Sentences with phrase «by key scenes»

The Coen Brothers» «Blood Simple» (1984) was a dark affair, full of shadows and pinpoint light, its noir imagery seared into memory by key scenes of nightmare - inducing violence.

Black Panther co - writer / director Ryan Coogler wanted to include a Spider - Man villain in the upcoming film - Kraven the Hunter, inspired by a key scene in Christopher Priest's Black Panther run.

Not exact matches

«It also delivers on some of the key attributes most appreciated by global travelers today — unspoiled natural environments, dynamic cities, creative food and art scenes.»

You could shoot a trailer by getting key scenes captured on tape.

Each suggestion is countered by a quotation of Scripture; by a quotation, to be precise, from the Book of Deuteronomy.11 Let us then look there for a key to the meaning of the scene.

Globalization strategies by the major transnational organizations now dominate the corporate scene, leading to a narrow specialization in key sectors.

Fully satisfied by the town's low - key vibe combined with its fun and interesting food scene and nightlife, we agreed that any future Southern California get - togethers would have to include a trip to Temecula Valley.

Diop has burst into the scene this season, establishing himself as a key part of the Toulouse backline and the 19 - year old has been touted by many in France to become a star in the coming years.

Fourth, by conducting exclusive and extensive interviews with the key protagonists, Hardy is able to give the reader privileged behind - the - scenes access.

A key vote by a European Parliament committee has set the scene for a battle royal over the toughest technical proposals yet to threaten European motorcyclists say the BMF.

The TV Diversity Tax Credit bill, which would provide incentives for hiring minority and women in key behind - the - scenes roles comes as the entertainment industry has been rocked by a flood of complaints about sexual harassment of women.

But in contrast to Chagnon's focus on warriors» reputations, Macfarlan found that the key advantage held by unokais was that they «are plugged into this social scene» that allows them to make strong alliances outside of their immediate paternal family, often in different villages.

One of the studies, led by Professor Noah Fierer, a co-author on the new study, brought to light another potential forensic tool — microbial signatures left on computer keys and computer mice, an idea enthralling enough it was featured on a «CSI: Crime Scene Investigation» television episode.

Between models prepping for hair and make - up, clothes being steamed, racks organized by outfits, meticulous notes outlining the smallest details, inspiration boards highlighting key features, and so much more, we're very excited to share a small glimpse of the behind - the - scenes of an event that takes months to plan with her.

This year is a bit different, maybe because I am getting older or something - BUT the whole night scene: dancing, singing and putting my hands around strangers as we swag back and forth singing Auld Lang Sync just doesn't sound like my kind of thing, instead this year I am keeping things a bit low key and having a nice fancy dinner with friends, followed by great conversation and wine, of course - as we countdown with Ryan Seacrest and Carson Daly on TV.

You can dive into the dating scene by buying someone a drink or giving a compliment to a stranger in the low - key atmosphere of a bar.

The scenes between him, Wilkinson and their clubby buddies are the film's best, although two key speeches written for Hunt, significant diversions from the original play, are brave efforts by Himelstein to bring meaning to the adaptation.

The key to his character is found in his first big scene, in a nightclub frequented by Nazi officers.

One of the film's key scenes shows the village assembly in Hirut's area carefully debating her case, and when Meaza attempts to leave a meeting with Hirut's parents without staying for a meal, she is brought up short by a mother who insists, «you must not forget our culture.»

The recreations of key scenes from that kitsch classic are shot with stunningly tacky verisimilitude and played to the scrappy hilt by an up - for - anything cast, including Zac Efron, Ari Graynor, Josh Hutcherson and Jacki Weaver.

Moments of levity releases a bit of that tension at key moments before building again, by way of scene stealer LilRel Howery as Chris» best friend and TSA agent.

One thing the final act can not sully is the sublime score by Michael Patton, with its echoing keyboard effects conjuring a romantic melancholy that electrifies many of the film's key scenes.

At first, Panahi announces that he is going to act out some scenes from the film he was planning to make at the time of his arrest — a Romeo and Juliet — esque love story involving a girl herself kept under lock and key by her strict parents.

The movie, directed by yet another Key & Peele alum, Peter Atencio, is at its best during action scenes, or any time the camera cuts to Keanu...

But by weekend, he is Iron Age warrior Readmund the Just, a key player on Worcester's battle re-enactment scene.

Glitter - filled, chaotic, and often bizarre (one key emotional scene is acted out by two young girls playing with Barbie dolls, a nod to Haynes» earlier Superstar: The Karen Carpenter Story), Velvet Goldmine nevertheless possesses a wonderfully observed humanity to go with its aggressive experimentalism.

