Sentences with phrase «by flickering lights»

For the respondents that would contemplate purchasing a haunted home, the following spooky occurrences would stop them from buying a home: • 75 percent would be scared off by levitating objects from purchasing a home; • 63 percent would be deterred by objects being moved from where they were placed; • 63 percent would be dissuaded by ghost sightings; • 61 percent would be discouraged by supernatural sensations; • 61 percent would be scared off by flickering lights / appliances; • 60 percent would pass on a home with strange noises (footsteps, doors slamming); • 34 percent would be deterred by warm or cold spots.
I wasn't awakened by flickering lights and I did not witness any items moved out of place, but was caught off - guard by something a bit less noticeable.
The only hint that the monsters are around is that they juice up all electrical devices - including lights, cell phones, car alarms, whatever - so that their presences are announced by flickering lights and other spooky shit.
Fitzroy Lodge in Lambeth is like so many boxing clubs — the crooked little door hidden under the railway arches, the musty smell when you go in, and the bags and the ring dimly lit by a flickering light.
A rare form of epilepsy can be induced by a flickering light, but for it to pose a potential risk of seizures the frequency of the flashing must be greater than 3 Hz.

Not exact matches

According to a study (PDF) of 1,000 full - time office workers commissioned by Energy Focus and conducted by Wakefield Research, 69 percent of participants reported problems with office lights including glare, brightness, and excessive flicker.
McGibbon Lammi says they can be harmed by video monitors and cheap fluorescent lighting that flickers all day, often imperceptibly.
What might we learn about ourselves, about our desires, if we sit with those flickering flames, if we enter into a dream state looking into the light, untroubled by expectations, undisturbed by anxiety?
In space, above our atmosphere, stars do not twinkle; in space a telescope is also beyond day and night and can thus stare at the same star for weeks on end, gradually teasing from its light the barely perceptible but regular flickers caused by a small orbiting planet.
One by one its lights flicker on and off at the command of technicians in the control room.
Using an electroencephalogram (EEG) cap, the system allows users to move forwards, turn left and right, sit and stand simply by staring at one of five flickering light emitting diodes (LEDs).
When energized by electrical current, the bonded layer produces light that travels through channels in the silicon to a «modulator» that flickers the light tens of billions of times per second.
The researchers trained wild - caught birds to receive a food reward by distinguishing between a pair of lamps, one flickering and one shining a constant light.
The Stella Maris virtual periscope is just the latest technology developed by the researchers, who have also found ways to exploit «underwater flicker,» i.e., random change of underwater lighting, caused by the water surface wave motion.
The result brings the tiny flakes, called nanocrystals, a crucial step closer to fulfilling their promise of tailoring a laser's color just by changing the size of the crystal, which could lead to more powerful tools for detecting chemicals or sending information via flickers of light.
While the research has not yet been reviewed for publication, it is already stirring up excitement in the scientific community and beyond; after eliminating other theories, some suggest that the only explanation for the flicker is the presence of light - blocking megastructures, built by aliens.
Lutein was measured in the eyes of the participants by them responding to a flickering light while looking into a scope.
But despite his happy - go - lucky socialite wife's attempts to cheer him up, he continues to suffer from paralyzing flashbacks induced by such triggers as buzzing bees, flickering lights and popped balloons.
As Fabio Grassadonia and Antonio Piazza's Salvo flickers into life with moody storm sounds scoring dull blue blurs of light, like the dying Aurora Borealis, one senses the temptation is being offered by the writing - directing team as more of a guarantee.
On the other hand, the overuse comes in the form of jump scares brought on by darkness and flickering fluorescent lights.
The men each have an Achilles heel, Tok having a brain condition that results in seizures when marked by foaming and vomiting after he sees flickering lights, while O has had problems getting too close to housekeepers, especially in keeping them alive.
By nearly eliminating screen flickering at all brightness levels by providing a constant LED light source and reduce blue light exposure, the display ensures longer viewing time and increase eye comfort for presentation and multimedia experience — without eye fatiguBy nearly eliminating screen flickering at all brightness levels by providing a constant LED light source and reduce blue light exposure, the display ensures longer viewing time and increase eye comfort for presentation and multimedia experience — without eye fatiguby providing a constant LED light source and reduce blue light exposure, the display ensures longer viewing time and increase eye comfort for presentation and multimedia experience — without eye fatigue.
