Sentences with phrase «by generous support»

«We have been overwhelmed by the generous support of thousands of Americans who have helped our troops speak with their loved ones,» says the teens» father, Bob Bergquist.

It is sustained by the generous support of various foundations including the John D. and Catherine T. MacArthur Foundation, the Omidyar Network Fund, the Hewlett Foundation, and the Rockefeller Foundation as well as members of the public from around the world.

Like the Surui compilation, the Yawanawa children's book was written with the support of Forest Trends» Communities Initiative and made possible by the generous support of the IKEA Foundation and Fundo Vale.

Cape Farewell is a charitable organisation, whose work is made possible by the generous support, sponsorship and partnership from the following companies and organisations.

This program is made possible by generous support from our donors.

[I] n the last few years, the IPCC has conducted an unprecedented program of outreach, helped by the generous support of some of our members.

Unfinished Business: Paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle is made possible, in part, by the generous support of The Mr. and Mrs. Raymond J. Horowitz Fund for Publications; the Joseph and Sylvia Slifka Foundation; Jennifer Rice and Michael Forman; Helene and Ziel Feldman & HFZ Capital Group; The Muriel F. Siebert Foundation; Per Skarstedt; Lorinda Ash, Ash Fine Art; The Hilaria and Alec Baldwin Foundation; The Broad Art Foundation; Suzanne and Bob Cochran; Calvin Klein Family Foundation; Mary Boone Gallery; Ninah and Michael Lynne; and Galerie magazine.

This exhibition has been made possible by the generous support of Marlborough Fine Art, and Art Fund's crowdfunding campaign: Art Happens.

The 2013 deCordova Biennial is made possible in part by generous support from the Deborah A. Hawkins Charitable Trust as well as Barbara and Jonathan Lee.

The exhibition and accompanying book were made possible by the generous support of Rick Silver, Joan and Mitchell Markow, and Robin and Steve Kalota.

This program has been made possible by the generous support of the Brown Foundation, Inc., Houston, Patrick & Lindsey Collins and Ballroom Marfa members.

The Walker Art Center's presentation is made possible by generous support from Angela and Tom Wicka.

For his Park Night, and opening event for Serpentine Gallery's three - day Memory Marathon, Tarek Atoui performed the Sharjah Art Foundation commission La Suite, a five - hour work inspired by classical Arab music, presented by the Serpentine Gallery and made possible by the generous support of Badr Jafar.

The exhibition is made possible locally by the generous support of the The C. D., Helen and Jeff Glaze Foundation.

Artists Choose Artists is made possible, in part, by the generous support of the the Robert Lehman Foundation, Linda and Gregory Fischbach, Caroline Hirsch and Andrew Fox, Fiona and Eric Rudin, Barbara Toll, Jacqueline Brody, Ellen Cantrowitz, Fred Schmeltzer, and James and Katherine Goodman.

The 2013 - 14 exhibition schedule is made possible by the generous support of Arlington Camera, the Hanley Foundation, Hilton Arlington, Nerwin and Martin and the Wishful Wings Foundation.

This exhibition is made possible by generous support from American Express.

Nancy Holt: Sightlines is made possible by the generous support of the Lannan Foundation and the Graham Foundation for Advanced Studies in the Fine Arts.

Mack Lectures are made possible by generous support from Aaron and Carol Mack.

«The Legend of Rex Slinkard» and publication of the accompanying catalogue are made possible by generous support from the Florence A. Williams Fund.

The 2013 - 2014 exhibition schedule is made possible by the generous support of Arlington Camera, the Hanley Foundation, Hilton Arlington, Nerwin & Martin Fine Art Services and the Wishful Wings Foundation.

The exhibition is curated by Joan Rothfuss, Curator of the Permanent Collection at the Walker Art Center, and is made possible by the generous support of Judy and Kenneth Dayton, Martha and Bruce Atwater, Margaret and Angus Wurtele, the Broad Art Foundation and the Fifth Floor Foundation.

Lifelike is organized by the Walker Art Center and made possible by generous support from John L. Thomson and the Andy Warhol Foundation for the Visual Arts.

The exhibition is made possible by the Taipei Cultural Center and by generous support from Rong - Chaun Chen, Jane Lombard, and Richard J. Lombard, Amy and Leo Shih, and Wen - Chuan Tseng.

The Jack Tworkov: Constellation of a Picture exhibition preview and reception is made possible by the generous support of sponsors ACME Fine Art, and associate galleries Carroll and Sons and Miller Yezerski Gallery.

The incubator at 231 Bowery is made possible by the generous support of the New Museum Board of Trustees.

In Princeton, this exhibition has been made possible by the generous support of the Allen R. Adler, Class of 1967, Exhibitions Fund; the Apparatus Fund; the Judith and Anthony B. Evnin, Class of 1962, Exhibition Fund; the National Endowment for the Arts; the Frances and Elias Wolf, Class of 1920, Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; an anonymous foundation; and the Partners of the Princeton University Art Museum.

