Not exact matches
As such, «The Dark Horse» is as good a title as any for a film that takes an overplayed
genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a
formula we all know
by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kids.
Rather than playing up the gratuitous pointlessness of cash - in sequels like itself, however, Craven's latest merely adheres to the very convoluted whodunit
formula (and mounds of inane exposition) that it outwardly addresses via a from - the - grave video recording
by Jamie Kennedy's
genre know - it - all.
Chair Entertainment's Shadow Complex is a rare entry in the
genre trail - blazed
by Nintendo's Metroid, the side - scrolling action - adventure - explore
formula later successfully aped
by Castlevania: Symphony of the Night.
Played extremely straight
by Hutton and with a satisfyingly reserved level of camp
by Boyle and Oliver Platt (as a corporate dirtbag), The Temp walks the tightrope of pointed satire for a delirious stretch before being swallowed whole
by the great beast known as Faye Dunaway (chewing scenery) and the twisty
genre formulas of its conclusion.
Directed
by The Taking Of Deborah Logan's Adam Robitel, Insidious: The Last Key is one of the weakest films to come out of Wan's
genre factory, reducing the producer's
formula of creepy houses, jump scares, and derivative horror imagery to its least interesting essentials.
That's because while Clark's successful, seductive, and I guess unpremeditated iteration of the giallo
formula (whodunit structure, operatic set - pieces, abundance of shots from the killer's P.O.V.) as established
by Mario Bava and his peers sparked a
genre unto itself in America, the more pioneering copycats, lacking Clark's flair for interpersonal dynamics, so grotesquely oversimplified Black Christmas as to discard its most distinguishing feature: its empathy.
The film follows the tired
formula of the
genre spawned
by «Jaws», as the four wander the lake and its shore, looking for the croc.
Cowritten
by Black and Anthony Bagarozzi, this nonstop - hilarious buddy - cop film is both a committed rekindling of the old
formula Black aced throughout his career and a playful wink to the
genre, bouncily walking on the fine line with occasional backflips.
The MatchMaker is a very
by - the - numbers rom - com (despite the tagline of it being a romantic comedy for people who don't like them) that is only modestly successful for
genre fans because it embraces the tried - and - true
formula to a tee.
Genre films become what they are
by following in the footsteps of others, playing off similar tropes and script mechanics in an effort to improve on the
formula or find a new and interesting way to spin it.
It doesn't kill the film, because
by this point we have already been entertained enough to allow for the
formula indulgences of the
genre, and also Badham's skill at directing violent action.
You can fix your targeting
by using the
formula, «Readers who love x, y and z will love this theme,
genre, keyword.»
But Crais, while working within the constraints of the
genre, still found his own winning
formula by creating a unique chemistry between his heroes.
By actually copying them out you will quickly grasp the «
formula» of the
genre, whether it is crime fiction, entrepreneurship or children's books.
The point and click
genre is difficulty in that it's hard to imagine any major improvements being made these days to the
formula, but this is certainly one area that can be built upon and for future titles I'd like to see Daedalic work on their animation so that it can match the high - quality standards set
by the art style.
This is
by no means a bad thing: Deponia was a fantastic point - and - click game with very few flaws, so there was really no reason to try to change the
formula all that much, and anyway, there's no a whole lot that can be changed in the
genre.
With the gameplay
formula not straying too far from familiar ground, however, the game developed
by Pendulo Studios will hardly appeal to those who don't enjoy this classic
genre.
This turned out to be a massive success, and Tango Gamework's The Evil Within 2 achieves this same honor
by reinventing the survival - horror
genre with a few experimental changes to the
formula that everyone is already familiar with.
By all accounts, though, Medieval Defenders sticks to the script of the tower defense
genre, never deviating from the original
formula.
What it lacks in innovation to the
genre it greatly makes up for
by being close to perfection on the
genre formula.
These games, and others, prove that the constellation of game mechanics established
by the Souls series is not a
formula to be copied, but its own discrete
genre within which anything is possible.