I'm relieved when they disappear almost immediately, since they are never a good omen, but exasperatingly they're soon replaced by a flickering seatbelt warning light, which resolutely refuses to extinguish.
Engine replaced at 135K miles after usual hwy trip the engine light flickered went off and then followed by engine noise * (knocking or ping).
They turned into an even narrower alley, then into a footpath, and then, finally, after making a staccato rap on an almost invisible door, stooped under a lintel and stepped into a room lit by guttering candles and flickering firelight.
Before its advent, reading after dark meant squinting in the flickering light thrown off by a candle or lantern.
Flickering candles, jack - o - lanterns, and twinkling lights don't just capture our attentions, pets are curious by nature and are drawn to these lights as well.
Stroll in the flickering light of 500 + luminaria lining our two - block courtyard, serenaded by Christmas carolers.
Creatures When dropping Toki in a nest, birds now have a «cooldown», so they won't instantly pick you up again when walking out of the nest Birds don't stop anymore when they sense vibration, making them less annoying when accidentically stomping near them No more random sorting of creatures: they all appear on their assigned depth value, preventing smaller creatures from sometimes getting lost behind bigger creatures Fixed the «spawning multiple camera birds» bug Slug corpses can't kill anymore, so no more accidentally walking into them and dying Bugs When stomped, berrybugs and copybugs now always hop the same distance (3 tiles), making their behavior more predictible Berrybugs now briefly stop if they detect an edge above their heads while walking on the floor, making it easier to stomp them onto a wall Copybugs and berrybugs get stunned when they're in the trajectory of a to be spawned bubble, so they can't hop / roll away before bubble is spawned Glowy berrybugs now use the same turn animation as normal berrybugs, so no more faster glow bugs Frogs and bubbles Bubbles now prioritize Toki Tori over other entities, so no more accidental berrybug ballooning Added a small delay before catching an entity in a bubble to allow for catching Toki Tori, even if he's a little further away than an entity Added possibility to queue a «turn by whistle» while the frog is running towards a berrybug, so you don't have to wait before being able to let the frog face the desired direction Fixed a problem where a fat frog won't belch anymore Achievements In - menu achievements system, including progress achievements Added a number of new achievements Tokidex completion is now a progress achievement (you can see how far along you are) Fixed the Fried Chicken achievement, so it's less hard to get All electrocuted entities now count for the X-Ray Enthusiast achievement Menu Completely new, streamlined and fast to access menu system Ability to set language from menu New font Graphics Improved presentation of telepathic Ancient Frog messages, fixed a problem where sometimes they'd spawn multiple times Fixed black flickering when buttonbashing during fades and level transitions Screenfades are now 100 % black Added button prompts to the first time you need to use whistle and stomp Areas and puzzles Added l - ife area for Ife < 3 Added an extra landing stone in the wasteland area Added more snow globes: — RRB - Water mountain approach: berrybug in the «pro» puzzle can no longer be lost Water mountain top: frog for Ancient Frog puzzle now starts bloated, added light to make «pro» puzzle easier to execute Shaft top: Small tweak to make sure berrybug isn't killed by the slugs midway through the level Water cave: made the light shaft where you need to whistle the hermit crab a bit wider, created hole for frogs at end of level to prevent them from falling down, made some «pro» puzzles a bit more forgiving Dark forest: lowered warp when entering dark area, so it's easier to travel up with a bubble Lava cave: improved bat puzzle Meadow: made some pro puzzles less difficult Hideout: removed alternative solution for Ancient Frog puzzle Descent: made it easier to pick up fat frog at beginning
Metropolis: Lux Obscura Reviewed by Kieran Developer: Sometimes You Publisher: Sometimes You Category: Puzzle, Other Release Date: 04.04.2018 On a cool spring evening, in a dimly lit forest, a light flickered in a dank cabin.
Environments are beautifully rendered with detailed textures, and the light cast by your torch flickers as you pass through the hauntingly decorated interiors.
