Sentences with phrase «by international artists living»

The exhibition examines the influence of the Latin American diaspora by bringing together a group of works by international artists living and working beyond the geographical limits of Latin America.

Not exact matches

International Living works closely with The American Writers and Artists, Inc. (AWAI), whose Travel Division is led by Director, Lori Allen.

From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well - researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians.

I worked in the international music industry most of my life and my artists were published / produced and released by both major and indie record labels.

La Chola Cusco Restaurant has a legendary story in the middle of the twentieth century worked here a cookhouse with the same name, famous throughout the city for being a meeting place for renowned artists, poets, writers, politicians and intellectuals.Among the most famous visitors can not fail to mention to Pablo Neruda, who, inspired by the majesty of Cuzco and in love with the beauty of the house during his stay he composed much of his work referred to Cusco and Machu Picchu.Su culinary tradition has been restored and recovered giving new life to the restaurant offers a menu with dishes from the new Peruvian and international cuisine, the wine cellar built inside an Inca wall helps maintain the quality of a rich selection of wines with different characteristics.

The expansive living area is furnished with utmost taste and attention to detail, from carefully crafted artworks by renowned Mexican and international artists to the coffee table detailed like the spine of an exotic beetle.

In 2008, the brand began an intense journey to firmly establish itself in the lifestyle hospitality space and differentiate itself from other Marriott International brands by introducing game changing programs including the Navigator program and RLife LIVE, one of the industry's most well recognized entertainment platforms showcasing emerging musical artists through live performances in Renaissance Hotels around the woLIVE, one of the industry's most well recognized entertainment platforms showcasing emerging musical artists through live performances in Renaissance Hotels around the wolive performances in Renaissance Hotels around the world.

Series Debuts June 24 with Entertainment by International Recording Artist Khani Cole Scottsdale, Ariz. (June 17, 2011)-- Beginning Friday, June 24, Sanctuary on Camelback Mountain will launch a hot new dinner and live music series at its critically - acclaimedelements restaurant.

Significant live works by artists including Franz Erhard Walther (2014), Adam Linder (2014), Eva Kot «átková (2015), TUNGA (2015), Mahmoud Khaled (2016), Augustas Serapinas (2016) and Agatha Goethe - Snape (2017) have been presented by leading international galleries from Delhi to Paris, Cairo to London.

ITINERANT at Queens Museum will present a selection of Performance Art works by local and international artists whose works reflect on issues affecting diverse populations living in Queens, and NYC at large.

These exhibitions by local, national, and international artists will open the Contemporary up to new perspectives that echo the world we live in.

Spring WorkshopFounded by American expat Mimi Brown, Spring is both gallery and art colony, offering live - in residencies for local and international artists in the scrappy — but rapidly developing — Wong Chuk Hang district.

This exhibition brings together works by artists living in Britain after the Second World War who were working in the field of constructivism, an international movement which emerged almost exactly a century ago in Continental Europe.

3 - 7 pm Untitled Fair VIP Preview: with performances by TM Sisters and Jacolby Satterwhite An innovative take on the traditional art fair model for international galleries and nonprofit art spaces with a focus on emerging and midcareer contemporary art with an emphasis on international living artists.

Stay for open studios by local and international artists, art installations, live Brasillian percussion from Batuclada, and more.

Article by Katy Diamond Hamer, Studio Visit photos by Cate Smierciak in Berlin / / Oct. 16, 2011 Federico Maddalozzo is an Italian artist who has lived in Berlin for four years, beyond a year long stint 2010 in New York as part of the International Studio & Curatorial Program (ISCP).

Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading international organization dedicated to exploring the critical role of live performance in the history of 20th century art and to generating new directions for the 21st century, engaging artists and audiences through experimentation, innovation, and collaboration.

The exhibitions by local, national, and international artists open Atlanta Contemporary up to new perspectives that echo the world we live in.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

He prefers an aesthetically lean, visually simple look fort he main living areas of the house, where several spaces of different sizes and shapes contain minimalistic, changing displays of pieces by a mix of young and established Japanese and international contemporary artists, including Olaf Breuning, Tracey Emin, Tatsuo Miyajima, Marc Quinn, Thomas Struth, Yoshihiro Suda, Hiroshi Sugimoto, and Wolfgang Tillmans.

