gareth Evans (The Raid) • Shunya Ito: Birth of an Outlaw, an archive interview with the
director • Scorpion Old and New, a new interview with assistant
director Yutaka Kohira • Theatrical Trailers for all four films
in the series
This, combined with the women's march last week
in which the
female members of the jury were joined on the red carpet to recognize that only 82 women have ever walked the red carpet as
directors of an
in competition film compared to 1,645 men, underlined that while two of the three
female directors in competition (out of 21) won prizes but the Palme still eludes a solo win
by a woman filmmaker.
Directed with zany aplomb
by female Israeli
director Tayla Lavie, this chaptered saga of woman
in uniform vs. ennui is characterized
by a soaring sense of voice and sees stars Dana Ivgy and Nelly Tagar face down the clock as they Minesweep their way through their deafeningly dull military assignment — paperwork.
Critics» Week also announced 10 short films
in competition, three of them helmed
by female directors.
As previously reported, the weekend of March 9 marked the first time
in recent memory, and possibly ever, that films
by African - American
directors have claimed the No. 1 and No. 2 spots on the same weekend, with Coogler's «Black Panther» again topping the box office, while Ava DuVernay's adaptation «A Wrinkle
in Time,» which boasts a black
female protagonist
in Storm Reid as young heroine Meg Murry, opened
in the second - place spot.
But the Dutch
director is also responsible for some radically empowered
female performances: Sharon Stone's vaguely amused man - eater
in Basic Instinct, Carice van Houten's unscrupulous World War II survivor
in Black Book and now the protagonist of his latest movie, played
by the frosty, effortlessly commanding Isabelle Huppert.
In her honor, the inaugural Bonnie Award will recognize a mid-career
female director with a $ 50,000 unrestricted grant, sponsored
by American Airlines.
Ostensibly both a remake of the Southern Gothic erotic thriller
by Don Siegel from 1971 and also an adaptation of Thomas P. Cullinan's 1966 novel «A Painted Devil», Coppola (who also wrote the screenplay and won the Best
Director Award at the 2017 Cannes Film Festival) smartly and slowly unravels her tale via the
female gaze
in a film that, if one is patient with it, slowly pulls you under its sunlit and fainéant spell.
One
in particular seems not
in keeping with the rest, done
by Canadian
director Vincenzo Natali (Cypher, Cube), isn't even rooted
in reality, telling of a meeting between one young man, played
by Elijah Wood (Everything is Illuminated, Sin City), who comes across a
female vampire feeding on her latest victim (none other than Wes Craven, who would coincidentally, direct the following short).
BEST DOCUMENTARIES: GROUNDBREAKER: A Walk To Beautiful: Mary Olive Smith ABOVE AND BEYOND: Wings Of Defeat: Risa Morimoto COURAGE
IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
IN FILMMAKING: Traces Of The Trade: Katrina Browne MOST OFFENSIVE MALE CHARACTERS Aaron Eckhart: Towelhead Sam Rockwell: Choke Larry Bishop: Hell Ride Paul Rudd, Sean William Scott: Role Models Jason Mewes: Zack And Miri Make a Porno TOP TEN HALL OF SHAME Roman Polanski: Wanted And Desired House Of The Sleeping Beauties The Women The Life Before Her Eyes The Hottie and the No ttie Savage Grace Made Of Honor The Family That Preys Hounddog Zack And Miri Make A Porno Alliance of Women Film Journalists Best Film Slumdog Millionaire Best Direction Danny Boyle — Slumdog Millionaire Best Screenplay Original Wall - E — Andrew Stanton, Pete Docter, Jim Reardon Best Screenplay Adapted Frost / Nixon — Peter Morgan Best Documentary (Tie) Man On Wire — James Marsh Trouble The Water — Tia Lessen, Carl Deal Best Actress (Tie) Sally Hawkins — Happy - Go - Lucky Kate Winslet — The Reader and Revolutionary Road Best Actress
In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
In Supporting Role Viola Davis — Doubt Best Actor Sean Penn — Milk Best Actor
in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA FEMALE FOCUS AWARDS Best Woman Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Supporting Role Heath Ledger — Dark Knight Best Ensemble Cast Rachel Getting Married Best Editing The Curious Case of Benjamin Button — Kirk Baxter, Angus Wall Best Foreign Film Tell No One EDA
FEMALE FOCUS AWARDS Best Woman
Director Courtney Hunt — Frozen River Best Woman Screenwriter Jenny Lumet — Rachel Getting Married Best Breakthrough Performance Sally Hawkins — Happy - Go - Lucky Best Newcomer Misty Upham — Frozen River Women's Image Award Kristin Scott Thomas Hanging
in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement By A Woman In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in There Award for Persistence Melissa Leo — Frozen River Actress Defying Age and Ageism Catherine Deneuve — A Christmas Tale 2008 Outstanding Achievement
By A Woman
In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
In The Film Industry Sheila Nevins, Producing / Programming at HBO Lifetime Achievement Award Catherine Deneuve AWFJ Award For Humanitarian Activism All of the Women
in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Pray The Devil Back To Hell EDA SPECIAL MENTION AWARDS AWFJ Hall Of Shame Award 27 Dresses Actress Most
in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mi
in Need Of A New Agent Kate Hudson Movie You Wanted To Love But Just Couldn't (Tie) Mamma Mia!