Be it the flickering shards emitted by your gas lamp as you edge down a dim corridor, the light behind a sheet betraying the twitching silhouette or the gradual pouring of light into a dark room as you slowly creak open a door into the unknown.
Set in a foggy downtown district, this nighttime map is lit up by flickering neon signs and a full moon.
The dim, theatrically - lit parlor is animated by the compulsive flicker of a hand bursting open only to shyly flourish closed in the coy dance of an anemone.
SHIRAZEH HOUSHIARY Flicker, 2013 installation view, Glasstress 2013: White Light / White Heat Berengo Centre for Contemporary Art, Venice Italy Photo by Francesco Allegretto
Through gradations of screen - printed color, they create a whisper - light physicality, reminding us of all of the flickering calls for attention that we pass by every day.
Her series Changing Luminosity was inspired by the play of light in the urban landscape - the flickering reflection of colourful fairground lights on rain washed surfaces, or the stark contrast of moving traffic lights, bouncing on windows and buildings, against the night sky.
The missives are read aloud by text - to - speech software and the volume level directly corresponds to the intensity of the «GLEN» light, resulting in a strobing, flicker - film effect.
As visitors approached House of Vans, they were greeted by Ken Farmer's light installation on the building's facade, inspired by a once flickering light that used to be a part of the building's burnt out marquee.
The local colour of that infamous city — passing trains, wild dogs, the flickering blue lights of emergency vehicles — is merely glimpsed in the light thrown off by the ball.
1 PHILIPPE PARRENO (TATE MODERN, LONDON; CURATED BY ANDREA LISSONI WITH VASSILIS OIKONOMOPOULOS) Parreno has turned the Turbine Hall into a mesmerizing machine producing light, sound, cinematic effects, and choreography: Inflated fish float in the air, huge planes reminiscent of Russian Constructivism ascend and descend inscrutably in the semidarkness, and a flickering apparatus seems to send out signals that trigger reactions throughout the entire museum.
The chief characteristics of work from that decade, with its echoes of Hans Hofmann, are densely layered surfaces and the arbitrary petals of paint so evocatively described by Mel Gooding in his book: «They flicker and flash with the chromatic brilliancy of birds, fish or insects against the broken light of impasto and coagulation, or like volcanic debris falling through burned air, or like bright figures of water, air and fire against elemental grounds of pigmented earth.»
Yet his work actually encompasses such diverse items as a black - and - white painting based on flickering light on the Seine, gridded paintings with squares of color arranged by chance, weathered steel panels, floor pieces, multi-panel paintings, contour drawings of leaves and collages on postcards.
As to why the flickering lights are artistic, Mr Wilson said: «He's making a work of art by manipulating the existing mechanism of the gallery light system.»
The exhibition continues in a second room connected to the main installation through a narrow corridor animated by an inexplicable flickering light.
Alma Thomas was inspired by the garden outside her window and painted images that suggest light flickering through leaves and petals.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLight and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLight and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...
Preferred habitat: wetlands, low woods + + + + Foliage / winter appearance: deciduous, red leaves in fall + + + + Soil conditions: loam, clay, tolerates poor drainage + + + + Light conditions: partial shade to full sun + + + + Plant spacing: 30 feet + + + + Wildlife value: Flowers are a source of bee food; foliage browsed by White - Tailed Deer; fruit attracts the following birds: Eastern Bluebird, Gray Catbird, Eastern Kingbird, Mockingbird, American Robin, Brown Thrasher, Summer Tanager, Cedar Waxwing, Red - bellied and Red - headed Woodpecker, Gray Cheeked Thrush, Blue Jay, Tufted Titmouse, Rose - breasted Grosbeak, Purple Finch, Wood Duck, wild turkey, flicker
Body: American Beauty iron handle on top, bakelite spoon handle rudder, wavy antenna Lighting: Top gooseneck, flicker flames underneath; rear flicker flame tail Base: Aluminum nose cone for an industrial water pump, with 4 pool balls; small hood ornament rocket by a pot top knob moon; red pot top, top of an old extinguisher.
Exacerbations of migraines, brought on by either noise or by light flicker.
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