The exhibition looks at the international exchange of ideas opened up by early twentieth - century Russian artists, suggesting how we might re-conceive spheres of public and private life to bring about social change.

On display is a prestigious new commission by leading international artist, Aliza Nisenbaum, made possible by the Valeria Napoleone XX Contemporary Art Society scheme which each year supports a regional UK museum's acquisition of a work by a leading, living female artist.

Don't Look Back, Contemporary Fine Arts, Berlin Nomadic Images, 16th International Vilnius Painting Triennial, organized by the Lithuanian Artists» Association, Museum of Applied Art and Design in Vilnius, Lithuania «Various are the lines of life...», Galerie Bernard Ceysson, Windhof, Luxemborg The Present Order, Galerie für Zeitgenössische Kunst Leipzig, Germany Sammlung Viehof: Internationale Kunst der Gegenwart, Deichtorhallen Hamburg, Germany Landscapes after Ruskin: Redefining the Sublime, curated by Joel Sternfeld, The Hall Art Foundation, Reading, VT [cat.]

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

The program, also updated, builds on that sense of refreshment with Live, a platform for performances and installations, and the Frieze Artist Award, an international open call for a site - specific work, both curated by Adrienne Edwards.

Anita Glesta is a native New York artist whose work has been informed by her international work and life.

Future Shock is a large - scale exhibition of works by international artists that articulates the profound impact of the acceleration of technological, social, and structural change upon contemporary life.

The first iteration of Made in L.A. was in 2012, and prior to that the Hammer mounted an Invitational exhibition every two years with the exhibitions Snapshot: New Art from Los Angeles (2001); International Paper: Drawings by Emerging Artists (2003); THING: New Sculpture from Los Angeles (2005); Nine Lives: Visionary Artists from L.A. (2009) and All of this and nothing (2011).

The exhibition features recent work by artists living and working in the Middle East and North Africa and its international diaspora.

Artpace, is renowned for its International Artist - in - Residence program, funded in part by the Linda Pace Foundation, which invites artists from around the world to live and work at Artpace, while creating new works of art.

Selected exhibitions include: Atomic Sunshine at The Okinawa Prefectural Art Museum, Japan (2009); Wall Rockets: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison at The Albright - Knox Art Gallery, Buffalo, NY (2009); Making a Home at The Japan Society, New York (2008); Second Lives at The Museum of Arts & Design, New York (2008); Wall Rockets, Curated by Lisa Dennison at The FLAG Art Foundation, New York (2008); Free Fish at the Asia Society, New York (2007); Thermocline of Art - New Asian Waves at ZKM, Karlsruhe, Germany (2007); Attention to Detail at The FLAG Art Foundation, New York (2007); The Shapes of Space at the Guggenheim Museum, New York (2007); Greater New York at P.S. 1 Contemporary Art Center, Queens, NY (2005); Yokohama International Triennial, Yokohama, Japan (2005); and Fuchu Biennale at the Fuchu Art Museum, Tokyo, Japan (2004).

The Carnegie International online portal serves as a living, accumulating document, where viewers can read Travelogues by writer and critic Emmanuel Iduma and artist Maira Kalman, based on the research trips taken by Schaffner.

Tramway's third edition of the Artists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discuArtists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discuartists working in the field of moving image, in a series of profile and thematic group screenings, live events and discussions.

Loic Gouzer, International Specialist declared: With a total of $ 134million and 16 world auction records set for major artists such as Joe Bradley, Dan Colen, Peter Doig, On Kawara, Glen Ligon, Adam McEwen, Richard Prince and Thomas Schutte, and, the If I live I see you Tuesday auction convened works by emerging and established artists who largely exceeded all pre-sale estimates.

The excitement continues within, as the publication forms a compelling pictorial and literary timeline of the development of still life, consolidating over 400 years of the style and bringing together the provocative re-invigorations of the genre by over 180 international contemporary artists.

International artists such as Urs Fischer, Carston Höller, Olafur Eliasson, and experimental filmmaker Kenneth Anger contributed mobile art yurts or films; musicians like Cat Power, Beck, Giorgio Moroder, Patti Smith, Charlotte Gainsbourg, Twin Shadow, and Thurston Moore provided live music, a food «happening» by Rirkrit Tiravanija, and marching bands Kansas City, are amouhg the few contributors.

