Sentences with phrase «by image viewers»

Not exact matches

Viewers watching a presidential news conference may be dimly conscious of the image of a Protestant minister standing behind a central pulpit, framed by two flags, delivering a sermon to inspire faith and conviction.

But such knowledge is not essential for the viewer to be seized by the biting force of Kiefer's use of the bathtub image.

A review of the research suggests that the most effective uses of television in relation to those outside the normal reach of the Christian faith lie within the areas of imparting information about religious issues or organizations, the suggestion of religious questions for consideration by the viewer as applicable to his or her life, and the maintenance of a positive image in relation to general or specific religious issues or organizations.

Going back to those studies into how people look at images, results showed that viewers expressed that a natural way to go into an image was by moving from left to right, this means that a diagonal line originating in the bottom left and moving up and right in the image makes the viewing experience very natural.

-- It takes the form of an installation representing a bleak room in a hospital, with the social and stark installation based on the power of surveillance (the monitor reminds the viewer of CCTV cameras in public spaces) and indoctrination (the patient cured by the image of the leader).

«By using special state - of - the - art cameras that use dual synchronized lenses, and two individual image sensors to produce a separate stream of video for the viewers» left and right eyes, they capture your wedding in the same way your eyes do,» says Creative Director Igor Dmitry.

By manipulating the intensity of light, the scientists could show from the same screen two distinctly different images — one to a viewer's left eye and a second to the right eye.

Glasses worn by the viewer then make the image appear three - dimensional by providing a different view to each eye.

The Earth Engine, according to Google's press release, will allow researchers to study Earth's surface, especially deforestation, by trawling through a database containing trillions of data points from satellite images collected over the past 25 years and by viewing results with the Google Earth viewer.

They devised a system that uses eye - tracking technology to identify which areas within an image have been checked by the viewer.

Within the update, the dating app's developers made additional improvements to the iOS platform, by shortening the loading time between Bagels, adding a new full screen image viewer, and eliminating various bug fixes.

By means of preparing to play a journalist, Sheil becomes, in effect, a journalist, and her virtual portraiture of Chubbuck, creating an image in the viewer's mind of Christine in her time and place, is more vivid, inspired, troubling, and enduring than the one that Campos brings dramatically to the screen.

By creating this one unforgettable image Spielberg forces the viewer to identify with the horrific plight of the individual in the same way that Schindler does as he gazes down upon the carnage from a similarly remote and elevated position of safety.

(46) For this reason, Blue «is nothing less than a revolutionary cinematic achievement [which] redefined the notion of what is possible in cinema», (47) as the intense, flickering blue screen becomes a blank canvas onto which the viewers, prompted by the evocative soundtrack, can impose their own images.

«The narrative of Linklater's flawed film, despite its flashy rotoscoping style, is overshadowed by the director's uncanny ability to write dialogue that breathes with so much life that it often transcends the images on the screen and almost leads the viewer to believe he can reach out and touch the words coming out of the characters» mouths.»

This image haunts the viewer throughout the opening acts even as it is unexplained — what is its connection to our elderly protagonist Mija (played wonderfully by Yun Jeong - hie), a woman looking for life surrounded by those who exploit it?

I want to take care of the viewer, but not have, particularly for something like Lady Bird, the viewer to be distracted by the images.

For some viewers, the image might evoke the similarly harrowing murder by drowning in Alain Guiraudie's Stranger by the Lake.

His first shorts Heroes Are Immortal (90) and Straight Ahead Until Morning (94), both set in small towns by night, show his interest in juxtaposing image and text, assaulting the viewer with torrents of speech: the first a dialogue between two young men (one played by Guiraudie) who wait night after night for a third to arrive, the other the monologue of a watchman caught up in the repetitive, futile pursuit of a wall painter.

A viewer - navigated gallery of photos presents 50 images taken by set photographer Philippe Antonello, offering another compelling angle of behind - the - scenes coverage.

Overall, viewers should be satisfied by the solid, if not excellent, image.

By pushing the image to the edges of the picture plane the subject connects with the viewer by making direct eye contacBy pushing the image to the edges of the picture plane the subject connects with the viewer by making direct eye contacby making direct eye contact.

They are essentially online slide shows of images, documents, or videos that enable viewers to comment on any slide (or at any point in the video) by typing, recording an audio or video comment, or drawing on the image itself.

Last IFA, we were served a surprise by Sony in the form of a Personal 3D Viewer, the HMZ - T1, a headset that sends different images to each eye and completely immerses you in a visual and aural experience.

