Sentences with phrase «by friends in the industry»

Conrad believes Utah's commissioner Todd Kiser, who founded Kiser Insurance Agency, has been influenced by friends in the industry, and he intends to fight back.

I was referred to the site because it was so well known by friends in the industry as the best website for finding medical device, pharma and biotech sales jobs.»

She says she was referred to the site because it was so well known by friends in the industry as the best website for finding medical device, pharma and biotech sales jobs.

Not exact matches

OneTok was founded in 2011 by Ben Lilienthal and Jerry Norton, two «Voice over IP» industry leaders, and have raised about $ 1.5 million in seed investment from family and friends.

Speaking with friends in the industry, it feels like a few years ago there was such a move by indie developers to build apps and put them up in the smart device stores.

Herrera says her ethically minded stance was influenced by her father, who had family and friends in the manufacturing industry and taught her the importance of supporting low - pollution factories that were considerate of their surrounding communities.

I was speaking with a friend who has spent some time in the Contemporary Christian Music industry (they wouldn't want me to use their name here, but if you've spent any time listening to CCM, you'd be familiar with it) who let me in on a little secret: A lot of Christian songs aren't written by people who would claim to be Christian.

The final funeral rite held at Atwema Koforidua in the Ashanti Region was graced by industry, popular Kumawood stars, her church members, family and friends.

We found that only about one - third of the public trust medical evidence, with about two - thirds prioritising the advice of friends and family, and that about three in five British adults and four in five doctors believe that clinical trials funded by the pharmaceutical industry are often biased to produce a positive outcome.

Paladino acknowledged some of them were indeed circulated by him among a circle of friends, mostly in the construction industry.

I've been working in the natural products industry for about 6 years now and while my career has shifted focus more than once during that period of time, nothing brings me more joy than helping small, natural brands succeed by promoting and sharing new and innovative products with my friends and family... which includes all of you!

Dave Asprey: Mind Share for people listening, this is my dear friend JJ Virgin's group of highly influential health authors and celebrity types where we get together once or twice a year usually about 100 or so, 150 people, and talk about how we can better serve listeners, people like you, in just in getting information that's impactful that's out there that maybe is missing because all of us are sort of just tired of or even disgusted by some of the things that big industry is telling people to do.

By age 21, the talented and driven young entrepreneur started a multiline showroom in Los Angeles where she further explored her love of the fashion industry, but her interests soon shifted from the showroom to designing her first jewelry collection when her friend gave her a beautiful Italian bracelet.

I have a career in the health care industry and am considered a giver rather than a taker by family and friends.

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The Internet dating and «friend - making» industry in China is forecast to be a $ 80 million industry by next year, according to Shanghai - based iResearch.

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Kill Your Friends introduces itself to you by asserting that the music industry was cutthroat back in its heyday, and then it...

Our friend and coworker Sarah Finklea, of Janus Films, was one of a handful of industry experts asked by Moviemaker magazine to participate in an online roundtable about the importance and challenges of film restoration.

Lured back to the industry by a friend, she started to work on Belle, the true story of Dido Elizabeth Belle (Gugu Mbatha - Raw), the mixed - race daughter of a Royal Navy Admiral who was raised by her aristocratic great - uncle in 18th - century England.

This beauty of a film should be seen by any fan of N.W.A but, at the same time, if Rap music was never your thing, you'll still enjoy it as it's more than just about a group of friends making a breakthrough in the music industry.

Adam is working for a floundering cell phone company run by Nicolas Wyatt (Gary Oldman), a once powerful man in the industry who, Adam tells him during a presentation that could get he and his friends out of their entry - level jobs, has started to lose touch with his customers.

His best friend is called up and the two celebrate by checking out the Stark Industries Modern Marvels pavilion at the World's Fair (lots of in - jokes for the «true believers» here).

«I doubt, Mr Speaker, that the Cornish tourist industry will be best pleased by my honourable friend's assertion that tourism in Cornwall is dependent on truanting children for its survival.»

«Even with 50 - plus years in the industry, B&M and Hurst continue to enjoy the opportunities provided by SEMA to renew old acquaintances, meet new customers, and hob - knob with industry friends and competitors alike.

Roberts has been involved in the restoration industry for more than 30 years after having been introduced to musclecars in 1970 through a ’70 Trans Am owned by a friend of his older sister.

I'm a young female and I went to this dealer by myself and it was a MUCH better experience than when I went to other dealers with a friend who WORKED in the car industry!!!

Stop by and join the council in the Hot Products tent for appetizers and drinks, and to mix and mingle with industry friends, old and new.

I showed a standard publishing contract that was sent to me by a friend to a couple lawyer friends (not writers and not in the industry) and both just were appalled.

You will learn how to Prepare, Publish and Promote your book from our Team of Industry Experts, and from the experiences of your fellow members by engaging directly through our social channels (activity feed, friends & groups) and / or participating in our new Discussion Groups exchange.

Or better still, ask your friends in the publishing industry for recommendations and pay attention to experts recommended by publishing associations or established industry publications.

I have made some fantastic online friends, connected with peers in the industry, gained an online platform that now reaches thousands of people and my novel, Pentecost, is still in the Amazon bestseller rankings after six months, based on a launch fueled by social media.

