Sentences with phrase «by gallery artist robert»

ft. former garage transformed into an elegant exhibition space by gallery artist Robert Irwin.

Not exact matches

About Blog Online gallery of Halifax and Nova Scotia art by artist Robert Martel.
About Blog Online gallery of Halifax and Nova Scotia art by artist Robert Martel.
About Blog Online gallery of Halifax and Nova Scotia art by artist Robert Martel.
Sotheby's just hired Christy MacLear, the chief executive of the Robert Rauschenberg Foundation, in an attempt to start managing artists» careers, estates and foundations, a role historically played by galleries.
Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.
Rosa Esman Gallery «17 Years at the Barn, Highlights from the Edward Albee Foundation» New York, N.Y. Lang & O'hara Gallery «The Inscribed Image» New York, N.Y. Luhring, Augustine & Hodes Gallery «Drawings» New York, N.Y. AFR Fine Art «Works on Paper» Washington, D.C. 1987 Willard Gallery New York, N.Y. New York Studio School «Five Abstract Artists» curated by Robert Storr New York, N.Y. Knoedler & Co. «Art Against Aids» New York, N.Y. Brooklyn Museum «Working in Brooklyn» curated by Charlotta Kotik (catalogue) Brooklyn, N.Y. Pace Editions «Monotypes» New York, N.Y. Barbara Krakow Gallery «Poetic Substance» Boston, MA 1986 Dart Gallery «Abstraction» Chicago, ILL..
2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.
Opera posters by leading artists including Sir Howard Hodgkin and Michael Craig Martin unveiled in support of Swarovski Whitechapel Gallery Art Plus Opera The Whitechapel Gallery has commissioned leading artists Philip Allen, Michael Craig Martin, Sir Howard Hodgkin, Robert Holyhead, Janice Kerbel and Lisa Millroy to produce opera posters for Swarovski Whitechapel Gallery Art Plus Opera, the Gallery's annual fundraising event on 15 March -LSB-...]
Xavier Hufkens is pleased to present an exhibition of the early work by legendary American artist Robert Mapplethorpe in the new gallery space in rue Saint Georges, Brussels.
Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.
The show's early galleries think past boundaries of media — Imogen Cunningham's double - exposed portrait of Martha Graham hangs next to a Charles Burchfield sunburst — and of race and gender, most persuasively via the juxtaposition of a blah abstract totem by Robert Laurent with a better 1931 bust by Nancy Elizabeth Prophet, an artist of the New Negro Movement.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Sean Kelly looks forward to seeing you at the gallery's booth, B17, during Art Basel Miami Beach 2015, where we will present works by the following artists: Los Carpinteros, Jose Dávila, Antony Gormley, Laurent Grasso, Candida Höfer, Callum Innes, Idris Khan, Robert Mapplethorpe, Hugo McCloud, Alec Soth, and James White.
Courtesy of the artist, Susanne Vielmetter Los Angeles Projects, and Patron Gallery, Photo by Robert Wedemeyer
BLACK & BLUE LITERARY JOURNAL New York, July 23, 2013 — C24 Gallery is pleased to announce the first solo exhibition in New York by London - based artist Robert Montgomery.
At the back, don't miss a group show of other gallery artists, including lovely works on paper by Elise Engler, Robert Strati, Colin Keefe and Noah Loesberg.
The announcement was made at Thursday night's packed public preview of the gallery's annual Head to Head exhibition; I Would Like to Join a Club and Hit Myself with It that features a work by Gander (Porthole to Culturefield Revisited, 2010) alongside new works by five emerging NorthWest - based artists; Robert Carter, Helen Collett, Monty, Lois MacDonald, and Joe Fletcher Orr.
Friedrich Petzel Gallery also deals in outstanding artworks from the last thirty years by artists such as: Robert Gober, Mike Kelley, Martin Kippenberger, Jeff Koons, Louise Lawler, John Miller, Albert Oehlen, Sigmar Polke, Richard Prince, Cindy Sherman, Thomas Struth, and Christopher Wool.
In May 2013, federal authorities announced that a trove of paintings and drawings by artists like Jackson Pollock, Barnett Newman, Robert Motherwell, and Richard Diebenkorn, many of which had been sold through New York's Knoedler Gallery for millions of dollars, were in fact the work of Pei - Shen Qian, a 73 - year - old Chinese painter in Queens.
By the mid-sixties the newer work of Carl Andre, Donald Judd, Jasper Johns, Robert Rauschenberg, Andy Warhol, Larry Rivers, Roy Lichtenstein, John Chamberlain, Claus Oldenburg, Robert Morris, Jim Rosenquist, Robert Smithson, Frank Stella, Tony Smith, Morris Louis, Jules Olitski, Ellsworth Kelly, Richard Diebenkorn, Al Held, Kenneth Noland, Larry Poons and Helen Frankenthaler were only some of the artists seen in the museums, galleries and in the leading art magazines.
Museum - quality exhibitions by major postwar artists are the bread - and - butter of the swank gallery run by powerhouse dealer Robert Mnuchin.
The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.
New York, March 17, 2011 — Sean Kelly Gallery will present 50 Americans, an exhibition that features fifty works by legendary American artist Robert Mapplethorpe (1946 — 1989) as selected by fifty Americans of diverse occupations, ages, races, and backgrounds.
Complementing the National Portrait Gallery's exhibition, «Elaine de Kooning Portraits,» in Washington, DC, this exhibition comprises self - portraits, likenesses, and reflections on Elaine de Kooning by other artists, including Arshile Gorky, Fairfield Porter, Hedda Sterne, Alex Katz, Robert De Niro, Sr., Ray Johnson, Joop Sanders, Paul Harris, Edvins Strautmanis and her husband Willem de Kooning.
The genesis of the Green Gallery was Robert Scull's interest around 1959 in discovering and securing works by new artists directly, without having to deal with a gGallery was Robert Scull's interest around 1959 in discovering and securing works by new artists directly, without having to deal with a gallerygallery.
