Sentences with phrase «by international artists practicing»

Not exact matches

Vernacular artists Yoakum and Guo Fengyi, whose oracular drawings are inspired by Chinese mystical practices, were featured in the 2013 Carnegie International.

You, Me, Something Else is an exhibition about sculpture from Glasgow that presents exciting examples of current practice in the city by focusing on ten artists who are all at different stages of international careers.

This year's exhibition is curated by Misal Adnan Yildiz and consists of five pairs of UK - based and international galleries presenting selected works by women artists, with a high percentage of Non-European participants which includes indigenous practices from Maori, Kurdish, Asian, and African origins.

Founded in 1999, the organisation's public mandate is to offer a climate of support for the creation of and interaction with diverse artistic practices by producing new solo exhibitions of international and local artists.

«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic production — from his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.

Additional sections include: EXPOSURE featuring solo and two - artist presentations represented by galleries eight years and younger, EXPO PROFILE presenting solo booths and focused projects that showcase ambitious installations and tightly focused thematic exhibitions, EXPO Editions + Books showcasing limited editions and publications offering a diverse array of print media and object - based practices, and Special Exhibitions featuring select regional, national, and international non-profit institutions, museums, and organizations.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

ADAA's Art Show Committee selected 72 proposals from member galleries that represent the breadth and depth of the Association's art and scholarly expertise, providing audiences with a diverse range of works from the pre-Columbian period through today, by artists of a variety of genres, practices, and national and international origin.

Organized by the SCAD exhibitions department and overseen by Laurie Ann Farrell, SCAD executive director of exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule includes exhibitions of work by major international contemporary artists with a diverse range of practices and media, including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.

Double Vision features works by six international artists — Samantha Bittman (New York), Manor Grunewald (Ghent), Tony Marsh (Long Beach), Rafaël Rozendaal (New York), Joshua Saunders (Los Angeles) and Michael Staniak (Melbourne)-- whose practices encompass special skills that transform ordinary materials into something extraordinary.

These eight week residencies emphasize cross-cultural exchange and authentic dialogue and conversation surrounding international contemporary art practices, which stimulate Chicago's own cultural community by infusing a range of artists and cultural producers into the city.

The impact of Adrian Piper's practice on the art world has never more been notable than in contemporary moment, which is proven by the international recognition she has received in recent years, especially with the honors such as the Gold Lion prize for the best artist of the Venice Biennale in 2015.

Introduction by Steven Henry Madoff, Chair, MA Curatorial Practice, School of Visual Arts Followed by a conversation with Maya Benton, Curator at the International Center of Photography and the artist.

The Art Show 2018 offered intimately scaled and thoughtfully curated presentations of the highest quality — fostering active conversations with gallerists, new relationships, and close looking at works by artists from a variety of genres, practices, and national and international origins.

The Or Gallery is an artist - run centre committed to exhibiting work by local, national, and international artists whose art practice is of a critical, conceptual and / or interdisciplinary nature.

Celebrating its 20th anniverary in 2012, CCS Bard will present a series of exhibitions by students as well as a roster of international artists working in a variety of practices.

Mounted annually at the Park Avenue Armory by the ADAA, a nonprofit membership organization of the leading art dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origins.

Imaging Eden presents an overview of the medium's historic complicity as silent witness, pre-meditated booster, and passionate advocate of this unique environment, and also showcases commissioned work by five international contemporary artists, including Gerald Slota (USA), Jungjin Lee (Korea), Bert Teunissen (the Netherlands) and Jim Goldberg and Jordan Stein (USA), whose practice is photo - based.

Monash University Museum of Art (MUMA) in association with the Institute of Modern Art (IMA), Brisbane and Curatorial Practice at Monash Art Design and Architecture (MADA) are pleased to present a special illustrated lecture by visiting international artist, Céline Condorelli.

A one - week unique and free opportunity for eight emerging artists nominated by artist - led spaces from around the UK who will work closely with leading international artists to discuss and develop their individual practices through a series of tutorials, workshops, reading groups, studio and gallery visits, and seminars.

A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists, including the Still Life with Screen and Heart (2016) by David Haines.

Celebrating its 20th Anniversary in 2012, CCS Bard presents a series of exhibitions by students, as well as a roster of international artists, working in a range of practices.

Curated by Daniela Ferrari, art historian and curator at the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy, the exhibition will explore the use of text and the written word in the practice of major Post-War Italian artists including, Vincenzo Agnetti (1926 - 1981), Alighiero Boetti (1940 - 1994), Dadamaino (1930 - 2004), Lucio Fontana (1899 - 1968), Emilio Isgrò (b. 1937), Piero Manzoni (1933 - 1963), Mimmo Rotella (1918 - 2006), Salvo (1947 - 2015) and Mario Schifano (1934 - 1998), alongside key international artists including Cy Twombly (1928 - 2011), Joseph Kosuth (b. 1945), Jannis Kounellis (1936 - 2017), Mel Bochner (b. 1940), John Baldessari (b. 1931) and Tracey Emin (b. 1963).

