Sentences with phrase «by jazz artists»
Lorimar Winery has music by jazz artists and other performers at both its Old Town and Wine Country locations.
https://www.visittemeculavalley.com/ Not exact matches
Of course, live music is usually the safe route, but instead of the typical easy listening artist, change things up by booking a beat boxer or jazz band.
But I do appreciate (more items from the list) handmade blown - glass Christmas ornaments, framed original art (by local artists) from the places I've been and jazz music playing while I cook a simple but tasty dinner.
[207] The most well known genres to have come from Ghana are African jazz which was created by Ghanaian artist Kofi Ghanaba.
Friday, October 17th from 6:00 pm to 8:00 pm Gathering of Souls Jam at La Marqueta 115th Street and Park Avenue LIVE fusion jazz music & open jam session hosted by acclaimed Puerto Rican sax player Mario Castro, performance artist María Cotto, LIVE painting by Nicole Bueso, XY Atelier Gallery & Boutique, Photo Exhibit by José Rodríguez: DIASPORA, and pop - up vendors.
The calendar of events includes performances by local artists specializing in all genres, including rock and jazz.
Located in the Riverside Hotel, the Sapphire Room is a swanky bar and music venue that seats up to 170 people and features performances by jazz, blues, classical, and pop artists, among others.
Featuring a career - making portrayal by Forest Whitaker, it was a film that beautifully captured the world of jazz and the artists that create this music.
April 20, 2017 • Hear how the artists honored by the NEA this year — Dee Dee Bridgewater, Dr. Lonnie Smith, Dave Holland, Dick Hyman and Ira Gitler — earned their stripes and paid their jazz dues.
But while there isn't much to distinguish Born To Be Blue's dramatic stakes from any number of stories about self - destructive, self - centered artists (or «movies about jazz musicians,» as they're more commonly known), the film is given a spark of life by the inspired casting of Ethan Hawke.
This week's episode of Jazz Night In America features music by Maqueque Emma Lee Photography / Courtesy of the artist hide caption
With the exception of a British anthem, the selections are recorded by international artists — arias, ballads, jazz and rhythm and blues, ska, and tango.
Arguably the first Egyptian mummy score composed by a Frenchman (and a musician best known as a big band jazz artist behind the score to «Borsalino» at that), «The Awakening's» pairing might seem like strange sarcophagus fellows at first.
A soulful, passionate tempo marks «Jazz Vocal,» while «Good - bye to Old Bob Johnson» is a somber farewell to a legendary artist marked by low drumbeats and slow - paced lyrics.
This marvelous read - along of Ehrhardt's rhythmic picture book, a joyous introduction to nine African American jazz musicians, is read by Williams, who is backed with sound effects and original music and riffs honoring the jazz artists» melodic styles.
Vibrant and energetic artwork by local singer, contemporary painter and performance artist extraordinaire Stuart Carey, whose jazz band X-Tet performs at Seven every other Thursday.
Seven Bar & Kitchen: Vibrant and energetic artwork by local singer, contemporary painter and performance artist extraordinaire Stuart Carey, whose jazz band X-Tet performs at Seven every other Thursday.
Festival performances offer a rare match up of on and off island talent performing with guest artists, backed by ensembles of local and visiting jazz musicians.
Mom Tri's Boathouse features an art gallery with rotating shows by local artists along with a jazz band, Thai cookery classes and a superb menu.
Players will be able to enjoy over 30 classic licensed jazz tracks in L.A. Noire featuring songs by big name artists such as Billie Holiday, Dizzy Gillespie, Ella Fitzgerald, Louis Armstrong and Thelonious Monk.
While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.
More deliberately evocative than his earlier work, the kinetic energy invoked by these vivid sequences is suggestive of the artist's passion for the structures of natural phenomena and the unpredictable free forms of jazz and blues music.
The Wein Prize, one of the most significant awards given to individual artists in the United States today, was established in 2006 by jazz impresario, musician and philanthropist George Wein to honor his late wife, a long - time Trustee of the Studio Museum and a woman whose life embodied a commitment to the power and possibilities of art and culture.
Recognizing the Bronx's cultural contributions — including the birth of artistic movements such as hip hop, graffiti art and Latin Jazz, that served as inspiration to many contemporary artists — in 1999 the Museum expanded its collecting practice to include works by artists for whom the Bronx has been critical to their artistic practice and development.
This spotlight exhibition will present all twenty illustrated plates from Henri Matisse's Jazz alongside a small selection of additional works by the artist from the Albright - Knox's collection.
Hors - champs, a two - channel video installation by Vancouver - based artist Stan Douglas, presents a jazz performance staged and recorded in a Paris television studio.
The work is a collaboration between the artist Joan Jonas and the jazz pianist and composer Jason Moran and will take place inside the exhibition Light Time Tales, by Joan Jonas curated by Andrea Lissoni (on view until 1 February 2015).
One of the most significant artist's books of the twentieth century, Henri Matisse's Jazz was begun by the artist in 1943 and published in 1947.
