Sentences with phrase «by framing the story»

This type of coverage follows Scott's newsjacking model — by framing the story with a new takeaway or opinion fairly close after it breaks, you can catch the news wave before it really takes off.

But Hooper and writer Lucinda Dixon take a deeply conventional approach by framing their story as a portrait of a loving marriage with an almost incidental awkward flaw.

V / H / S 2: Follow - up to last year horror film, which is an anthology film that is comprised of horror shorts by different directors strung loosely together by a framing story.

Not exact matches

Meanwhile, hanging out in the living room of your one - story, wood - frame house will only cut down the radiation by half, which — if you are next to a nuclear explosion — will not do much to help you.

On Thursday, Buzzfeed and Wired published in - depth stories explaining where Free Basics — framed by Facebook as a philanthropic venture — came from, and why Zuckerberg is hell bent on seeing it through.

«Shakespeare this ain't, and Gears 3 struggles at times with its forced attempts at heart - string pluckery, but I can forgive it as much; gore - starved guns adorned with toothy chainsaws easily atone for any cheesiness suffered along the way... the Gears 3 story continues with what amounts to a blood - drenched tale of woe, suffering, loss and absolution, cathartica that stands out in harsh relief when framed by the»80s era Schwarzenegger - ness of most of the dialogue.

Tolkien says it best: «It is the mark of a good fairy - story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the «turn» comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art... In such stories, when the sudden «turn» comes we get a piercing glimpse of joy, and heart's desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.»

As mediated by the journalists, the story of the Second Vatican Council was framed as a battle between traditionalists centered in the Roman Curia, the Vatican's bureaucracy, and a core of progressive bishops, mostly from northern Europe.

what i mean by both of these are right is that both of these happen... both frames are true stories.

The frame of reference in the gospel stories quickly expands, as does the Old Testament, which chronicles the history of a nation that is sometimes swallowed by world - straddling empires.

Where Maunsel White participated in the celebrations as a city official, it is not difficult to imagine, and certainly fits logically within the time frame that Maunsel White sauce was first concocted (which is dated by two different accounts to have been either 1849 or 1850) that the alleged traveler from Central America story perpetuated in McIlhenny family lore was actually a soldier returning through the port of New Orleans from the Mexican - American war to a festive reception in June of 1847, being honored and greeted by a prominent former military officer who was also a city commissioner.

These images achieve the goal that has driven every SI photographer: to bring the magazine's readers closer to the action (a Buckeyes quarterback framed by the perfect crowd shot and Tiger painting one of his masterpieces) and closer to the story behind the action (the burn in Lance Armstrong's thighs and the inferno in Ray Lewis's eyes).

News by Association: Posting a seemingly irrelevant story alongside a Trump story, hoping to create a mental association that will frame the Trump story in a particular context, without the paper ever having made an explicit accusation.

To enable a three - story building to rock, the columns of the braced frame are not anchored to the building foundation, but tethered to the foundation by dampers and steel - yielding devices.

For over 40 years now, fans have been entranced by the simple story framing the beginning of every Star Wars movie.

You must use the RSS feeds as provided by Women's Health & Fitness, and you may not directly or indirectly change, edit, add to or produce summaries of any content, nor place any full - story in an HTML frame - set.

Old coat by Isabel Marant, new jeans by Frame Denim, boots by Saint Laurent, T by Alexander Wang linen top, new bag by Celine, and jewellery by Tiffany's, & other stories and De Beers.

Frame denims, cashmere silk jumper by Dries Van Noten, blazer and shoes from & other stories, diamond necklace by Monica Vinader and python leather bag by Tod's.

Today, the 42 - year - old sits at a single desk, framed by a high shelf lined with photographs, print campaigns and other ephemera that document the story of Rag & Bone, a brand as deeply rooted in Wainwright's upper class British background as his life in New York and his personal connection to America's shrinking manufacturing base.

Framed by Hugo's tried - and - true story, given heart by Boublil and Schonberg's beautiful lyrics and melodies reinterpreted by Hooper's burgeoning directorial flourish, Les Misérables now has a welcoming new home on the big screen — and likely a new audience as well.

«Penthouse» tells the story of a lawyer who loses his job and then his fiancé because he defended a gangster, but who then gets called it to help the same woman when her new boyfriend is framed for murder by a rival gang.

With the exception of a couple of music video like sequences, «Polisse» attempts to use a documentary like realism in a story that is framed by Melissa (Maiwenn, who also directed, and not at all well), a photographer, being assigned to follow the unit.

The film is framed by a letter that Caroline, afflicted with a mortal case of Scarlet Fever, is writing to her young «uns in 1775, a communication that tells the story of a woman who despite her beauty and charm is not particularly liked by her new husband.

Price's descriptions of these new beasties trigger accompanying vignettes far less entertaining than the framing story, which is rife with horror movie in - jokes, cheesy rubber monster masks, and music by pop - reggae band UB40 -LRB-!).

