Sentences with phrase «by further exhibitions»

Not exact matches

THE PERFECT CAR — «Convincing evidence that the automobile of today is as far perfected as the materials of construction and mechanical ingenuity will allow, is afforded by the fact that the cars shown in the two annual exhibitions this year exhibit no novelties of a radical character as compared with the cars of the preceding year.

It is a fair guess, however, that most viewers by far are here to behold the spectacle of authenticity promised in the touring exhibition's tagline: «The Anatomical Exhibition of Real Human Bodiexhibition's tagline: «The Anatomical Exhibition of Real Human BodiExhibition of Real Human Bodies.»

After visiting the exhibitions you can be further astounded by going to catch a film at the IMAX 3D cinema, a truly unforgettable London dating experience!

Further in the exhibition you'll be greeted by racing cars once driven by legends like Sir Stirling Moss and Michael Schumacher, along with the technology developed by Ferrari that went on to revolutionise motor racing.

Ford's performance story will be further amplified at the Ford Out Front track, with exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can ride in ’15 Mustangs, Ford Raptors and Superformance Cobras piloted by Ford Racing High Performance Driving School instructors or other notable professionals.

Carlson gives us a journalist's - eye - view of what brought Nikita Khrushchev to the United States in the first place, depicting Vice President Richard Nixon as an awkward emissary who visited Moscow to further his own political career and made a spectacle at the American National Exhibition by debating the merits of kitchen appliances with the leader of the Soviet Union.

For 2011 the London conference will be supported by two new further WTM Vision Conference events; the first in Milan, Italy on April 14 and the second at WTM's sister exhibition Arabian Travel Market (ATM) in Dubai, UAE on May 4.

Exhibition races set themselves up according to your current set of wheels, and you can tweak the parameters (but not the actual race routes) further by entering blueprint mode, and then uploading your event for other players to try.

Far from the Arsenale, near the Rialto Bridge, India and Pakistan collaborate in the exhibition «My East Is Your West,» the brain child of the Gujral Foundation, a nonprofit founded in 2008 by Mohit and Feroze Gujral, son and daughter - in - law of renowned Indian Modernist artist Satish Gujral.

Major funding is provided by The Andy Warhol Foundation for the Visual Arts with further generous support from the Charles E. Pierce, Jr., Fund for Exhibitions, Barbara Gladstone, Maja Oeri and Hans Bodenmann, and Nancy Schwartz.

For the exhibition «Always A Little Further,» curated by Rosa Martinez, we created six giant 17 - foot posters taking on the Biennale itself (Benvenuti alla Biennale Femminista!)

At most ten minutes further, by the number 40 bus, lies the Snug Harbor Cultural Center and a huge, contemplative exhibition.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

An extensive exhibition of the graphic artist's optical puzzles will be further enhanced by «immersive photo booths»

As a measure of its growing ambition, the catalogue for Marlborough's impressive 1960 Van Gogh exhibition of 18 self - portraits was introduced with an essay «Van Gogh looks at himself» by the then director of the Kröller - Müller Museum in Otterlo, Professor A-M Hammacher, and a further essay by Oskar Kokoschka entitled «Van Gogh's influence on modern painting».

While related works such as the Hotel Grand series of gouaches, the bronze I Wanted You More (which mirrors the pose in the photograph) and the neon texts all address the perplexing inability to recall sexual intimacy, Emin further extends the theme of the exhibition — in works such as I waited and sat by your side and GONE — to reflect an altogether different kind of loss, that of bereavement.

Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.

Not far apart, about two minutes or a bit more by foot, depending on what friends you see along the way, are the two present exhibitions at Paul Kasmin Gallery, at 293 and 297 Tenth Avenue.

BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Design.»

The exhibition's title conjures both mythological and astronomical associations, and the primary medium of the work on view — the wool of the shag rugs Betbeze has distressed and distorted — makes it difficult to resist considering a further literary one, the 1870 novella Venus in Furs by the Austrian writer Leopold von Sacher - Masoch, from whose name the term «masochism» is derived.

Organic Matter, an exhibition of innovative knitwear created by Pratt Institute fashion students last fall, is gaining further national exposure.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

On the Far Side of the Marchlands is a partner exhibition at Schering Stiftung that presents works by Morehshin Allahyari, Cathrine Disney, Keeley Haftner, Brittany Ransom, and Daniel Rourke.

Further exhibition support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

A set of four small paintings by American contemporary artist Anthony Leone from the artist's Black Box Series, which are currently featured in the artist's solo exhibition Grape Far...

A further important highlight is Fuego Flores in acrylic and oil stick on canvas by Jean - Michel Basquiat (1960 - 1988), which has remained off the market for over 20 years and was last exhibited publicly in the 1984 exhibition Jean - Michel Basquiat at the Gallery V in Stockholm.

