Sentences with phrase «by high definition images»

Not exact matches

MDX can solve this problem as it uses two energy spectrums and a dual - layer detector to filter materials by their chemical composition, leaving a clear high - definition image that shows density difference based on chemical composition.

To achieve the high - definition needed for the big screen, Domino takes images which have been shot on movie film and converts them into a video format by breaking each of the 24 frames per second into a mosaic of 3000 × 2000 picture points.

The first ever high - definition video images of the lunar surface were released this week by the Japan Aerospace Exploration Agency (JAXA) and NHK (Japan Broadcasting Corporation).

Based on high definition 3D lossless digital imaging technology, the Compound Eye imaging system can acquire realistic 3D positional information of objects at both near and far fields, which provides a solution to image distortion caused by conditions such as insufficient light and inadequate resolution.

The 1080p 2.35 X 1 digital High Definition image was shot in Super 35 mm by Director of Photography Mark Irwin, C.S.C. / A.S.C., giving it the same lame school look emphasizing the same color schemes typical of such films shot in California.

~ Definition: Retexturing — is a process used for increasing the resolution of emulated video games, by replacing the game's textures with images with higher resolution.

It features the superb high - definition master from the original Blu - ray release — the image is sharp and rich, with deep blacks and textured shadows, a reminder of just how beautiful black - and - white can be on a well - mastered, well - produced Blu - ray — and the isolated score, attributed to Columbia's musical director Mischa Bakaleinikof but including musical cues from the studio's music library, plus a booklet with an essay by Julie Kirgo.

New high - definition digital transfer, supervised by director of photography Raoul Coutard, with restored image and sound and enhanced for widescreen televisions

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.

The 1080p digital 1.85 X 1 VC - 1 High Definition image was shot by Director of Photography Remi Adefarasin, B.S.C., who recently lensed the sequel, several recent Woody Allen films and the underrated House Of Mirth.

Audio Commentary by Updated 2003 Audio Commentary by Film Historian Bruce Eder, and Herrmann Biographer Steven C. Smith / «Here Is A Man» preview version comparison (4:37) / Reading of «The Devil & Daniel Webster» short story by Alec Baldwin (33:41) / Radio Plays: «The Devil & Daniel Webster» (29:50) from Aug. 6, 1938 + «Daniel Webster & the Sea Serpent» (29:43) from Aug. 1, 1937 / «About the Columbia Workshop» essay / «The Devil In Context»: 6 - part Bernard Herrmann score essay with indexed film clips and 4 stills / Still and Poster Gallery with 12 images / 12 - page colour booklet featuring an essay by author Tom Piazza, and original 1941 New York Times article by Stephen Vincent Benet, and Color Bars / New high - definition transfer with restored image and sound / 12 page colour boooklet

The high definition images were captured by NASA's Landsat 7.

Offering a high - definition resolution of 2160 by 2880 pixels and 85 dpi, the 42 - inch giant is supported by e-paper's enhanced clarity of image and its extremely energy efficient operation, making it possible to charge the screen with solar power.

These high - definition images provide a view below your pet's gum line and jaw to look for evidence of dental disease that can not be seen by visual examination alone.

Screenshots captured at this resolution are incredibly detailed, with even the smallest objects retaining definition when you zoom in, and by enabling Ansel the level of detail in Witcher 3 is further increased to create the highest quality images possible.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and RecreaHigh Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and RecreaHigh Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreahigh - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and RecreaHigh Line and the New York City Department of Parks and Recreation

Shred the Gnar Full Moon Film Noir (35 mm film print and negative shredded and stomped on by a bunch of Snowboarders and a few Skiers getting ginormous catching air during Aspen Big Air Competition and Fallen Friends Event — marked up with blue course dye — sprayed with Diet Coke, Bud Lite & Whiskey — taken hot tubbing with Epsom salts, rubbed with Arnica, K - Y Jelly, butter and Advil — full moon shot by Peter West) 35 mm film transferred to high definition video, 5 minutes 9 seconds 2010 Image courtesy of the artist.

Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann — shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 16 mm film negative transferred to high - definition, 8 minutes 15 seconds 2011 Image courtesy of the artist.