Sentences with phrase «by genre of»

This database of book bloggers is organized by genre of interest.

Awards are generally categorized by genre of writing, such as fiction, comedy, drama, horror, non-fiction, realistic fiction, romance novel, satire, tragedy, and tragicomedy.

It is the weighting of both planning steps, which is influenced by the genre of the music.

Portraits and Landscapes, on view at 536 West 22nd Street, encompasses recent formal portraits and abstract landscapes that are inspired by the genres of European portraiture and American landscape photography.

Not exact matches

Evan Shapiro, executive vice president of NBCUniversal Digital Enterprises, announced the new service in a presentation Thursday morning in New York, where he hammered home the idea that comedy is the most popular genre for streaming programming and that Seeso aims to provide content curated for and by «comedy nerds.»

His genres of choice include indie rock, bubblegum pop, and dreamy electronica; he has featured songs by Goldroom and Strange Talk in Snapchat's promotional videos.

The oddity is compounded by the fact that, in recent years, the trappings of the disaster film have overtaken other genres as well.

Sharknado is one example of a «mockbuster,» a new genre of film defined by the internet generation's insatiable demand for quirky, cheap content.

«By the end of this year, unless somebody mounts a tremendous counterattack — which is getting increasingly harder — Netflix will have utter domination of one of five or six genres that exist,» comedy - special producer Brian Volk - Weiss told Variety.

Anime Strike is the first of these channels to be curated specifically by Amazon, though Variety reports that the company plans to roll out more genre - specific channels in the coming months.

The course: This specialization created by Wesleyan University consists of four courses, each taught by a teacher below, and covers elements of three major creative writing genres: short story, narrative essay, and memoir.

The truth is, in our actual listening habits, most of us are very specific about what we want to listen to, but not by genre.

Get outside of your normal routine by learning a new hobby, reading a different book genre, or striking up a conversation with a complete stranger (exercise judgment on this one).

The genre - defying creative minds who brought you the Mexican pizza also plan to phase out high fructose corn syrup and palm oil by 2016, and at least some preservatives by the close of 2017.

Mr. Siegel also was a cofounder and director of New England Asset Management, now GenRe NEAM owned by Berkshire Hathaway.

Part of that likely has to do with the absence of many truly great movies this year, and the fact key contenders — like «The Shape of Water» (the pick by the directors and producers guilds) and «Get Out» (the WGA's original screenplay winner)-- come from genres that seldom receive top awards recognition.

Gender lens investing is part of the broader genre of «impact investing,» a term coined by the Rockefeller Foundation in 2007 that put a name to investments made with the intention of generating both financial return and social and / or environmental impact.

The format, made popular by Snapchat and Instagram, is the native genre of glass rectangles.

I would say Evans, and many of the commenters, are missing the point that several hundred years of scholarship in the fields of literary and textual criticism enable us to arrive at at - least reasonable interpretations of religious texts driven by context, the literary genre, etc..

The Bible covers so many different literary genres though and is written for and by so many different people at different times, that it simply doesn't make sense to talk of the whole thing as an «instruction manual».

19th century, archaeological finds (e.g. earth and timber fortifications and towns, the use of a plaster - like cement, ancient roads, metal points and implements, copper breastplates, head - plates, textiles, pearls, native North American inscriptions, North American elephant remains etc.) is not interpreted by mainstream academia as proving the historicity or divinity of the Book of Mormon.This evidence is viewed by mainstream scholars as a work of fiction that parallels others within the 19th century «Mound - builder» genre that were pervasive at the time.

But in the meantime, Dan put his own frustration to work and created this handy «Year of Biblical Womanhood Genre Cheat Sheet» for those who may be confused by literary genres and do not know the difference between, say, satire and biblical exegesis.

But I also think everything is crossing so many genres and everybody kind of knows about so many different styles of music that there's no way to only be influenced by one genre.»

Several of the book's features are shared with other British theology: a basic concern for intelligent orthodoxy informed by worship; the Trinity as the encompassing doctrine, strongly connected to both church and society; a well - articulated response to modernity; a wide range of «mediations,» through various discourses and aspects of contemporary life (philosophy, history, friendship, sex, politics, aesthetics, the visual arts and music); a special affinity for the patristic period; and a preference for the essay genre.

A remarkable flourishing of spiritualities has combined thoughtfulness with passion, often by women who also write in other genres (academic and nonacademic), such as Loades, Soskice, Grey, Coakley, Hampson, Jantzen, Ursula King (a German teaching in Bristol), Sarah Maitland, Monica Furlong and Elizabeth Stuart.

To distinguish these worlds I shall first use the four narrative genres identified by Northrop Frye.6 Frye has laid out all of Western literature in a great imaginary circle that has four cardinal points much like those of a compass.