Jockum Nordstrum, an artist living and working in Stockholm, was represented in the large exhibition International Paper: Drawings by Emerging Artists in 2003.

Charting his rapid trajectory from downtown graffiti artist to international art superstar, this Barbican retrospective brings together over 100 works by the painter / poet / DJ / musician — brought to life by archive photographs and film footage.

The World Jewellery Museum presents Beyond Liaisons, the first major exhibition in Asia to explore the visual dialogue between art jewellery created by well - established international living artists and traditional jewellery from various cultures around the world.

A Life in Vibrant Color is organized by the Mint Museum of Art in collaboration with the Lois Mailou Jones Pierre - Noel Trust, and toured by International Arts & Artists.

Loïs Mailou Jones: A Life in Vibrant Color is organized by the Mint Museum of Art, Charlotte, NC, in collaboration with the Loïs Mailou Jones Pierre - Noel Trust, and toured by International Arts & Artists, Washington, DC.

A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists, including the Still Life with Screen and Heart (2016) by David Haines.

With contributions by an international team of distinguised scholars and curators, this publication offers a thorough examination of the artist's work, life, iconography, and influences.

Curated by Chris Stults and Genevieve Yue, the series offers a chance to see the work of a number of too - rarely screened international artists exploring women's domestic and political lives.

EXHIBITION Performa 17, New York's live performance biennial opens Nov. 1, featuring a dynamic slate of presentations and projects by international artists.

2013 Etched in Collective History, Birmingham Museum of Art, Birmingham, AL Reflections: African American Life from the Myrna Colley - Lee Collection, International Arts & Artists, Washington, DC; Kalamazoo Institute of Arts, Kalamazoo, MI; Howard University Gallery of Art, Washington, DC; Alexandria Museum of Art, Alexandria, LA; Lauren Rogers Museum of Art, Laurel, MS; Montgomery Museum of Fine Arts, Montgomery, AL Seismic Shifts: Ten Visionaries in Contemporary Art and Architecture, National Academy Museum, New York, NY We Hold These Truths..., Hofstra University Museum, Hempstead, NY The Lunder Collectiom: A Gift of Art to Colby College, Colby Museum of Art, Waterville, ME 2014 Witness: Art and Civil Rights in The Sixties, Brooklyn Museum of Art, Brooklyn, NY; Hood Museum of Art, Hanover, NH; The Blanton Museum of Art, Austin, TX 17 @ 70 +, Orange Coast College, Costa Mesa, CA Venus Drawn Out: 20th Century Drawings by Great Women Artists, The Armory Show Modern, New York, NY RISING UP / UPRISING: Twentieth Century African American Art, Michael Rosenfeld Gallery LLC, New York, NY Shared Vision: The Myron and Anne Jaffe Portenar Collection, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Two exhibitions, videos, and live performances will offer a rare opportunity to see current work by a selection of international artists who have shown with Art Projects International over the lainternational artists who have shown with Art Projects International over the laInternational over the last ten years.

2016 A major award from Wellcome Trust for a new work in 2018 2013 Le Jeu de Paume production award for the Toulouse Festival, France 2012 Sharjah Artist's Production Award 2010 Paul Hamlyn Awards for Artists 2010 Arts Council England, Grants for the Arts for a residency in Tasmania 2009 Winner of Film London & Channel 4's Jarman Award (cash prize and a broadcast commission for Channel 4's, 3 Minute Wonder strand) 2009 Arts Council Individual Artist Award 2007 Wingate Scholarship at British Academy / British School at Rome 2007 British Council Award for new work 2006 AHRC Research Leave Award 2006 Arts Council National Touring Award 2005 British Council Award 2005 Arts Council Individual Artist Award 2004 Triangle International Artists Workshop, Mauritius 2003 Arts Council and Triangle Trust funded residency in Paraguay 1999 Arte Viva, residency and exhibition, Senigallia, Italy 1998 Beach Life, Public Art Project, supported by Islington Council 1997 - 2001 Residency with Acme Studios, The Old Fire Station, London 1997 Residency at The Irish Museum of Modern Art 1995 First Base Studio Award (One year studio residency at ACAVA) 1995 Ray Finnis Award (Slade) 1993 Slade Prize (Pankerd Jones Memorial Prize)

Through a series of works by 10 international artists, the exhibition articulates the profound impact of the acceleration of technological, social and structural change upon contemporary life.