Sentences with phrase «by feminist historians»

Not exact matches

Sociologists, historians and feminist economists, by contrast, have long - known that the neo classical assumption that families approximate individuals in their economic behaviour is bunk.

Apologists for science have become alarmed at the fact that science is questioned within the academy itself, by historians of science and feminists.

Marking the 50th anniversary of her death on August 5, 1962, two revisionist biographies offer divergent views of the blonde icon.Marilyn: The Passion and the Paradox, by USC gender studies professor, feminist historian and unabashed Monroe fan Lois Banner, seeks to quash...

Womanhouse was conceived by a member of Chicago and Schapiro's program staff, art historian Paula Harper, who The New York Times celebrated as «the first [of] art historians to bring a feminist perspective to the study of painting and sculpture.»

The portrayal of women in the Grimms is a historic survey that reflects real social conditions, and was originally told to the Grimm Brothers by women, according to historian Marina Warner, who has written extensively about the Grimms from the feminist perspective.

The question was posed, picked apart and licked clean in an essay by Linda Nochlin, the great feminist art historian.

Kat Griefen, an art dealer and art historian, is the co-owner of Accola Griefen, which focuses on modern and contemporary art by American women artists and feminist artists of historical significance.

As feminist art historians Helen Molesworth, Lisa Tickner, and Mignon Nixon have pointed out, the history of art made by women is a history of omission.

The workshop was inspired by the pedagogy of feminist art historian Arlene Raven.

Legendary feminist art historian Linda Nochlin and art curator Maura Reilly are joined by contemporary women artists for a discussion moderated by Arezoo Moseni about the positions of women artists and women in the art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»

Decades have passed since the imbalance was first raised by feminist art historians, and well over a century since the first women students were admitted into art schools.

This is due in part to curators and feminist art historians that have helped persuade cultural institutions by addressing the invisibility of female and queer artists and artists of color.

«The City of Dreams» has a long and rich history of feminist art practice and exhibition making, including LACMA's watershed attempt at inserting feminist art history into the museum with Women Artists: 1550 — 1950, curated by art historian Linda Nochlin and Ann Sutherland Harris in 1976, or, for example, Judy Chicago and Miriam Schapiro's inspiring installation and performance space Womanhouse (1972).

The exhibition will be accompanied by a scholarly catalogue with contributions by Mr. Silver and Bruce Museum Executive Director Peter Sutton, as well as an interview with Linda Nochlin, pioneering feminist art historian and Lila Acheson Wallace Professor at NYU's Institute of Fine Arts, who discusses Sherman's fascinating oeuvre at length.

These and other questions were discussed at the Fondation Beyeler by the artist Tracey Emin, the literary expert and feminist Elisabeth Bronfen, the British curator Sir Norman Rosenthal and the art historian Andreas Beyer.

One of the most important, if controversial, feminist considerations of Frankenthaler's work was a 1998 essay (revised in 2005) by the art historian Lisa Saltzman.