As part of the public programme for the exhibition, Joan Jonas will perform the piece Reanimation with live music
by jazz pianist Jason Moran.
On arrival visitors will be met by Stan Douglas» Luanda - Kinshasa, a work that finds a 1970s fictional jazz - funk band (led
by jazz pianist and composer Jason Moran) in the midst of a recording session set in a replica of the legendary Columbia 30th Street Studio.
An original composition
by jazz pianist Jason Moran was developed in conjunction with the exhibition Gee's Bend: The Architecture of the Quilt.
Once again curated
by jazz pianist, composer, and MacArthur fellow Jason Moran, this year's studio series, which runs through October 10, presents four evening events by creatives working on the interdisciplinary fringes of music, sound art, installation and performance including Curran, saxophonist and mixed media artist Matana Roberts, experimental music pioneer Charlemagne Palestine, and DJ and artist Juliana Huxtable.
In Critical Conversations, editor Jason Farago is joined
by jazz pianist, artist, and MacArthur fellow Jason Moran.
Even Antoine's Organ — likely the standout piece with an occasional live performance
by jazz pianist Antoine Baldwin inside the installation's structure — is just a larger version of Johnson's plant and shea butter bust - filled, fluorescent - lit architectural grids.
In Luanda - Kinshasa (2013), Douglas presents a 1970s fictional jazz - funk band (led
by jazz pianist and composer Jason Moran) in the midst of a recording session set in replica of the legendary Columbia 30th Street Studio.
Recognizing an affinity between this spectral film footage and his earlier non-video work dealing with legibility, Ligon left the footage unedited and added a commissioned score played
by the jazz pianist Jason Moran, based on the vaudeville song «Nobody.»
On - going live performances
by jazz pianist Vijay Iyer take place in the street - level gallery converted for the occasion into an intimate theater.
And yet the sound of the calliope is not a lament or a dirge — instead, witnesses will hear strains of Sam Cooke and Jimi Hendrix, and new compositions
by the jazz pianist Jason Moran.
Accompanied
by the jazz pianist Jason Moran, she ran around with a bucket, painting a giant snake on the floor, tooted a horn and sounded a succession of bells, as video images scrolled across a large screen.
She has held that position since 2016, and is currently organizing a survey of work
by the jazz pianist Jason Moran for the museum that will later travel to the Institute of Contemporary Art, Boston and the Wexner Center for the Arts in Columbus, Ohio.
Not exact matches
Inspired
by the iconic 1900's New Orleans railroad, The Public Belt, a recently opened piano cocktail bar at The Hilton New Orleans Riverside, allows guests to sip on hand crafted cocktails, while listening to renowned local
pianists and eclectic
jazz music.
Headlined
by New Orleans» songbird Robin Barnes, the roster also includes
jazz vocalist Anais St. John,
pianist John Royen and soulful songstress Amanda Ducorbier.
Two pieces of casting to report: Zoe Saldana will play legendary
jazz vocalist /
pianist Nina Simone in the biopic Nina, written and directed
by Cynthia Mort (Tell Me You Love Me).
Extras: Interview from 2005 with Moreau; archival interviews with Moreau, Malle, actor Maurice Ronet, and original soundtrack session
pianist René Urtreger; footage of Miles Davis and Malle from the soundtrack recording session; program from 2005 about the score featuring
jazz trumpeter Jon Faddis and critic Gary Giddins; Malle's student film «Crazeologie,» featuring Charlie Parker's song «Crazeology»; trailers; a booklet featuring an essay
by critic Terrence Rafferty, an interview with Malle, and a tribute
by film producer Vincent Malle.
Extras: New audio commentary featuring
jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&ra
jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction
by Giddins; new interview with musician and
pianist Michael Feinstein; four new video essays
by authors and archivists James Layton and David Pierce on the development and making of «King of
Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&ra
Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of
Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&ra
Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of
Jazz.&ra
Jazz.»
