Sentences with phrase «by feminist groups»

Coco Fusco, discussed in Hyperallergic in connection with the petition letter created by the feminist group We Are Not Surprised (WANS).

Not exact matches

One such group of feminists fears that the censoring of sexually explicit materials would violate the constitutional guarantee of freedom of speech and backfire on women by permitting the censorship of feminist speech.

While second - wave feminism got so many things so very right, and made possible a great many of the career and life choices my generation of women enjoys today, many in that group of feminist thinkers got one thing fundamentally wrong, and that is this: even for those of us who are also productively employed outside the home — whether by choice, necessity or both — our most valued, fulfilling role is the one we take on as mothers to our children.

As an activist group supporting feminist progress in the film industry, the Alliance of Women Film Journalists (AWFJ.org), a nonprofit professional association of women who write about film and the movie industry, keeps tabs on films made by and about women throughout each year, conducting what might be considered a very informal study of feminist film production.

Earlier this week a poll of more than 1,600 teachers by the National Education Union and UK Feminista — a prominent feminist activist group — revealed that 27 per cent of secondary teachers would not feel confident tackling a sexist incident at school.

A poll of more than 1,600 teachers by the National Education Union (NEU) and UK Feminista — a prominent feminist activist group — found that 27 per cent of secondary teachers would not feel confident tackling a sexist incident at school.

I think it's important to give a safe creating space for marginalized groups in the gaming industry: I co-founded a feminist game group at my university where we play and talk about games designed by women, trans, non-binary, queer, and other marginalized people.

This, on the surface of it, seems reasonable enough: in general, women's experience and situation in society, and hence as artists, is different from men's, and certainly the art produced by a group of consciously united and purposefully articulate women intent on bodying forth a group consciousness of feminine experience might indeed be stylistically identifiable as feminist, if not feminine, art.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Gavlak Los Angeles is pleased to present, Not I, We, a group exhibition curated by Julie Russo and Lauren Wood featuring artists that identify as women and / or LGBTQ, and feminists that support them.

SAF — Sharjah Art Foundation SAM — Seattle Art Museum SAM — Singapore Art Museum SCUM — Society For Cutting Up Men (a feminist group invented in 1967 by Valerie Solanas, who shot Andy Warhol in 1968 in a failed assassination attempt) SFKM — Sogn og Fjordane Museum of Fine Arts (Førde) SKMU — Sørlandet's Museum of Art (Kristiansand) SMAK — Stedelijk Museum voor Actuele Kunst (Ghent) SoHo — South of Houston, home to the artistic avant - garde in 1970s New York (and to a few remaining galleries today) SWAG — Silver, wine, art, and gold (a term coined by Investment Week's Joe Roseman for investment categories with a history of outperforming the stock market)

Created by the famed anonymous group of feminist female artists (in collaboration with Australian design studio Third Drawer Down), the tote pays homage to the Guerrilla Girls» work illuminating and eliminating racism and sexism in the art world.

Outside the actual fairground itself, Asia Art Archive's booth was overtaken by the work of the feminist group Guerrilla Girls, who invited visitors to take a poll on how many women artists they saw at specific booths in the fair.

The work, titled Civilian Drone Strike, was auctioned alongside contributions by feminist activist group Guerrilla Girls and photomontage artist Peter Kennard, at the five - day Art The Arms Fair held last week in London in protest against the annual Defence and Security Equipment International arms fair.

The group exhibition Girls Can Tell displays works by a generation of artists born after 1970 that exemplify the shifted interaction with feminist issues in contemporary art.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

By Lorraine Heitzman Constance Mallinson has assembled a first rate group of women painters to address the concept of the sublime in art from a feminist standpoint.

The Guerilla Girls is an example of an artist collective with feminist aims — cloaked by pseudonym and rubber gorilla masks, the highly political activist group plastered their agenda throughout the streets of major cities — using clear imagery and concise text to convey their messages, such as «Do women have to be naked to get into the Met...

The Guerilla Girls is an example of an artist collective with feminist aims — cloaked by pseudonym and rubber gorilla masks, the highly political activist group plastered their agenda throughout the streets of major cities — using clear imagery and concise text to convey their messages, such as «Do women have to be naked to get into the Met Museum?»

Started in 1985 as an anonymous group of women artists challenging discrimination — aka the status quo — in art museums and galleries, the feminist masked avengers are still going strong; they're even now embraced by the very institutions they've sought to criticize.

