Don't miss: Extras include a comparison between the alternate and theatrical versions with an introduction
by film historian Robert Gitt.
Not exact matches
Blu - ray extras include audio commentary
by producer Pancho Kohner, casting director John Crowther and
film historian David Del Valle; and an isolated track of
Robert O. Ragland's score.
The sequel The Return of Count Yorga (Scream Factory, Blu - ray), which reunites director Bob Kelljan and star
Robert Quarry, comes from another label and features commentary
by film historian Steve Haberman and actor Rudy De Luca.
This edition has commentary
by film historians David Del Valle and Tim Sullivan, who also deliver a reading of a print interview with
Robert Quarry, plus stills, a radio tribute to
Robert Quarry, isolated score audio track, and booklet with an essay
by Julie Kirgo.
This is also newly remastered and includes the supplements from the earlier DVD special edition: two commentary tracks (on
by film historian Richard Schickel, one
by film historian / screenwriter Lem Dobbs and
film historian Nick Redman), the featurette «Shadows of Suspense,» an introduction
by Turner Classic Movies host
Robert Osborne, and the 1973 TV - movie remake starring Richard Crenna in the MacMurray role, Samantha Eggar as the seductive Phyllis, and Lee J. Cobb as the insurance boss Keys.
Special Features Audio commentary from 2002 featuring director
Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the
film and Altman's career between
film historians Cari Beauchamp and Rick Jewell Featurette from the
film's 1970 production Art Directors Guild
Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set
by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and
film critic Pauline Kael Trailer PLUS: An essay
by novelist and critic Nathaniel Rich
The book also features interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer
Robert Yeoman; essays
by film critics Ali Arikan and Steven Boone,
film theorist and
historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction
by playwright Anne Washburn.
In the early 1960s, influenced
by films, television, and billboard advertising, Katz began painting large - scale paintings, often with dramatically cropped faces.Utilizing characteristically wide brushstrokes, large swathes of color, and refined compositions, Katz created what art
historian Robert Storr called «a new and distinctive type