Sentences with phrase «by head curator»

View current student and alumna solo exhibitions before exploring SCAD FASH Museum of Fashion + Film on a tour led by the head curator of SCAD exhibitions.

Run by head curator, artist, and zine maker Aimee Lusty, the current exhibition series is a platform for self - publishing artists.

Not exact matches

It features 26 works chosen by seven «curators», among them the PM's wife Samantha Cameron, Deputy Prime Minister Nick Clegg, former Labour minister Lord Mandelson and the head of MI6 Sir John Sawers.

With a foreword by Andrew Bolton, the head curator of New York's Metropolitan Museum of Art, the book focuses on 18 partnerships, featuring interviews with designers, photographers and stylists.

, Syd Garon (CEH15, Outstanding Graphic Design, Jodorowsky's Dune), Eugene Hernandez (Deputy Director, Film Society at Lincoln Center), Eric Hynes (Associate Curator of Film, Museum of the Moving Image), Jason Ishikawa (Head of International Sales, Cinetic Media), Steve James (CEH12 Winner, Outstanding Feature & Direction, The Interrupters), Kirsten Johnson (CEH17 Winner, Outstanding Feature & Cinematography, Cameraperson), John Kusiak (CEH12 Winner, Outstanding Score, Tabloid), Loira Limbal (Vice President, Firelight Media), Elizabeth Lo (CEH16 Winner, Outstanding Nonfiction Short Film, Hotel 22), Michal Marczak (CEH17 Winner, Heterodox Award, All These Sleepless Nights), Marilyn Ness (CEH17 Winner, Outstanding Feature, Cameraperson), Dan Nuxoll (Artistic Director, Rooftop Films), Bill Ross (CEH13 Nominee, Outstanding Direction, Tchoupitoulas; CEH16 Nominee, Cinematography, Western), Kelli Scarr (CEH09 Nominee, Outstanding Score, In a Dream), Mo Scarpelli (CEH16 Nominee, Spotlight Award, Frame by Frame), Jess Search (Chief Executive, The Doc Society), Signe, Byrge Sorensen (CEH16 Winner, Outstanding Feature Film & Production, The Look of Silence), Jean Tsien (Editor of CEH17 Audience Nominee Miss Sharon Jones!)

This is the inaugural event in the international series of programs for writers headed by Gareth Howard and Hayley Radford, who were curators, last year, of London Book Fair's AuthorLounge.

Friday night at NeueHouse, after slinking past a seemly - looking Powerpoint presentation on the first floor, I headed towards the basement where far more titillating images were on view for the opening of the explicit B - side of «In Your Dreams,» organized by curator Marina T. Schindler for the Spring / Break art fair.

Selected by curator Lauren Cornell and artist Ryan Trecartin, the 150 works by 51 artists and collectives include paintings of humanoid heads warping amid patterned fields (Sascha Braunig); a 3 - D - printed figural sculpture of artist Juliana Huxtable (Frank Benson); and an aquarium housing two coral - encrusted letters E (Antoine Catala), obliquely referencing an emotional relic from our analog past - empathy.

The Hyundai Commission: SUPERFLEX will be curated by Donald Hyslop, Head of Regeneration & Community Partnerships, with Synthia Griffin, Curator of Regeneration & Community Partnerships and assistant curator Valentina RaCurator of Regeneration & Community Partnerships and assistant curator Valentina Racurator Valentina Ravaglia.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

It includes contributions by the artist and new essays by Magnus af Petersen, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern.

A jury of three experts — headed by Sophie Hackett, associate curator of photography at the Art Gallery of Ontario and including Nigerian - born curator, writer and scholar Okwui Enwezor and American artist Laurie Simmons — will select a short list of four artists, including at least one Canadian artist.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Curator of Photography, Peabody Essex Museum.

The jury was headed by Kitty Scott, the AGO's Carol & Morton Rapp Curator of Modern and Contemporary Art, and included artist Stan Douglas and art scholar Russell Ferguson.

I Don't Know, Or The Weave of Textile Language is curated by Magnus af Petersens, Chief Curator, Whitechapel Gallery and Achim Borchardt - Hume, Head of Exhibitions, Tate Modern with Poppy Bowers, Assistant Curator, Whitechapel Gallery and Hansi Momodu - Gordon, Assistant Curator, Tate Modern.

The panel — organized and moderated by Jenni Sorkin, assistant professor, UC Santa Barbara — includes Wendy Kaplan, head of decorative arts, Los Angeles County Museum of Art; Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles; Jenelle Porter, independent curator; and Andrew Perchuk, deputy director, Getty Research Institute.

The Thaw Collection of Master Drawings: Acquisitions Since 2002 is organized by Rhoda Eitel - Porter, Charles W. Engelhard Curator and Department Head, and staff of the Department of Drawings and Prints, the Morgan Library & Museum.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

-- Hannah Höch is curated by Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies, and art historian, Prof. Dawn Ades CBE, with Emily Butler, Assistant Curator.

This unique project was conceived by Action for Brazil's Children Trust supporter and Sports Media Consultant Betise Head, ABC Trust Founder Jimena Paratcha, and Alice Whitney of Creative Nation, with the help of Lee Sharrock, an arts PR, curator, writer and Director of Global Creative PR at Saatchi & Saatchi Worldwide.

