Basic Instinct was championed
by feminist critic Camille Paglia, who argued that it features «one of the great performances by a woman in screen history.»
But she has been in a glare of attention, brightening to overexposure, since her rediscovery
by feminist critics and curators in the late»60s.
Not exact matches
When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned
by some
critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing
feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women from her Destiny's Child days.
The conception was supposed to be liberal, but it was rejected
by black and
feminist critics further to the left.
But I just finished reading two books about what's happening on college campuses now — American Hookup: The New Culture of Sex on Campus
by sociologist Lisa Wade and Unwanted Advances: Sexual Paranoia Comes to Campus
by feminist and social
critic Laura Kipnis — and I actually do feel quite blessed that my college days are long past.
Other examples include Amos Tversky and Daniel Kahneman's studies of human reasoning, which show that humans frequently reason with unseen and persistent biases, and the work of Keller, Longino, and other
feminist critics showing that scientists are cognitively limited
by the ideologies accepted in their wider cultures.
Based on the 1994 novel
by Peter Ackroyd, the story was adapted for the big screen
by Jane Goldman and has been hailed
by some
critics for its
feminist views, specifically through the portrayal of Elizabeth Cree.
-- Meanwhile in Milwaukee:
Critic Mary Louise Schumacher reports on murals
by pioneering
feminist Marjorie Kreilick (the second woman to win the Rome Prize) that are in danger of being lost.
With mixed results, an honouring documentary chronicles the inevitable rise and the quick anticlimatic fall of Lillian Roxon, the blazing sixties rock
critic and libertine described so notoriously
by the
feminist pioneer Germaine Greer, who wrote of a fellow Aussie «who lives with nobody but a colony of New York roaches, whose energy has never failed despite her anxieties and her asthma and her overweight, who is always interested in everybody, often angry, sometimes bitchy, but always involved.»
How to Build a Girl
By Caitlin Moran Harper Perennial • $ 15.95 • ISBN 9780062335982 The rowdy first novel from the author of the best - selling
feminist memoir / manifesto How to Be a Woman borrows events from Moran's own improbable life story, including her experiences as a teen
critic for a British music magazine.
The panel will be chaired
by the philosopher Kwame Anthony Appiah and consists of: crime writer Val McDermid; cultural
critic Leo Robson;
feminist writer and
critic Jacqueline Rose; and artist and graphic novelist Leanne Shapton.
The images were considered a betrayal of the
feminist cause
by critics and a deconstruction of feminine narcissism
by supporters.
Using a process inspired
by the renowned
feminist art
critic, Arlene Raven, students examined the reasons and context of their artistic production in order...
With the exceptions of essays
by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited
by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published
by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited
by Benjamin Buchloh and Betsy Berne, published
by Marian Goodman Gallery, New York, 2004), few
critics have contextualised Woodman's work within the
feminist genre of the 1970s.
Thus she was first schooled in the aesthetic standards of the male universal — then represented
by Modernist formalism, in particular as it was espoused and delineated
by critics such as Clement Greenberg — before she began to search for what might constitute a feminine / female /
feminist aesthetic, whether such a thing might be, and, if so, how it might be different than the first system.
Referencing the «male gaze» — a term coined
by feminist film
critic Laura Mulvey to describe the way in which women become framed and understood from a male perspective — this exhibition reverses stereotypical gender roles to treat the male body as the subject of our collective viewing.
Inspired
by a process originated
by the renowned
feminist art
critic, Arlene Raven, students examined the reasons and context of their artistic production in order to...
She studied under Norman Lewis at the Art Students League, showed work in a buzzy exhibition curated
by Ana Mendieta at the
feminist art hub A.I.R. Gallery, and rubbed elbows with influential curators, gallerists, and
critics like Lowery Stokes Sims, Betty Parsons, and Lucy Lippard.
They were written in 1970
by the African - American
critic Linda La Rue about the vaunted cross-cultural embrace of the second - wave
feminist movement.
For TRACTION, Isaac Julien will be joined in conversation
by feminist writer, film
critic, LGBT activist, and UC Santa Cruz professor of film and digital media B. Ruby Rich.
Encouraged
by her friend, the
feminist art
critic Lucy R. Lippard, Chicago produced the most emotionally and aesthetically raw of her vulvar images thus far, pairing anatomically explicit drawings with handwritten, diaristic accounts of rejection and self - acceptance.
The MoMA show, which featured an untitled hanging wire sculpture
by Asawa from circa 1955, led The New York Times
critic Holland Cotter in his review to assert «the reality that work
by women,
feminists or not, was the major inventive force propelling and shaping late - 20th - century art.»