Sentences with phrase «by film photographer»

«Our lovely new cover was captured by film photographer Leo Patrone at the luxe Washington School House Hotel in Park City.

Not exact matches

Instead of selling their own SLRs, which use a mirror and prism mechanism to allow a scene to be viewed by the photographer and recorded on film, Panasonic, Olympus, and others started selling selling smaller cameras that relied just on digital sensors.

44 Fresh Eye On The Open By altering exposed Polaroid film, a photographer devised an unusual look at the U.S. Open at Flushing Meadow Photographs by Michael GoiBy altering exposed Polaroid film, a photographer devised an unusual look at the U.S. Open at Flushing Meadow Photographs by Michael Goiby Michael Going

The birth of baby Luna at Boca Raton Regional Hospital in Boca Raton, FL with midwives Courtney McMillian and Polina Goldenberg of Boca Midwifery, who work with Dr. David Lubetkin, filmed and edited by Paulina Splechta of Paulina Splechta Photography, birth photographer and film maker based out of Boca Raton, FL..

Family lifestyle documentary photoshoot of Charlene and her sons in Delray Beach done by Paulina Splechta birth photographer and film maker.

More Than a Thousand «Experience a Revolution» With Rob Stewart and BurlingtonGreen, by Jackie Prime Rob Stewart, award - winning biologist, conservationist, photographer and creator of acclaimed films Sharkwater and Revolution, took the stage for two inspirational events at the Performing Arts Centre on October 21st, 2014.

The film, which premieres tonight at the University of Wyoming in Laramie, will be accompanied by a touring photo exhibit showing black - and - white shots of some 40 female scientists donning beards, by photographer Kelsey Vance.

Tony followed some professional photography courses (that he paid for) online, but by and large is a self taught photographer (just as I am), who has been extremely passionate about taking pictures for more than twenty years now (he started out snapping back in the days of film cameras).

The imagery, shot by renowned fashion photographer Craig McDean, still maintained an airiness similar to that of its film counterpart; yet took on a somewhat moodier palette.

«My studio next to Portobello Road was very similar to the studio of John Cowan (the photographer whose studio was used by Michelangelo Antonioni's for his era - capturing film Blow - Up).

Filming what is a FashionOneTV equivalent to «America's Next Top Model» - yet swap out Tyra Banks in replacement for Archie Brooksbank, Vogue editor André Leon Talley is replaced by meeeee, and Sebastion Svensson, managing director of lifestyleasia.com sits in the seat of fashion photographer Nigel Barker — we all had our roles to play!

A story by Cape - Town based photographer Duran Levinson, shot on film in Hong Kong.

Exhibits include work by some of the most famous photographers and cinematographers in the history of film and photography.

The film crew, principally photographer Hernan Herrera, make their way safely through the twisted halls and corridors, their equipment presumably respected by some of the more violent men who make their home in the D.R..

Filmed practically and intimately by «Black Panther» cinematographer Rachel Morrison, the images parallel the societal examinations of American documentarians, painters and photographers who previously captured the era's poverty - stricken communities.

To Spain they go, where Hemingway lends a hand — and later his voice — to the anti-Franco propaganda film The Spanish Earth, made by the great Dutch documentarian Joris Ivens (well played, in an audacious bit of casting, by Metallica drummer Lars Ulrich) in collaboration with the writer John Dos Passos (David Strathairn) and photographer Robert Capa (Santiago Cabrera).

But by bringing in a host of cameo performances, all with silly foreign accents (Ashley Judd as a photographer sporting a Russian accent as if she's from Kentucky and the Australian actor Geoffrey Rush as Trotsky, who is never able to overcome sounding more Australian than Russian), it took away from the film's energy and left it stuck in the usual banality reserved for such Hollywood biopics.

And while most of that film centered on the sexual tension between a publishing heiress and the photographer sent to fetch her from an alien - ridden «infected zone,» the world its characters inhabited and their ultimate goal were both defined by a looming alien threat.

As a photographer, I was blown away by its imagination and inspired me to go to film school».

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The film is bolstered by Max Richter's orchestral score, often soaring, and photographer Rob Hardy's use of outdoor scenes, where the movie was filmed in London, Oxford and Yorkshire.

Extras include a new interview with Ballard, conducted by critic Scott Foundas; an interview with cinematographer Caleb Deschanel; an interview with photographer Mary Ellen Mark, five of Ballard's short films (the Oscar - nominated Harvest is not included) introduced by the filmmaker, and a trailer.

«Bassaler's doc covers The Misfits and Capa with great aplomb: the film is nicely divided between still and moving images, propelled by interviews with photographers and others involved with the great productions that were documented... For lovers of great visual art, whether in film or photography» — Marc Glassman, POV Magazine

Born in Armagh in Northern Ireland, Seamus McGarvey began his career as a stills photographer, quickly progressing to cinematography by shooting short films and documentaries.

After shooting Judy Garland during filming of A Star is Born he became the first «unit photographer» — hired specifically by movie studios to take on - set promotional «stills».