Peek: ``... a lot of the people I consider friends also work in the industry, but still: I imagine my public posts can be a mix of dull or irrelevant, which means I risk being muted indefinitely by a fair number of friends.»

I was introduced by a friend to someone in the financial services industry and he explained a simple technique to easily calculate how compound interest can work for you — the Rule of 72.

Money blogging should not be about rewriting press releases sent our way by our friends in The Stock - Selling Industry.

FreeBird Express began operation in the spring of 2015 by two long time friends who have always had a passion for the maritime industry.

It is wonderful to think that this whole way of life and the heart of the Newquay surfing industry has been inspired by a group of friends creating wooden surfboards — Simple actions can often lead to truly monumental changes in history and the future of a town.

I got my start before I was even a teenager building Lode Runner levels on the Vic 20, by my mid twenties I was making levels in UnrealEd to play with friends, and my first game industry job was as a level designer.

Above all, she attributes her ability to thrive in the games industry on not just being friends with her male colleagues, but by her active enjoyment of shared activities like paintball, or playing Doom on a LAN.

The Media Indie Exchange (MIX) is all about the games — developed by indies, indie game enthusiasts and industry professionals, The MIX was created to provide an experience for developers to share their carefully crafted experiences with the press and friends in the development culture while supporting the community, and provide casual yet professional opportunities for developers to raise their visibility.

«As we talk to our friends and industry colleagues about «doing something indie» with us, there's a shared pragmatism informed by years in the industry that melds with the lingering youthful enthusiasm that got us into games to begin with,» Vanaman writes.

Founded by four UK industry veterans (and friends) in the long summer of 2008, this tiny developer has suddenly found itself at the centre of the gaming universe.

However, I have witnessed friends in this industry, particularly people in coding and QA teams, who are severely affected by project crunching and are rarely properly compensated for it.

2004 Post Coverage of Games and Game Consoles • Game and Software Reviews From The Post, Sorted by Title • Playing With TV: This Year's Hot Toys Take «Interactive» to a New Level • Dual Screens Give Gamers New Options • Video Game Makers Rush To Cash In On Top Titles • Half - Life 2's Real Battle: Theft, Lawsuits Made Getting It to Market A Daunting Task • Halo 2 Ready to Run Rings Around Video Game Industry • Screen Sizzlers: Video Gaming Industry's Hottest New Titles Aim At Generation XXX • Problems You Can Shake a Joystick At: War Room to Sickroom, Video Games Are Red - Hot • He's Got Games: Bing Gordon Knows What Plays in the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (BackIn On Top Titles • Half - Life 2's Real Battle: Theft, Lawsuits Made Getting It to Market A Daunting Task • Halo 2 Ready to Run Rings Around Video Game Industry • Screen Sizzlers: Video Gaming Industry's Hottest New Titles Aim At Generation XXX • Problems You Can Shake a Joystick At: War Room to Sickroom, Video Games Are Red - Hot • He's Got Games: Bing Gordon Knows What Plays in the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (Backin the Interactive Video World • MTV, Gamers Hope Video Clicks With Young Voters • Addicted Gamers, Losing Their Way • Madden NFL Scores Again • A New Player at The Video Screen: Gaming Industry Discovers Girls • Play Fast And Loose: New Portable Game Systems Are Close at Hand • Virtual War, Among Friends: With Cyber Cafes, Games Are No Longer a Solitary Pursuit • GameSpy Sees Room to Play • Video Cards Are Big Players • Handheld Lets Kids Leap Into Learning • Redesigns Add Variety To Games • Games Go Boom: Electronic Entertainment Exposition Showcases A $ 10 Billion Industry • Game Firms Think Small: In a Recent First, No Hot New Console Is Part of E3 • Welcome (BackIn a Recent First, No Hot New Console Is Part of E3 • Welcome (Back?)

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greateIn 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greatein its lesser relationship to the greater.

The fashion line succeeded commercially until pressures from the industry deterred Cianciolo from growing her production model — which consisted exclusively of handmade garments, already outsourced in a sense, in that they were collectively produced by friends, family, and students in a sewing - circle - type operation — any further.

In addition to a gallery of projects from the Industry City tenants, WantedDesign Brooklyn will present exhibitions from Art by Friends x Opinel, Visual Magnetics x Fort Makers, DIPLORAMA # 3 by ENSCI Les Ateliers, Mos (kit) o by ENSCI Les Ateliers, Outside the Box, and «From Chaos to Epiphany» by Central Saint Martins Product, Ceramic, and Industrial Design.

The point here is not that Gelbspan appears to have put out misinformation about his collective work back in 2004, it is that his words have huge influence right up to the present time, such as the only months - old «fossil fuel industry misinformation» research paper written by an impressionable young college student, or the days - old suggestion by one of his Facebook Friends that he should get a guest appearance on CNBC's Rachel Maddow show.

A well - paid vacation, with their pockets lined by their friends in the energy industry who they have for decades treated as corporate charities, and set up a friendly infrastructure with intrinsic subsidies for, arguing that cheap energy for them to rake in profits on now is well worth picking the pockets of other people's children?

Political opponents on the right and in some sectors of the oil and gas business, for their part, accused Trudeau of shallow political theatre, posing as a friend of the industry to win a few Red Tory votes by pretending to put his weight behind a project his environmentalist allies would surely block.