Language: English Genre: Comedy / Musical MPAA rating: PG - 13 Director: Damien Chazelle Actors: Emma Stone, Ryan Gosling, J.K. Simmons Plot: An aspiring actress who rubs elbows with big stars only
by delivering their lattes and a
jazz pianist barely making ends meet
by playing dingy bars form a quick bond.
Max, a former
jazz pianist who never quite made it, sits alone in a house haunted
by memories, mostly of his wife Eva (the great Claire Bloom) who has just died.
Watch
pianist Robert Glasper demonstrate how three samples from
jazz tracks
by Ahmad Jamal and Herbie Hancock served as source material for famed hip - hop producers J Dilla and Pete Rock.
Written
by Amy - Jo Albany from her 2003 memoir, director Jeff Preiss» Low Down chronicles the adolescent years of Amy - Jo (Elle Fanning) in 1970s Los Angeles, spent between living with her
jazz pianist / heroin addict father, Joe Albany (John H...
The Oval Restaurant offers seasonal Italian dishes, while the
Jazz Lounge presents LIVE at The Wellesley Knightsbridge, an evening of fine dining and live music but
by day Afternoon tea is served accompanied
by light entertainment from our resident
pianist.
Concert: David Virelles at
Jazz Standard On Gnosis, the full - length album on ECM Records from Cuban - born
pianist David Virelles in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed
by contemporary improv and classical music.
The work is a collaboration between the artist Joan Jonas and the
jazz pianist and composer Jason Moran and will take place inside the exhibition Light Time Tales,
by Joan Jonas curated
by Andrea Lissoni (on view until 1 February 2015).
The experiences of Iraq and Afghanistan war veterans will be illuminated in this multimedia work created
by MacArthur Fellow and
jazz pianist / composer Vijay Iyer and poet / librettist Mike Ladd, in combination with a publication of local veterans» writings produced through a partnership with the veteran - focused arts organization Warrior Writers.
According to an obituary
by William Grimes in The New York Times published on December 10, she was just 17 when she eloped with Jack Freilicher, a
jazz pianist who played with the Army band at West Point during World War II.
Wander through Glyndor Gallery and find plenty to edify body and soul in The Shop and The Café, including informal piano performances in the Mark Twain Room of Wave Hill House — the sets will range from classical and
jazz to show tunes and works composed
by the guest
pianists.
The UK premiere of the performance Reanimation
by artist Joan Jonas and
jazz pianist and composer Jason Moran in Southwark Cathedral.
A new performance conceived and directed
by the artist with newly composed music
by Jonas's longtime sound collaborator, the American
jazz pianist and composer Jason Moran, took place on three evenings in July at the Teatro Piccolo Arsenale.
A new performance
by the artist is also planned for Venice in July 2015, with new music
by Jonas's long - time collaborator Jason Moran, American
jazz pianist and composer.
Collaborator Jason Moran, a composer and
jazz pianist, joins Mehretu in the studio to create a musical arrangement inspired
by her improvisational process of markings and erasure.
Pianist / composer Edward Simonʼs music brings Venezuelan song forms and rhythms into
jazz in a four - movement piece commissioned
by Chamber Music America.
A composer,
jazz pianist, and artistic director of
jazz at the Kennedy Center, Jason Moran's career is distinguished
by collaborations with visual artists.
«the come to us without a word» is animated
by a soundtrack designed
by jonas, using excerpts of music
by long - time sound collaborator, american
jazz pianist and composer jason moran, with songs
by norwegian sami singer ånde somby.
So a
jazz musicians improvisation, or an improvised cadence
by a concert
pianist, is copyright protected if it is recorded on request or with permission of the performer, it's illegal to record it without permission, but there is no copyright protection if I'm in the audience and memorise it and write it down or play it and record it at home?
Making that film included witnessing a creative miracle: a
jazz score created
by a gifted blind saxaphonist improvising in response to a sighted
pianist, first in a church and later in a sound studio.