The snappy title of this summer group exhibition — «Elaine, Let's Get the Hell Out of Here» — comes from an anecdote relayed by Elaine de Kooning in response to Linda Nochlin's feminist essay «Why Have There Been No Great Women Artists?»

Referencing hoarding and notice boards used as sites of communication for action and support groups, Hayes» new work restages material extracted from newsletters and small - run publications produced by feminist, lesbian and effeminist political collectives in the US and UK from 1955 - 1977.

The McNay presents the fourth work in the series, Sexism, 1973, wherein Andrews, inspired by his involvement with feminist groups and activists, explores similar oppressions of women.

Bernstein was a founding member of A.I.R. Gallery, the first gallery in the United States to be cooperatively owned and operated by women, and has been involved with the Guerilla Girls, a group of radical feminist artists dedicated to fighting sexism and racism in the art world, since the group's founding in 1985.

We Choose Art: A Feminist Perspective is a group exhibition that will include works by a variety of Los Angeles based artists, each of whom touch upon concepts of race, class, culture, politics, social commentary, and / or gender from a feminist perspective.

A.I.R. Gallery in Dumbo kicked off 2014 with a large women - only group exhibition, curated by celebrated feminist artist and writer Mira Schor.

Hebron's project engages artists in a new campaign to count representation of women, and Women's Inc., a group founded by young feminist artists and artworkers in a secret Facebook group, has created a riotously funny lexicon of portmanteaux poking fun at the art world's continued, pervasive sexism.

Though loosely associated with both the Concrete Art Movement (MAC) and Arte Povera, Rama's practice occupies a unique place alongside and separate from the artists who pioneered these schools; and while her work was praised by the Italian feminist groups like the Demystification of Authority and the Rivolta Feminnile, she is indeed separate from them too.

Curatorial Practices by Amal Alhaag, Maria Guggenbichler and The feminist health care research group.

While other rooms draw out shared concerns such as the grouping of conceptual and feminist works by (External) Elaine Reichek and Helen Chadwick.

The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005 - 2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.

The group show, curated by Ugochukwu - Smooth C. Nzewi, immediately evokes notions of Judy Chicago's radical installation Dinner Party (1979), but with its feminist message subverted to address the expanse of African culture and the continent's place within the global art scene.

While other rooms draw out shared concerns such as the grouping of conceptual and feminist works by Elaine Reichek and Helen Chadwick.

Cloaked by pseudonyms and rubber gorilla masks, the feminist activist group plastered political posters throughout the streets of major cities — using clear imagery and concise text to convey their messages, such as «Do women have to be naked to get into the Met Museum?»

It first appeared in America and Britain, where various feminist art groups were inspired by the women's liberation movement, before spreading across Europe.

In 2006, on invitation from the feminist genderqueer journal LTTR, Leonard revived the text in the form of a postcard, and subsequently the work has been read, translated, and reimagined by various groups in the context of numerous political elections in the U.S. and abroad.

As 350 DC member Rachel Goldstein writes in Feministing, we're part of a coalition of other incredible local groups, including the Rising Hearts Coalition and Potomac Riverkeeper Network, fighting the fracked - gas Potomac Pipeline — a project proposed by TransCanada, the company behind Keystone XL.

Critical feminist interrogation of the Canadian Bar Association's Code of Professional Conduct and the Law Society of Upper Canada's Rules of Professional Conduct reveals that lawyers» general right to refuse providing services to clients who can not pay results in adverse discrimination against a group protected by Ontario's Human Rights Code.

A major issue that this feminist group counseling model presented was based on Asian female pastors» lives and work in a patriarchal church structure guided by traditional patriarchal theology and culture.

In 2014, an initiative was opposed by liberal, feminist groups AAUW, North Dakota Women's Network and ACLU.

Currently, Florida's Bill is opposed by liberal, feminist groups N.O.W., the League of Women Voters and UniteWomen.Org.

In particular, the C.R.C. plays down its FR ties, and plays up its «women» ties, e.g. hawking joint custody supporter, Karen DeCrow (childless second wife) and FRster Warren Farrell because that permits repeated mention of these individuals now dubious ties to «N.O.W.» to cast the impression that the C.R.C. is a group comprising mothers and sanctioned by feminists!