A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.
Almine Rech Gallery - Grosvenor Hill is pleased to present «Plastic Show», a selection of works by seminal California artists from the Light and Space movement: Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-- five artists who, through a series of individual explorations, went on to investigate the broad potential that plastics (i.e., synthetically produced resins) could yield.
Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.
There are also disembodied legs protruding from the walls, fixture-less sinks that oddly seem to smile at you, a headless Christ spouting water from his nipples, a gallery transmuted into a mirrored autumn forrest, and other hints that you have entered the land of the suburban surreal — the mesmeric realm occupied by Robert Gober, the artist now receiving a career retrospective at the Modern.
Robert Miller Gallery is pleased to announce Ran Ortner, a solo exhibition of new paintings by the artist.
Estate of the Artist, New York Robert Miller Gallery, New York Acquired from the above by the present owner
In her latest exhibition and fourth solo show at Robert Mann Gallery, Because for Now We Still Have Poetry, multimedia artist Mary Mattingly assembles stories that strive to transform people's perceptions and reframe predominant ideologies by casting a spotlight on the lands that carry the scars of extraction from mining and chemical cultivation.
2015 Represent: 200 Years of African American Art, Philadelphia Museum of Art, Philadelphia, PA Inaugural Exhibit of the Pennsylvania Arts, The State Museum of Pennsylvania, Harrisburg, PA It's Never Just Black or White, Michael Rosenfeld Gallery LLC, New York, NY Nero su Bianco, American Academy in Rome, Italy, curated by Robert Storr We Speak: Black Artists in Philadelphia, 1920s - 1970s, Woodmere Art Museum, Philadelphia, PA
Over the years, the gallery has established an international reputation by working directly with some of the most important and influential artists of the last three decades including Yayoi Kusama, Ai Wei Wei, Louise Bourgeois, David Hockney, Leon Kossoff, Lee Krasner, Patti Smith, Robert Mapplethorpe, Joan Mitchell, Alice Neel, Georgia O'Keeffe, Andy Warhol, and Tom Wesselmann, and with the estates of Diane Arbus, Eva Hesse and Jean - Michel Basquiat.
1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin
A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY
In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 1964.
Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit program
2012 Extended Minimalism, Galeria Javier Lopez, Madrid The Geometric Unconscious: A Century of Abstraction, Sheldon Museum of Art, University of Nebraska, Lincoln, NE Sense of Colors, Keitelman Gallery, Brussels Cellblock I & II, Andrea Rosen Gallery, New York (curated by Robert Hobbs, catalogue) La Ligne Passé, Galerie Bernard Ceysson, Luxembourg Artists of the Gallery, Galerie Hafenrichter, Nuremburg, Germany HEUTE.
A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.
So, in this case, a gallery show with three women artists becomes a sort of front for a much larger and more eclectic group show including works by: Joel Shapiro, Mary Heilmann, Chuck Close, Claes Oldenberg, Elizabeth Murray, Carrol Dunham, Jim Dine, Frank Moore, Kiki Smith, Robert Ryman, Robert Gober, Terry Winters, James Siena, Ida Applebroog, Cindy Sherman, Victoria Haven, Joanne Greenbaum, and Mark Tansey, to name more than a few, though not all.
Highlights include director Bryan Robertson's dialogue with US artist Robert Rauschenberg on the occasion of his 1964 Whitechapel Gallery exhibition and audio recordings of talks given by German artist Rosemarie Trockel and American minimalist Carl Andre.
A wide range of works by gallery artists such as de Kooning, Franz Kline, Wayne Thiebaud, and Robert Arneson will be on view.
Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.
1985 Sarah Charlesworth, General Idea, Peter Halley, Jeff Koons, Peter Nagy, Richard Prince and Laurie Simmons, International with Monument, New York Metro Pictures, New York Paravision, Postmasters Gallery, New York (curated by Collins & Milazzo) Dealers and Critics, Mo David Gallery, New York (curated by Robert Nickas) Currents, Institute of Contemporary Art, Boston (curated by David Joselit, brochure) Final Love, CASH / Newhouse, New York (curated by Collins & Milazzo) Jay Gorney Modern Art, New York Post-Style, Wolff Gallery, New York Selected Works, Metro Pictures, New York Cult and Decorum, Tibor De Nagy Gallery, New York (curated by Collins & Milazzo) A Brave New World, A New Generation: 40 New York Artists, Udstillingsbygning ved Charlottenborg, Copenhagen; travelled to Lunds Konsthall, Lund, Sweden Biennale de São Paulo, Brazil (catalogue) Infotainment, Rhona Hoffman Gallery, Chicago; travelled to Texas Gallery, Houston (catalogue) Currents, Institute of Contemporary Art, Boston, MA
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
Through gifts by the late Gordon Hanes Jr., the gallery also houses an impressive collection of works on paper by well - known European and American artists such as; Jean Francois Millet, Joan Miro, and Robert Rauchenberg.
Artists represented by the gallery include: Ingrid Calame, Folkert de Jong, Simon Evans, Spencer Finch, Trenton Doyle Hancock, Yun - Fei Ji, Jesper Just, Byron Kim, Richard Long, BBeatriz Milhazes, Katie Paterson, Hiraki Sawa, Yinka Shonibare MBE, Shinique Smith, Estate of Robert Smithson, Erick Swenson, Tabaimo, Alison Elizabeth Taylor, Fred Tomaselli and BBill Viola.
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