Rumble: The Indians Who Rocked the World, directed by Catherine Bainbridge and Alfonso Maiorana, tackles a long, illustrious, and sorely undertold story, and as such offers some much - needed shading to a history that's still too often framed in stark polarities of black and white.

Fatal Frame / Project Zero: Maiden of Black Water consists of 3 interconnected stories that converge to uncover the truth behind a recent group of tragic deaths in a forest marred by a history of suicides.

Relating Eva's story by juxtaposing the past and present, We Need To Talk About Kevin seethes tension in every frame.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gframes the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile GFrames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

Working from a fluid script by David Magee (Finding Neverland), Lee frames the film with the adult Pi (Irrfan Khan) telling his story to a Canadian writer (Rafe Spall).

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Created in 2005 to justify a fourth American release on DVD, the extended cut lengthens several scenes by a few frames and reinserts scenes depicting Maximus tending his troops and of political intrigue in Rome, but does nothing to alter the story or characters overall.

Shot in artful, quiet light (many of the frames look like elegant paintings), The Innocents is beautifully performed by its nearly all - female cast; each nun, even those unnamed, is given her own personality and story.

The appeal of the film is manifold - its serenity as The American meticulously goes about his craft; the paucity of dialogue that heightens its few action sequences when they do occur; a superb ensemble of actors led by Clooney that also includes Violante Placido (Clara), Thekla Reuten (assassin), Johan Leysen (controller), and Paolo Bonacelli (as a local town priest); the artistic framing of the film by director Anton Corbijn both in its interiors and the long shots of the Italian settings; and simply the story's uncertainty that grips one from its very beginning.

The effective introduction of colour into a monochrome world was done by shooting in colour originally, scanning the film digitally at 2K, and then removing colour frame by frame as needing by the progression of the story.

Funded by the Polish Film Institute, Loving Vincent was created by a team of 115 artists who hand - painted all 65,000 of its frames, re-creating and elaborating on the canvases of Vincent van Gogh for a detective story that explores his last years in France and his mysterious, still - controversial death.

And that's yet another thing that's remarkable about Black Panther in not just its story but the way it's all framed by decisions made behind the camera.

Disneyfied, tries to frame P.T. Barnum's circus freakshow as being an inspirational story by attempting to brush every character flaw of Barnum's under the table while showing them off in plain sight and just ignoring them as some sort of

This beefy tale of male bonding is framed by a story loosely based on historical accounts from the 2nd century.

Like Toy Story and Who Framed Roger Rabbit before it, Disney's latest non-Pixar computer animation aims for a kind of self - contained cartoony realism by...

One thing I decidedly did not like was the framing device of Nick Carraway writing the story from a sanitarium, where he has gone to recuperate from the «morbid alcoholism» (I think those are the words we see on his diagnostic papers) brought on by the tragedy to which he was witness.

But though Once Upon a Time in the West is still a bit convoluted in the plot department (it features a story by Leone and future filmmakers Dario Argento and Bernardo Bertolucci), every frame of it offers pure energized excellence.

The father, played by French actor Alex Descas, anchors the story with a cool, understated performance, and though the pace is leisurely, Peck jams so much detail into every frame and so much subtext into every conversation that even the slowest scenes are captivating.

Broken Eternity is a love story told across three time frames, bound together by a dream sequence.

These articulations, together with allusions to contemporary sun - saturated paintings, the illustrated «girls» stories» of Louise Mack, fairytales and dreams, summon an internalised, Utopian realm that occludes the outside world, and is movingly evoked in the credit sequence, its pictorial timelessness framed by two textual statements of time and place.

For the new film, Osborne («Kung Fu Panda») and screenwriters Irena Brignull («The Boxtrolls») and Bob Persichetti have taken the generally more effective tack of nesting Saint - Exupery's story within an elaborate framing device set in the kind of modular modern metropolis prophesied by Jacques Tati's «Playtime,» full of technology and free of wonder.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

I abhor a framing story that inserts Burroughs (Daryl Sabara) as a young, aspiring writer who inherits uncle John's journal; and I resent the movie's representation of holy fakers the Thurn — led by Matai Shang (Mark Strong)-- as omniscient idiots à la The Adjustment Bureau.

The story here is but a wisp — Paddington is framed by a nefarious D - list stage actor (Hugh Grant on ripping form) and has to go to prison — but it's this core - level simplicity that makes the bounty of small pleasures that much more pleasurable.

Its segments are introduced by parting curtains, each labeled with the name of the appropriate month, which serves as a chapter heading — a neat way of calling attention to the broad and attractively composed «Scope frames and of parceling out the story in bite - size seasonal units.

by Walter Chaw I'm going to talk on for a while, but all you need to know about House of D and The Game of Their Lives is that they share framing stories and voice - overs.