The exhibition and catalogue are made possible by the generous support of The Andy Warhol Foundation for the Visual Arts.

The Anderson Gallery's 2014 winter exhibitions are made possible in part by generous support from Keith Fabry Reprographic Solutions and Rick's Custom Frame + Gallery in Richmond.

The exhibition and publication are made possible, in part, by generous support from the Office of the Dean, School of the Arts.

The exhibition is made possible, in part, by the generous support of the Director's Circle, a leading Bronx Museum of the Arts support group.

This exhibition is made possible by the generous support of the Robert F. Erburu Exhibition Endowment.

AFF Inc.'s Young Adult Education Program is made possible by the generous support of the Andy Warhol Foundation for the Visual Arts, Bradley Family Foundation, Cultural Services of the French Embassy, Domenico Paulon Foundation, Lambent Foundation, New York City Department of Cultural Affairs, New York City Department of Youth and Community Development, New York Community Trust, New York State Council on the Arts, Open Society Initiative for West Africa.

The exhibition is also made possible by generous support from Robin Wright, Charlie and Barbara Wright, and Carol Dauber.

This series of five upcoming exhibitions is made possible by the generous support of the Nora Vaughan Bequest to the Sculpture / Installation program.

FREE / PHASE is made possible by the generous support of the National Endowment for the Arts, The Kresge Foundation, the Center for Black Music Research at Columbia College, and Rebuild's individual donors, close friends, and volunteers.

Elective Affinities: A Library is made possible by the generous support of the David Bershad Family Foundation, the Susan V. Bershad Charitable Fund, Inc., Arthur and Carol Kaufman Goldberg, and Joan and Charles Lazarus.

The exhibition is made possible in part by the generous support of Maria Graciela and Luis Alfonso Oberto; Mrs. Clarissa Alcock Bronfman; Agnes Gund; Stelac Foundation; National Endowment for the Arts; New York State Council on the Arts; Fundación Cisneros / Colección Patricia Phelps de Cisneros; Christie's; Haunch of Venison; Mrs. Solita Mishaan; and Susan and Steven Jacobson.

This exhibition and accompanying catalogue were made possible in part by the generous support of Fred Eychaner and Tommy Yang Guo, Dan Bo, the Elizabeth F. Cheney Foundation, and the Women's Board of the University of Chicago.

This exhibition is part of a series of guest - curated exhibitions at BAXTER ST at CCNY resulting from an open call for proposals, and is made possible in part by generous support from public funds from the New York City Department of Cultural Affairs, in partnership with the City Council and by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

The Spelman College Curatorial Studies Program is made possible by generous support from The Andrew W. Mellon Foundation.

Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros is made possible by the generous support of the David Bershad Family Foundation, the Susan V. Bershad Charitable Fund, Inc., Carol and Arthur Goldberg, and Agnes Gund in support of the Curatorial Certificate Program.

The exhibition is made possible by generous support from the Windgate Charitable Foundation.

The Glass Studio Visiting Artist Series was made possible by the generous support of an anonymous foundation, The Norfolk Consortium, Delta Airlines, and the Business Exhibition Council of the Chrysler Museum of Art.

POSTDATE is made possible by the generous support of The Andy Warhol Foundation for the Visual Arts, The National Endowment for the Arts, Kaushie Adiseshan and Anand Rajaraman, Tad Freese, Yvonne and Mike Nevens, Dipti and Rakesh Mathur, the Asian Cultural Council, and Christie's.

The Marfa Triptych: Pancho Villa From a Safe Distance has been made possible by the generous support of Brown Foundation, Inc., Houston; Creative Capital; Fusebox Festival; Golden Hornet Composer Laboratory; National Endowment for the Arts; National Performance Network; Texas Commission on the Arts; the Ballroom Marfa Board of Trustees; and Ballroom Marfa members.

This exhibition is made possible by the generous support provided by Carol and Arthur Goldberg, Joan and Charles Lazarus, Dorothy Lichtenstein, and an anonymous donor.

It is made possible in part by the generous support of the Gesso Foundation, the Andy Warhol Foundation for the Visual Arts, Gian Enzo Sperone, and Beth Rudin DeWoody.

is made possible by the generous support of The Hunter Art Exhibition Fund; Foundation To Life, Inc.; The Arts Across the Curriculum Initiative at Hunter College, funded by the Andrew W. Mellon Foundation; the Rose Goldsen Archive of New Media Art and the Digitization and Conservation Services, Cornell Library; Society for the Humanities, Cornell University; the Experimental Television Center; New York State Council for the Humanities; Electronic Arts Intermix; Dave Jones Design; and Signal Culture.

This exhibition is made possible by the generous support of the Stanton Storer Embrace the Arts Foundation and The Beaches of Fort Myers and Sanibel.