(1965), The Perils of Priscilla (1969), Rodeo (1969), Seems Like Only Yesterday (1971), and Crystallization (1974)- New conversation between Ballard and film critic Scott Foundas - New interview with Deschanel - New piece featuring photographer Mary Ellen Mark discussing her images from the film's set - Trailer - An essay by film critic Michael Sragow

Directed by Frankie Latina, the films stars Danny Trejo, Sasha Grey, Cade Carradine, Kumar Pallana, Cookie Johnson, and Mark Borchardt; check it out here... In China Test Girls, a fashion photographer gets more than she bargained for when a roll of film -LSB-...]

He has worked as a news photographer for 4 years and has produced 3 short films at the University of North Texas, including «Smokey» a short documentary about an Elvis impersonator that has been selected by film festivals around the U.S. including AFI Dallas, Los Angeles Film Festival, Hot Springs Doc Festival, and Austin Film Festival, among others.

The Dutch photographer and filmmaker Hugo van Lawick was sent to document Jane Goodall's first establishment of contact with the chimpanzee population, resulting in the enormously popular Miss Goodall and the Wild Chimpanzees, the second film ever produced by National Geographic.

The Fits The absolutely stunning feature by cinematographer / photographer / director Anna Rose Holmer has to be among the most beautifully filmed of these mentioned.

A few months later, we are introduced to the film's protagonist, Chris Washington (Daniel Kaluuya, Sicario, 2014), a photographer in New York City who is packing up for a trip with his white girlfriend, Rose Armitage (played by Allison Williams in her feature film debut).

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

INDEPENDENT & FOREIGN FILMS 2 Days in Paris (Unrated) Romantic comedy about a French photographer (Julie Delpy) and an American designer (Adam Goldberg) living in NYC who decide to vacation in Paris to rekindle the passion in their relationship only to have the plan derailed by the presence of her intermeddling parents and the resurfacing of her still flirtatious ex-boyfriends.

The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic darkroom give him in a few short hours prints of a quality no photographer achieved before about 1920.

The tour is laid out in three themed, two - hour documentary film blocks, featuring Ice Call by Sam Favret, showing a surreal landscape inside glaciers, to the hilarious Owl Dance - Off Part II, the much - anticipated follow - up to wildlife photographer Megan Lorenz's award - winning Internet sensation that made stars of two burrowing owls.

Blu - ray extras include new interviews with Ballard and Deschanel; a piece in which award - winning photographer Mary Ellen Mark (who passed away in May) discusses the pictures she took on set as the film's unit photographer; and five short films by Ballard.

The latest film from iconic French auteur Agnes Varda, «Visages Villages» («Faces Places» in English), was co-directed by JR, a photographer and muralist 50 years her junior.

A Scrapbook holds stills by set photographer James Hamilton (61 images), the art of Miguel Calderón (5 images) that decorates Eli's home, Eric Chase Anderson's paintings of Margot by Richie (11), pages of Wes Anderson's annotated script with storyboards (8), Eric Chase Anderson's bedroom murals (15), and fake publication covers created for the film (8).

Penned by Luke Davies («Candy «-RRB- the film inspired by the real - life friendship between Magnum photographer Dennis Stock (Pattinson) and actor James Dean (DeHaan).

Taking its title from The Smiths» iconic 1987 album, which borrows the line from the 1945 Elizabeth Smart poem «By Grand Central Station I Sat Down and Wept,» Trier's visceral, complex film explores the strained familial bonds of three men, which are torn asunder by the death of their matriarch, Isabelle (played by Isabelle Huppert), once a celebrated war photographeBy Grand Central Station I Sat Down and Wept,» Trier's visceral, complex film explores the strained familial bonds of three men, which are torn asunder by the death of their matriarch, Isabelle (played by Isabelle Huppert), once a celebrated war photographeby the death of their matriarch, Isabelle (played by Isabelle Huppert), once a celebrated war photographeby Isabelle Huppert), once a celebrated war photographer.

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

The film is taken from over 100 hours of previously unseen footage, shot by photographer Hugo Van Lawick.

Featuring commentary by the Coens, Sonnenfeld, and actor Frances McDormand, this video, created by photographer Grant Delin, highlights the careful planning that went into the film's construction.

Addario will discuss her memoir It's What I Do: A Photographer's Life of Love and War, which is being produced as a feature film starring Jennifer Lawrence by Steven Spielberg.

It's all caught on film by a busy photographer from Publishers Weekly, a woman soon kidnapped.

Professional services (developing the film, marketing, etc.) could be provided by reputable and vetted individuals while the photographers could stay out longer in the field, shooting.

Created by local photographer Erin Feinblatt this incredible film features photography and video from several Outdoor Education trips, footage from Channel Islands National Park and underwater video from California's central coast.

A chilling surf trip to the country's northeast coast, captured in film by surfers and photographers alike

The Audio Guide features an introduction to MIT's public art collection by actor, film director, and photographer Leonard Nimoy.

Based on «Reflections in Black: A History of Black Photographers, 1840 to the Present,» a 2000 book by Deborah Willis, who co-produced the film, the documentary features Lyle Ashton Harris, Glenn Ligon, Lorna Simpson, Hank Willis Thomas, and Carrie Mae Weems, among many others.