A Universal History of Infamy is presented as part of the Getty - led Pacific Standard Time: LA / LA initiative, and curated by Rita Gonzalez, curator and acting department head of contemporary art at LACMA; José Luis Blondet, curator of special initiatives at LACMA; and Pilar Tompkins Rivas, director of the Vincent Price Art Museum.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Kong.

-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015, 15 January — 6 April 2015 is curated by Iwona Blazwick OBE, Director, and Magnus af Petersens, Curator at Large, with Sophie McKinlay, Acting Head of Exhibitions and Candy Stobbs, Assistant Curator, Whitechapel Gallery.

With speakers Elvira Dyangani Ose (Lecturer in the Department of Visual Cultures, Goldsmiths and Senior Curator at Creative Time) and Sepake Angiama (Head of Education at documenta 14) and Melanie Keen (Director of Iniva), moderated by George Shire (cultural theorist and historian of ideas).

The exhibition was organized by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

The exhibition will be coordinated in Washington by Susan M. Arensberg, head of exhibition programs at the Gallery, and in Los Angeles by Mary Louise Hart, associate curator of antiquities, J. Paul Getty Museum.

Highlights among the 171 lots include 47 works from the collection of late scholar and curator Richard A. Long of Atlanta, a nude torso by Augusta Savage, a Hughie Lee - Smith shore scene, «Singing Head» by Elizabeth Catlett, and a carved wood panel by Nancy Elizabeth Prophet.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its economic implications.

Gerhard Richter: Colour Charts is accompanied by a comprehensive book featuring newly commissioned essays by Dietmar Elger, Head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, Professor at the University of British Columbia, whose research concentrates on modern abstraction and its socio - economic implications.

Included in this catalogue are full - colour reproductions of works in the exhibition, as well as an interview with the artist by Franklin Sirmans, Terri and Michael Smooke Department Head and Curator of Contemporary Art at the Los Angeles County Museum of Art, and an essay by Lowery Stokes Sims, Curator Emerita at the Museum of Arts and Design, New York.

The exhibition is curated by Margaret Morgan Grasselli, curator and head of the department of old master drawings, National Gallery of Art.

The exhibition is curated by Amitai Mendelsohn, Senior Curator and Head of the David Orgler Department of Israeli Art.

The exhibition is co-curated by Stephanie Heydt, Margaret and Terry Stent curator of American art at the High; Katherine Jentleson, the High's Merrie and Dan Boone curator of folk and self - taught art; and Brett Abbott, Keough Family curator of photography and head of collections at the High.

Curator, Catalog, and Related Activities The exhibition was organized by Sarah Greenough, senior curator and head of the department of photographs, National Gallery Curator, Catalog, and Related Activities The exhibition was organized by Sarah Greenough, senior curator and head of the department of photographs, National Gallery curator and head of the department of photographs, National Gallery of Art.

A fully illustrated catalogue will accompany the exhibition, with essays by Albright - Knox Chief Curator Douglas Dreishpoon and Head of Research Resources Susana Tejada, texts on each of the works by Curator of Education Mariann W. Smith, and a timeline of the Gallery's 150 - year history by Curator for the Collection Holly E. Hughes.

It is curated at Tate Britain by Chris Stephens, Curator (Modern British Art) & Head of Displays, Tate Britain, assisted by Helen Little, PICASSO AND MODERN BRITISH ART, TATE BRITAIN FEB 15 — JUL 15

«Lineages» is co-curated by Amanda York, assistant curator of exhibitions, and Storm Janse van Rensburg, head curator of exhibitions.

After greetings by Julia Fabényi, director of the Ludwig Museum, the opening speeches will be made by Caitlin Jones, deputy head of mission at the British Embassy, and by Walter Smerling, curator of the exhibition and chairman of the Foundation for Art and Culture in Bonn.

Co-curated by Dr. Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art and Kristie Couser, Curatorial Assistant for the Mellon Collections.

Co-curated by Dr. Mitchell Merling, Paul Mellon Curator and Head of European Art, VMFA, and Dr. Heather MacDonald, Program Officer, Getty Foundation (former Lillian and James H. Clark Associate Curator of European Art, Dallas Museum of Art).

Co-curated by Dr. Mitchell Merling, VMFA's Paul Mellon Curator and Head of European Art, and Dr. Heather MacDonald, Dallas Museum of Art's Associate Curator of European Art.

By Patrick Quinn Over the past decade, the Pasadena Armory and Head Curator Irene Tsatsos has consistently mounted exhibitions that are both challenging and rewarding.

Liverpool Biennial 2018 is curated by Kitty Scott (Carol and Morton Rapp Curator, Modern and Contemporary Art at the Art Gallery of Ontario) and Sally Tallant (Director, Liverpool Biennial) with the Liverpool Biennial team: Francesca Bertolotti - Bailey (Head of Production and International Projects), Sinéad McCarthy (Curator), Polly Brannan (Education Curator), and Joasia Krysa (Head of Research).

Panellists in 2018 included invited curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Collections, IMMA).

Narrated by deputy director Franklin Kelly, this tour includes commentary by exhibition curator Kimberly A. Jones, Ann Hoenigswald, senior conservator of paintings, and Kimberly Schenck, head of paper conservation.

The exhibition is curated by Harry Cooper, senior curator and head, department of modern art, National Gallery of Art, Washington.

While head of the Department of Modern and Contemporary art and the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 1993.