Sentences with phrase «by feminist»

My approach to this work comes from an existential / phenomenological perspective, and is informed by feminist and attachment theories.

In another lawsuit, he challenges the constitutionality of the federal Violence Against Women Act, alleging that the law «was created by feminist organizations to provide alien wives alleging abuse a fast track to permanent residency by violating the U.S. Constitutional rights of citizen husbands.»

The poor discriminated against females as portrayed by the feminist sector is clearly an incorrect narrative.

This photo - collage by feminist political artist Sanja Iveković depicts one of Yugoslav president Josip Broz Tito's official visits to Zagreb in 1979.

To my eye, the painting speaks to the central core imagery that was being developed by feminist artists such as Judy Chicago, though Fishman attributes it more directly a response to Al Held's black - and - white abstractions of 1967 — 69.

«From the Eighties until 2012, I created sculptures that were influenced by feminist theories.

It is also about the deliberate reclaiming and de-gendering of Abstract Expressionism by a feminist born a few generations later.

Video and film by feminist artists and filmmakers, from the 1970s to today, selected by Carmen Hermo, assistant curator, Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

The majority of the works on view were from the 1980s and 1990s, a groundbreaking period that was shaped by the feminist and civil rights movements of the previous decades.

A poster with the statement: «It's even worse in Europe» dating back to 1986, which went on display in New York City, created by feminist art collective Guerilla Girls.

Informed by feminist discourse, alternative approaches to portraiture, secular and religious ideas of the sacred, and African - American devotional and protest traditions, Thomas considers themes of social justice, female subjectivity, current events and the shifting tides of history.

Semmel was involved in the 1970s feminist movement and Coplans, in turn, was influenced by feminist artists and their forthright treatment of sexuality and the female body.

Meshes of the Afternoon (1943) was the first experiment in film by feminist artist and director Maya Deren.

I finally selected one suggested by a friend; a quote by feminist, Audre Lorde: «I AM DELIBERATE AND AFRAID OF NOTHING.»

RAGNAR KJARTANSSON — I was blown away by feminist artists» approach.

The exhibition includes a site - specific installation by feminist pioneer Mary Beth Edelson, part of an ongoing series of collage projects initiated years after her renowned collage posters of the 1970s; a series of preparatory collages by Marlene McCarty produced for her large - scale drawings of young women who committed patricide; and a series of mixed - media collages by veteran feminist artist Anita Steckel that places the artist within drawings by Tom of Finland, exploring the possibility of alternate forms of cross-gender desire and visual pleasure.

Barbara Kruger's bold billboard - size works were informed by the feminist critiques and conceptual methods of the previous decades.

The title of the show «My Model / MySelf» references the pop - psychology book «My Mother MySelf: The Daughter's Search for Identity» which was originally published in 1977 by feminist author Nancy Friday.

But she has been in a glare of attention, brightening to overexposure, since her rediscovery by feminist critics and curators in the late»60s.

In 2002, the museum received the work The Dinner Party, by feminist artist Judy Chicago, as a gift from The Elizabeth A. Sackler Foundation.

There's an eruption of bulges in After Awkward Objects, at London's Hauser & Wirth, an exhibition of work by feminist - art titans Louise Bourgeois, Lynda Benglis and Alina Szapocznikow.

Profoundly influenced by feminist and Jewish cultures, Fishman experimented with materials, ideas, and styles to form her authentic artistic voice.

Thus revitalized, post-war American craftspeople became better trained and their studio art more proficient, a process accelerated in the 1960s and 1970s by the feminist art movement - see, for instance, the work of Judy Chicago (b. 1939)- and by the anti-industrialism trend among young people.

We're also heavily influenced by feminist film and video artists such as Maya Deren, Lynda Benglis, Yoko Ono, Valie Export, Ulrike Ottinger, Carolee Schneemann, Barbara Hammer, and many others.

The audience will have an opportunity to see works by the feminist pop icon Evelyne Axell, but also the social commentary as evident in works by Danny McDonals, Raymond Pettibon or Peter Wächtler and conceptual works by the likes of R.H. Quaytman and Mario Garcia Torres.