The award supports the artist by providing a monthly stipend, a furnished live - in studio, and arranged opportunities to inspire Jazz students in partnership with Los Angeles - area colleges and universities.
A lover of jazz, Thompson was a regular at the Five Spot, a jazz club frequented by New York artists and writers, where legendary talents like Ornette Coleman, Thelonious Monk, John Coltrane, and Charlie Haden played.
The Joyce Alexander Wein Artist Prize, one of the most significant awards given to individual artists in the United States today, was established in 2006 by jazz impresario, musician and...
Jazz and another work from the Hammer Museum's collection by renowned artist John Baldessari will be on view in San Diego until February 7, 2016.
Another is that of Tiwani Contemporary, the walls of which are covered with the paintings of Francisco Vidal, an artist who was inspired by jazz music and who you can periodically catch DJ» ing at the booth.
Moreover, Gaines's artistic output has been greatly influenced by the composer and artist John Cage's use of chance and indeterminacy; the repetitive, minimal compositions of Steve Reich; and his own background as a jazz percussionist.
GROSVENOR GALLERY This gallery in London anchors an exhibition of fine drawings by the South African artist Dumile Feni, who was born in Cape Province in 1939, emigrated to London and died in New York in 1991, with an eight - foot - high charcoal called «Jazz Musicians, April - December 1968.»
That work is on view at the New Orleans Jazz Museum, as is «Fiend,» a piece by the New York - based artist Rashid Johnson.
«It's a watery show,» he said of his concept for «Prospect.4,» which spreads the work of 73 artists across 17 venues and includes Rashid Johnson, Hank Willis Thomas, Njideka Akunyili Crosby and even the jazz legend Louis Armstrong (represented by his collages).
BLACK AND BLUR — writings by Fred Moten on artists and musicians, including Charles Mingus, David Hammons, and Glenn Gould — is the first volume of CONSENT NOT TO BE A SINGLE BEING, a trilogy of essays published in the fifteen years since In the Break (2003), Moten's landmark investigation of jazz, sexual identity, and radical -LSB-...]
2012 Blues for Smoke, Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence: Jazz, Films and the Visual Arts, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten Contemporary African American Artists, University Museums, University of Delaware, Newark, DE
Like jazz musicians, the artists of the Harlem Renaissance era travelled and interacted, and their art was cosmopolitan, inspired by European modernism as well as the cultural groundswell of black America.
Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.
The first four shows, now over, were by the astute Conceptualist Andrea Fraser, the young painter - installation artist Lucy Dodd, the veteran sculptor and earthwork artist Michael Heizer, and the jazz giant Cecil Taylor.
The UK premiere of the performance Reanimation by artist Joan Jonas and jazz pianist and composer Jason Moran in Southwark Cathedral.
The location for «The Freedom Principle», organized by Naomi Beckwith and Dieter Roelstraete, is unsurprising, given the Chicago museum's proximity to key figures and sites of this period, including Thmei Research and aacm, as well as The African Commune of Bad Relevant Artists (known as Africobra), the Afro - Arts Theater, the Wonder Inn on South Cottage Grove Avenue, the Hyde Park Art Center, and the celebrated Jazz Record Mart in the River North neighbourhood.
Lifelike Family Day Schedule of Events on Saturday, November 17 10 am to 12 pm: Caricaturist 10 am to 12 pm: Uncle Wayne on Piano 10 am to 2 pm: BIG & small Drawings and Sculpting Faux Food — Lifelike inspired Art Making 11 am: StoryQuest: «Alice in Wonderland» presented by Skin Horse Theater 12 pm to 2 pm: Dixie Land Jazz Quartet: «Hot Potatoes» 2 pm: A panel discussion on Lifelike featuring Siri Engberg, curator at the Walker Art Center, Cameron Shaw, editor of Pelican Bomb, and artist James Casebere
Slogans like «Black Is Beautiful» and «Black Power,» as well as jazz and soul music, became the soundtrack for works by painter Murry DePillars, mixed - media artist Ben Jones, and muralist Dana Chandler.
In addition to Stout, the other artist I see an affinity with is Nicholas Krushenick (1929 — 1999), a maverick who was influenced by Matisse, and whose work took off after he saw JAZZ by Henri Matisse at the Museum of Modern Art, New York (June 17 — September 19, 1960).
Recently called «the city's most vital venue for underground jazz and experimental music» by the Washington Post, Rhizome presents both local and touring artists who push the boundaries of musical expression, continually redefining for audiences what music can be.
In Critical Conversations, editor Jason Farago is joined by jazz pianist, artist, and MacArthur fellow Jason Moran.
These are video highlights from Jazz at Lincoln Center's Middle School Jazz Academy visit to the Michael Rosenfeld Gallery led by Jazz at Lincoln Center Teaching Artists Warren Smith, LaFrae Sci and Eli Yamin with musical demonstration by Mazz Swift.