«To speak of God's Kingdom,» says Wright, «is thus to invoke God as the sovereign one who has the right, the duty, and the power to deal appropriately with evil in the world, in Israel, and in human beings, and thereupon to remake the world, Israel, and human beings... When full allowance is made for the striking differences of genre and emphasis within scripture, we may propose that Israel's sacred writings were the place where, and the means by which, Israel discovered again and again who the true God was, and how his Kingdom - purposes were being taken forward... Through scripture, God was equipping his people to serve his purposes.»

This selectivity leads to a crucial irony of the genre: Written confessions are not in fact direct representations of the true person but are works of artifice, including and omitting details by design.

Likewise, Kennedy's search for the persuasive genre of a New Testament text is complemented by Mack's focus on the details of classical argumentation.

We're in a different genre here from that represented by, say, the Gospel narratives of Jesus» last days or the stories of the reign of King David in 2 Samuel, which read much more like eyewitness history.

The D'Aulaire books are also representative of another genre almost unmentioned by Mr. Bottum, that of the mythic, fairy, or folk tale.

The former camp were highly concerned with packing as much theological and biblical knowledge into each song as possible, while the latter adopted the strategy of reaching hip - hop culture by fitting into it, and there's more great Christian - focused hip - hop being made, which will appeal to more fans, than at any point in the genre's history.

(This phrase, and the above rough translations, are in fact in an online translation of a Roman priest's apparent paraphrasing of the audience, just after it took place, as quoted by Genre magazine.)

The interpreter has to look for that meaning which a biblical writer intended and expressed in his particular circumstances, and in his historical and cultural context, by means of such literary genres as were in use at his time, To understand correctly what a biblical writer intended to assert, due attention is needed both to the customary and characteristic ways of feeling, speaking and storytelling which were current in his time, and to the social conventions of the period.

He has done this not by returning to outdated apologetics but through a convincing analysis of the literary genre that shapes those narratives: the Greco - Roman biographies.

Both genres are still there, but they have been edged out by rows of greeting cards and stacks of books on human relationships.

The work of Amos Wilder, particularly his book Early Christian Rhetoric: The Language of the Gospel, which deals with major literary genres of the New Testament, as well as the work on parables as extended metaphors by such scholars as Robert Funk, Norman Perrin and Dan O. Via, Jr., has become important for many of us.

The debut album from Jack Garratt was a genre - defying mix of pop, R&B and electronica, created by a true music virtuoso.

32 Wilder himself has offered invaluable aid in the pursuit of his own question by analyzing the modes and genres of New Testament discourse.

A genre of writing that fascinates some scholars and clergy consists of books and articles written by scientists who, venturing beyond what can be securely proved, present larger visions of the cosmos, life, the beginning and the end of all things, and the place of the human in the grand narrative.

The voices of theologians who were receptive to this genre, like Ralph Burhoe, founding editor of Zygon, a journal dedicated to the interchange between religion and science, were seldom taken as seriously by theologians as they were by scientists.

In his study of Goethe's epic Hermann und Dorothea Humboldt discusses the function of art as idealization by means of the imagination, the concept of artistic objectivity and artistic truth, the difference between classical and modern poetry, and finally, the epic as the genre of humanitas (Humanität).

I do not want to end this brief survey of modes of biblical discourse without saying something about the lyric genre best exemplified by the Psalms.

To see this, we need surely to begin by considering the narrative genre of discourse that dominates the Pentateuch, as well as the synoptic Gospels and the Book of Acts.

Building upon his understanding that written texts can burst the world of the author, and indeed that of the reader as well, and upon his understanding that different genres accomplish this in different ways, Ricoeur comes to his understanding of «the world of the text» or, in other citations, «the world in front of the text,» by which he means «the... world intended beyond the text as its reference.

It also reprises some themes from Smith's earlier books, including the case for postmodernism as an ally of Christianity rather than as a threat, and skepticism about the value of straightforward apologetics — with Taylor, he suggests that the genre diminishes religion by reducing it to just another «closed» set of propositions in an age that prizes storytelling and fluidity.

Does the Old Testament conform to a genre that has been externally imposed by coercive readers and hard misreadings, or is its genre a reflection of the will of communities that produced it, assented to its ongoing word of address and handed it over to new communities of faith of which we are one?

@ David, I honor of your 4th of July offer, I was going to go by another skeleton - genre picture today.

As we mentioned earlier, the accounts of the resurrection appearances of Jesus can themselves best be understood as promissory, in the genre of the appearances and new pledges of fidelity by Yahweh narrated in the Hebrew Scriptures.

Unlike Mel Brooks's comedy Blazing Saddles, in which Brooks plays against the genre by making it clear that he's spoofing it, with the black sheriff and the horse KO'd by an uppercut to the nostrils, Lucas goes with flow of his story.