The works in this show are produced by international female artists whose practices demonstrate their struggle with female identity and sexuality.

Chinese artists, especially those working in photography and video, are gaining international recognition for their powerful works addressing a rapidly changing society that is influenced by Western ideals and art practice, yet remains distinctly Chinese in its content and aesthetics.

Chinese artists are gaining international recognition for their potent artworks that address a rapidly changing society; influenced by Western ideals and art practice, their creative production nevertheless remains distinctly Chinese in its content and aesthetic.

PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Published

However, we place special emphasis on the areas of the Canadian avant - garde of the 1960s and 1970s, the international network developed at the time and its role in the art of today; emerging artists; Vancouver's post-war art history; practices and projects that challenge the status quo including exhibition concepts initiated by artists.

The Sharjah Art Foundation Production Programme broadens the possibilities for international artists to produce art in the MENASA region through a commitment to support excellence in artistic practice by encouraging risk and experimentation.

«Following the extraordinarily successful Lucian Freud exhibition last year, the exhibition from the prestigious Gelman Collection in Mexico, with major works by Frida Kahlo and Diego Rivera, will again attract a wide cross section of visitors, while the line - up of artists presenting solo exhibitions continues to offer gallery - goers the very best in contemporary Irish and international practice.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.

This section will feature 115 works in all media by artists from Qatar including 19 Qatari artists and 16 international artists, which have practiced art in the country.

Stargazers will also include works by 21 international contemporary artists whose ideas and practices will be examined in conversation with Catlett's life and work.

The culmination the nine - month SPACES International Artist Residency Initiative, the exhibition features installations by West African social practice artists Kwasi Ohene - Ayeh and Olanre Tejuoso.

Just as we come from across national, cultural, material and conceptual boundaries our student body includes recent graduates, mid-career artists, writers, teachers and thinkers who come to Transart Institute to expand their points of view and invigorate their practice by participating in intensive immersive residencies including workshops and seminars, presentation and critique, peer dialogue and debate and becoming part of an international artistic research community.

In SITE Santa Fe's Eighth International Biennial, held in 2010, curated by Sarah Lewis and Daniel Belasco, emerging and established artists working in many media displayed works that mined techniques of early animation and moving - image technologies to create a hybrid practice of homespun plus high - tech.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

The exhibition focuses on three themes: Storytelling, Embracing the Future and Motif and Manipulation and showcases new work by 16 established and emerging international and UK artists and makers that have embraced the interdisciplinary nature of this skill, applying the aesthetics and techniques of pattern - cutting to their practice in innovative and unexpected ways.

Developed by Independent Curators International (ICI) in collaboration with the Bag Factory Artists» Studios, the Curatorial Intensive: Contemporary Curatorial Practice will examine the pragmatics of organizing exhibitions, while addressing the specificities of curating in the African context.

In the last years, the main focuses of the collection have been: Significant works by international contemporary artists; Original works, documentation and ephemera of conceptual practices from the 1960s to the 1980s; relevant Catalogues, Artist Books, Magazines, LPs, Cassettes and Monographs that help contextualize the works that compose the collection.

Artists like these 10 members of The Artsy Vanguard — a new, annual list of the 50 most influential talents shaping the future of contemporary art practice — are finally getting their due, with museum retrospectives, representation by major international galleries, and surging collector interest.

The exhibition includes many of the wide range of media represented within the IMMA Collection; painting, sculpture, drawings and prints, photography, film, video, installation and performance and include works by both Irish and international artists, giving you a sense of the huge variety of artistic practice in contemporary art.

The artists, selected by an international panel (Cecily Brown, Tony Godfrey, Yuko Hasegawa, Suzanne Hudson, Jacky Klein, Gregor Muir, Valeria Napoleone, Barry Schwabsky, Philip Tinari and the author himself Kurt Beers), are presented through the high - quality reproductions of each artist's work, short texts including biographical information and quotations from the artists themselves that provide personal insights into their thinking and practice.

So far, his career has been defined by a collaborative practice, in projects for the 2013 Carnegie International and The Power Station, Dallas, with artists Emanuel Rossetti and Stefan Tcherepnin.

Private View provides a new type of program platform that encourages social engagement and experimentation within contemporary art and tangential practices by partnering with an international community of artists, galleries, institutions and residencies.

It aims to provide a new type of program platform that encourages social engagement and experimentation within contemporary art and tangential practices by partnering with an international community of artists, galleries, institutions and residencies.

The Village of Arts and Humanities (the Village) presents an exhibition featuring two installations by West African social practice artists Kwasi Ohene - Ayeh and Olanre Tejuoso as the culmination of their nine - month participation in SPACES International Artist Residency Initiative.

«A rich selection of works from the 19th century through today, by artists of a variety of genres, practices, and national and international origin.»

Aim is to create connections between art and cutting - edge visual culture by publishing and exhibiting projects by international artists who have advanced contemporary and interdisciplinary art practice, forming a point of convergence where design is engaged in conversation with contemporary art.