Librios helps to maximise content by creating online reading platforms with bespoke reading and viewing tools like indexes, bookmarks, notes and image viewer combined with sophisticated browsing and searching.

On an image viewer, images have no physical dimension (such as inches) and are represented by pixels (short for Picture Elements), the smallest part of an image viewable on a display.

The images were viewed using an eFILM DICOM viewer workstation 3.1 (Merge Healthcare https://estore.merge.com/na/index.aspx) by one of the authors (CR) who assigned a unique reference number to each dog and determined CM and syringomyelia status according to the British Veterinary Association / Kennel Club Chiari Malformation and Syringomyelia Health Scheme (Table 1) This grading system also takes into account the dog's age at the age at time of MRI [32].

 It applauded the site for offering Vimeo videos and engaging with viewers by using a scrolling webpage, large images and beautiful warm colors.

Image Raw is a simple image viewer designed by the developer as a companion to its digicam remote and shutter remote Image Raw is a simple image viewer designed by the developer as a companion to its digicam remote and shutter remote image viewer designed by the developer as a companion to its digicam remote and shutter remote apps.

As emphatically analogue and even vegetal as it appeared, the installation also spoke to the digital lifestyle; the viewer was surrounded by clusters of images that scrolled and meandered without fixed starting or end points.

By doing this, the artist creates a social X-ray, researching the surface of the image and inviting the viewer to look inside.

By subtly blurring the image, Richter deliberately aims to create a distance between the viewer and the landscape depicted.

Positioned in the gallery's atrium is the dominant feature of the exhibition: Act Three: Silent Siege, a single channel movie that evolves and changes as live video feeds embedded around the viewing area allow Hartung to observe and adjust the picture remotely by capturing the viewer's image and manipulating it on screen.

This sense of sound, and the searching process by which Scully achieves his colors, confirms his statement: «Painting is permanently primitive...»; he attempts to present the viewer not only with separate images or sensations, but with «everything at once.»

By combining layers of images, I explore how each painting can be transformed to create an experience that is multilayered and time - based for the viewer.

Their drama was inherent in the image itself, mediated by the other marks on the canvas; if a viewer wished to attribute political intent then that, one feels, was fine by Rauschenberg.

The space, the work and the viewers are treated by Quirno as integral parts of the image, creating a constant tension between the limits and borders of the piece.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Viewers are guided through Shadows by the light of small sequential images that unravel the narrative.

By combining both realism with the many techniques favored by the surrealists, including the alteration of space, perspective, tonality, focus, manipulation, the content of the image is then open to the viewer's personal interpretatioBy combining both realism with the many techniques favored by the surrealists, including the alteration of space, perspective, tonality, focus, manipulation, the content of the image is then open to the viewer's personal interpretatioby the surrealists, including the alteration of space, perspective, tonality, focus, manipulation, the content of the image is then open to the viewer's personal interpretation.

By uniting the gesturality of de Kooning's paintings with the subject matter of those books, Prince presents the viewer with a strange, ambivalent new image that both emphasizes and punctures the sexual stereotypes of the raunchy nurse, as well as that of the macho Abstract Expressionist painter.

These beautifully composed images accomplish another inversion in the form of their perspective: while the builders of these hulking edifices designed them to be admired by viewers looking up from the ground, the artist presents them as a view from on high — or at least from the helicopter cameras he witnessed as they panned the buildings during a commercial break from the Tour de France.

Her work is informed by her daily experience with ambiguity and seeks to dismantle assumptions of our fixed subjectivity through images that challenge the viewer to contend with the disorganized body in a state of excess.

The viewer is drawn in to the works through a familiarity of images from daily life and also by the spatial quality of the drawing employed, to document the artist's daily walks through a city, to map, to explore.

But, in being dazzled by the brilliance of its surface, the chance to pull the viewer down through Welles and Mellvile, into the stomach of the great white whale (and whatever metaphorical possibilities that particular image may contain) has been missed.

Invested with a rare precision and dedication, Sarah Charlesworth produced a body of work that continues to inspire contemporary artists and viewers who are surrounded by an increasingly image - saturated culture.

But viewers and art professionals protested what they saw as the appropriation of the image of an African - American man slain by whites by a white artist.

Critics and viewers were fascinated by the kaleidoscope of images that, although appearing random, were carefully chosen for their disturbing and acerbic connotations.

This screening, featuring videos and selections by Andrew Norman Wilson, presents works in which artificial and animal intelligence play a role in the production of images that emphasize alien perspectives for human viewers.

Each painting from the series is reproduced, along with selected stunning detail images, photographed by Jon Linkins, allowing the viewer to be immersed in the beauty of these paintings.