In one key scene between the two, Milo talks about how their father (who not - coincidentally ended his own life by jumping off a bridge many years ago) once told him when he was a boy that the kids who were popular in high school were only going to see their lives go downhill from there while Milo would flourish once he was able to step out into the real world — the heartbreak comes when Milo, holding back tears, states that he was the one it never got better for.

Let down by a script that doesn't follow through, and missing two key scenes, it's still worthwhile viewing on a rainy Saturday afternoon.

In our discussion we explore key sound scenes including the opening title sequence, alien creature vocals and ship by's and how the sound and music team achieved a sense of confinement for the films characters.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

He puts his gritty staple on some key and entertaining scenes including an opening that includes the sexy Cruz being pleasured by manly Fassbender however, those are not enough to make up for the film's obvious missteps that include mundane dialogue and unclear character beats.

Yet they and the rest of the cast (look for cameos by Gena Rowlands, in the nightclub scene; Cassavetes, protecting Lelia from a Forty - second Street masher; and Seymour Cassel, getting gut - punched by Ben) are indelibly associated with Shadows, where they seem as real as the preserved cityscapes that are a key pleasure of the movie.

Features relaxed commentary by director Lone Scherfig and actors Carey Mulligan and Peter Sarsgaard (who spend as much time reminiscing over the shoot and appreciating key moments as discussing the production and the characters), a nine - minute making of featurette (which also includes interviews with screenwriter Nick Hornby and author Lynn Barber) and 11 deleted scenes among the supplements on both DVD and Blu - ray.

The muse for the character of Danny (played by Manchester by the Sea's Lucas Hedges), a skinny kid with a good singing voice from an upper - middle - class Irish Catholic family, was Gerwig's high school boyfriend, Connor Mickiewicz, who remembers making out with her in the McKinley Park rose garden, inspiring a key scene in the movie.

In a first for the Sonic franchise, a character the player creates will be a key part of the story, appearing not only in cut scenes, but by being a crucial element in helping Sonic reclaim the world from Eggman's domination.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The score by Danny Elfman and Bryan Tyler is spectacular and orchestrated very well in key scenes.

To everything there is a season, and to the donut shop that serves as the location for some key scenes in the 2015 indie hit Tangerine (a.k.a. «The iPhone movie»), the season has turned to being bought by actor Danny Trejo and getting a new, bright pink paint job.

Season one remained true to the harsh and brutal world created by Martin — a man who's never been afraid to swing the sword in the direction of his major characters — and a good number of key players lost their lives in some of the series» most shocking and memorable scenes.

Each Blade composer has had to balance his scoring chores with songs cemented to key scenes and montages: Mark Isham went for a brooding synth and orchestral blend that managed to smoothly weave in and out of the pumping songs laid over the main battle sequences; and Marco Beltrami's large orchestral score was tweaked by Danny Saber and buoyed by a similar number of songs.

Later backstage, Varda, flanked by JR and her daughter Rosalie, who produced the film, was asked if French director Jean - Luc Godard, part of a key scene, has yet seen the film.

Universal Studio's DVD release of the Skeleton Key fleshes out the production's details with a commentary by Director Iain Softley and deleted scenes (also with commentary by Director Iain Softley).

The Bourne Identity is brilliant filmmaking, a testament to the editor's craft (Saar Klein) scored by a wise low - key techno - orchestration by composer John Powell that speaks to Liman's knack for using music to augment a scene (while leaving it unobscured) rather than narrate it.

Thomas Newman's score isn't put to its best use, as it swells in inopportune moments, even managing to overwhelm a key and fantastic scene by Rylance.

Though she only appears briefly, Negasonic Teenage Warhead returns for a few key scenes in the film and during one in particular, she comes out as queer by introducing Deadpool to her girlfriend, Yukio.

Performances are the key to this slight Allen outing, with strong comedic performances by the female actresses, Ullman and May (California Suite, A New Leaf); the latter actress is the real crook, stealing most scenes she's in.

Features commentary by Shelton with the stars and key members of her production team, a featurettes and deleted scenes.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

For an antique - lace gown worn by Reynolds» muse Alma (Vicky Krieps) in a key scene, Day - Lewis / Woodcock chose the color, a pale mauve.

Compared to the fantastical worlds that were created for earlier films such as Toy Story, Monsters, Inc., and Finding Nemo, which were all inspired by elements of our world, The Incredibles took place entirely in locales where humans were the key characters, and the scenes were shot from the perspective of humans.