The Members» Reception on Saturday, November 11, 2017 from 11 a.m. to 2 p.m. offers a preview of the exhibition with talks by artists on aspects of the exhibition, furthering the Museum's mission to foster connections among art, artists, and the community.

Functioning as a further chapter of this continuous practice the exhibition at Galerie Daniel Buchholz, the second solo exhibition of the artist in the gallery, is titled «The Oriental Therapies», a title spawned by a spontaneous poem of the early morning.

After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America.

Noguchi's solo exhibition «Light Reaching the Future» held at the IZU PHOTO MUSEUM in 2011, in which she juxtaposed such photographic works with silkscreen works had served to further deepen her consideration both towards light and to photography (the film camera), by means of methodically deconstructing and inspecting the compositional elements of the photograph.

Elena Bajo pushes this question further, giving us a multiform answer that is not expressed merely with language, but with a full sensory exploration communicated by dance, sound, and experience in her exhibition «With Entheogenic Intent (Burn the Witch)» at 18th Street Arts Center in Santa Monica.

In the end, the Mishkin exhibition had far too few of Kline's late black - and - whites to fully prove or disprove the representational motif suggested by «Coal and Steel.»

Jack Tilton is showing a group of collages by Derrick Adams that furthers some of the concerns around portraiture and identity in his recent, grandly scaled exhibition at Pioneer Works in Red Hook, Brooklyn.

Saville is represented by seventeen paintings and a number of drawings that span her career thus far, including several monumental paintings, such as Fulcrum and Ruben's Flap (1999), first exhibited in her landmark 1999 solo exhibition at Gagosian's former Wooster Street gallery in New York.

Following the publication of «We Wanted a Revolution: Black Radical Women, 1965 — 85: A Sourcebook,» which «focused on re-presenting key voices of the period by gathering a remarkable array of historical documents,» a second volume has been released to further amplify the exhibition.

The exhibition is further punctuated by documentary material including ephemera from famous actions, behind - the - scenes photos and secret anecdotes that reveal the Guerrilla Girls» process and the events that drive their incisive institutional interventions.

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

Two UK exhibitions last year were of particular note: the ambitious but skewed Peace and Freedom at Tate Liverpool, which interpreted the work solely through the single, distorting lens of Picasso's «political activism», and the Gagosian Gallery's Mediterranean Years, which, in simply highlighting Picasso's playfulness, was by far the more beguiling and seductive.

The exhibition, curated by the University of Arkansas's Alissa Walls, Ph.D, Assistant Professor of Art History, also features a library section, which serves as an introduction for those not as familiar with the artist's work, as well as an opportunity for those desiring a deeper level of investigation to study further.

In 2015, a retrospective organised by Andrea Bellini, director of the Centre d'Art Contemporain Genève, was staged at that venue in Geneva, with further exhibitions in Bergen, Rome, and Porto succeeding it as part of a collaborative curatorial project; last year, paintings by Griffa featured in the Venice Biennale for the first time since 1980.

In 2016, P • P • O • W and Galerie Lelong presented the two - part solo exhibition by Carolee Schneemann, Further Evidence — Exhibit A and Further Evidence — Exhibit B.

The goal of the Slide Slam Series is to create cross currents between the far - flung artist communities of Long Island by providing artist exposure and exhibition opportunities in areas where the artist might not have a recognition base.

In this exhibition and the accompanying catalogue, the British Museum shows itself at its best; the clear presentation of the prints, the precision of scholarship, the insightful text by Coppell, but also in the deft addition of specific works from the museum's collection to further animate readings of the prints.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

Further exhibition support is provided by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

Addendum begins to do just that by including, ad hoc, additional images, objects, gestures and performance that provide a more complete representation of many of the artists that made up the,,, exhibition, while simultaneously further problematizing the original survey.

As part of the wider flora exhibition project originated by Oriel Davies flora.orieldavies.org we invite professional artists working across any medium from Wales and further afield to apply for a residency taking place at the acclaimed and unique setting of the National Botanic Garden of Wales, Carmarthenshire from October 2015.

28 The exhibition's only other reviewer, Robert Pincus - Witten, was far more vexed by these «reconstructions — re-issuings, reproductions, what have you,» unable even to find the vocabulary to describe their existential status.

The foundation of the second exhibition of contemporary art was inspired by gallery owners and art collectors who have experienced artgenève, strengthening the ties between Geneva and Monaco even further.

Not so far away, though, in the Phillips auction exhibition, I came across a three - faced woman in glazed plaster by Paloma Varga Weiz (estimate # 8 - 12,000 if you have your bidding head on).