Highlights included works by feminist artist Judy Chicago, Tammy Rae Carland's Lesbian Beds photo series, Nicole Wermer's Untitled (Bench)(2016) which featured colored rocks in a plexiglass container, and two of Margo Wolowiec's woven works.

The accompanying text also includes a quote by feminist theorist Kristeva, «One does not give birth in pain, one gives birth to pain».

These questions are further complicated by the reception of female artists in the 1970s by other female artists: Schor gives the example of Jürgenssen being reproached by feminist artists for wearing make - up and dressing fashionably, a critique that Hannah Wilke famously responded to with Marxism and Art: Beware of Fascist Feminism (1977).

Kurland's «Of Woman Born» series (2005 — 06) takes its name from a 1978 text by feminist poet Adrienne Rich, which argues that women should oppose the restrictive maternal roles prescribed by patriarchal society.

Referencing hoarding and notice boards used as sites of communication for action and support groups, Hayes» new work restages material extracted from newsletters and small - run publications produced by feminist, lesbian and effeminist political collectives in the US and UK from 1955 - 1977.

This invitational exhibition highlights recent work by feminist artists who were active in the Twin Cities in the 1970s and «80s as well as artists who self - identify as «third - wave» feminists.

Her artistic output, heavily infuenced by a feminist sensibility and characterized by her reputation as an enfant terrible, played a decisive role in the rapidly evolving German contemporary art scene at the time.

Coco Fusco, discussed in Hyperallergic in connection with the petition letter created by the feminist group We Are Not Surprised (WANS).

Inspired by the feminist masterpiece The Dinner Party by Judy Chicago, this exhibition featured artists who have risen above the narrow roles imposed on women and whose work has challenged the status quo, particularly within the canons of art history.

A fearless pioneer whose performances were fueled by feminist indignation of the vulnerable position of women in American society, her work has been a harbinger of experiments in social practice, new media, interactive and net - based art decades before technology and digital culture would re-shape our experience of reality.

Women House is a sequel to the famous art installation Womanhouse developed in 1972 by feminist artists Judy Chicago and Miriam Schapiro.

For TRACTION, Isaac Julien will be joined in conversation by feminist writer, film critic, LGBT activist, and UC Santa Cruz professor of film and digital media B. Ruby Rich.

-- Ajay Kurian from The Ballet of White Victimhood: On Jordan Wolfson, Petroushka, and Donald Trump empowering and unapologetic representations of Latin @x culture informed by the feminist and decolonial aesthetic traditions of the Americas

Adams and Ollman, located for the past five years in Portland, showed all West Coast works: paintings by outsider artist Marlon Mullen, ceramics by Dino Matt, and Lesperance's gouaches based on sweaters worn by feminist protesters.

Inspired by feminist artist Miriam Schapiro, Reimagining Femmage invites the artist to draw upon the tenets she established.

Decades have passed since the imbalance was first raised by feminist art historians, and well over a century since the first women students were admitted into art schools.

BHQFU's FUG exhibition and project space, which opened in 2015, has already hosted eight major events including #ProvokeProtestPrevail presented by the Guerilla Girls that included three workshops led by the feminist activists.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Her most celebrated work began to emerge around 1970 when, motivated by feminist art principles, she produced a series of paintings which featured male nudes alluding directly to canonical female nudes, for example those of Ingres, Titian and Velázquez.

«Women's work» (or «woman's work»), usually a pejorative term for women's gender - restricted domestic roles, was redefined by feminist artists.

Often underrepresented in the art world, a need for rebalancing has been recognised by Frieze itself this year and a specially curated section showcases work by feminist artists from the 1970s and 1980s.

She often uses traditional techniques that hold references to both high culture and low culture, and she draws inspiration from traditions developed by feminist artists and avant - garde movements.

The work, titled Civilian Drone Strike, was auctioned alongside contributions by feminist activist group Guerrilla Girls and photomontage artist Peter Kennard, at the five - day Art The Arms Fair held last week in London in protest against the annual Defence and Security Equipment International arms fair.

The later sections of the show frame the intersection of feminism and painting in easel paintings, large - scale works and performances by feminist artists in the 1970s and early 90s.

It was orchestrated by the feminist academic Silvia Federici, whose book on the patriarchal appropriation of women's bodies in order to fuel the capitalist system with workers and soldiers has had a major influence on Jones's work.