Sentences with phrase «by language generation»

You only have to look as far as surgical robots, news articles and reports written by language generation software, to see this trend in practice.

Not exact matches

Our successful entrepreneurs overcame reservations about their long - term viability by selling concrete performance characteristics — faster chips and fourth - generation language software, for instance — rather than intangible attributes like a tangier sauce or more evocative perfume.

The state, and the republican school in particular, must play its role in transmitting this inheritance to each new generation and to immigrants by assuring mastery of French language, literature, and history, and socializing students into the French way of life.

I have to leave my immigrant church, a concern for first generation congregations who saw and still see churches as a both a strategy and physical space to connect generations divided by language, education, power, and levels of assimilation through faith.

At the time of the Old Testament, God's Covenants were in place for His people of the time, as revealed first verbally from generation to generation, then when Hebrew became a written language, by Moses and the prophets, and through all time the intended audience knew as much about their condition and need for salvation as God wanted them to know at the time.

Whereas the Niebuhrian generation was concerned that what is said theologically make sense in the intellectual climate shaped by modern thought, the new approach is to recognize that all thought is a function of language, and that all language is culturally specific.

If hers is in some respects an argument against what feminism has become, she does not — as some women of her generation have, to the delight of some men — reject the language that sees women as victimized by our culture.

If her training eventually pulls her back into her professional role so that she is able to study her reactions, she may notice that she has been led to picture the story of humankind as being played out solely by males: inventing language, passing it on to the next generation of sons, inventing pottery for use as containers, fashioning needles in order to make better clothing.

In addition, at least some of the New Testament writings were intended for liturgical use, and liturgical language emphasizes the continuity of Christianity by preserving archaic expressions — which are sometimes, though not often, incomprehensible to later generations.

They're trying to create a new generation of Labour voters by wrapping left - wing policies in centrist, or even right - wing, language.

«Therefore, we call on government to allow the current generation of school children in England to enjoy language, to be empowered by their skill in it, and not to become tangled in rules which have no application outside the narrow confines of a National Test.

The Word Generation team will continue moving forward, greatly encouraged by the preliminary evidence suggesting the effectiveness of the program, and its particular value for language minority learners.

The priorities and language of reformers — achievement gaps, no - excuses schools, social justice, and the «civil rights issue of our generation «-- betrays a focus on fixing schools attended by urban, low - income families of color.

The school reform efforts of the past generation have been dominated by the language of human capital deployment, with too little attention given to human capital development.

Developed by Catherine Snow and Claire White, Word Generation is a research - based vocabulary program for middle school students that teaches words through language arts, mathematics, science, and social studies classes.

The ELP Standards were developed by CCSSO, WestEd, and the Understanding Language Initiative of Stanford University, and correspond to the Common Core State Standards (CCSS) in English language arts and mathematics, and the Next Generation Science Standards.

Styled entirely in - house by the Aston Martin design team led by Chief Creative Officer Marek Reichman, and with a design language hinting at the next generation of Aston Martin sports cars, this supercar is powered by the most potent iteration yet of the company's naturally - aspirated, 7.0 - litre V12 petrol engine.

When the first — generation Quattroporto which means «Four doors» in the Italian language was launched in 1963, it was the fastest such car in the market and it became the perfect long distance for a jet set bothered by sky rocketing fuel prices nor the speed limits.

The second - generation A7 will be one of the first models to adopt the brand's new design language previewed by the Prologue and other concept cars Audi has showcased over the past three years.

Acura says its forthcoming third - generation RDX will be the brand's first model to «fully embody» the design language introduced by the Acura Precision Concept in Detroit two years ago.

The sixth generation Hyundai Elantra looks sportier adopting the Fluidic Sculpture 2.0 design language and has grown by 20 mm in length and 25 mm in width over the outgoing model.

At the Tokyo Motor Show, Mazda is introducing the KAI CONCEPT compact hatchback (earlier post), powered by the next - generation SKYACTIV - X spark - controlled compression - ignition (SPCCI) gasoline engine (earlier post), SKYACTIV - Vehicle Architecture and a more mature expression of the KODO design language.

The Viziv concept — inspired by the phrase «vision for innovation» — gives us our first insight into Subaru's future crossover design language that is destined to distinguish a range of next - generation SUVs and all - new models from the Japanese manufacturer.

Information added to the first generation Legend was compiled from a 1986 Japanese language Honda Legend brochure, a Japanese market Honda Legend Press Information brochure dated October 22, 1985, a Japanese market Honda Legend Wing Turbo brochure, a European market brochure dated model year 1987, and a North American Acura Legend sales brochure dated 1986 by American Honda Motor Company.

Her beautiful language, intricate plotting, fascinating characters, and intellectual energy make her debut by far the most interesting work yet from her generation.»

Among some of the themes explored are cultural vs. personal identity, self - actualization as the quintessential American Dream, development of individuality vs. sacrifice for family and future generations, and the creative process in a foreign language... as well as the perils of success found by sticking to the familiar.

But English and Chinese will by then be the languages of the older generation, with Arabic taking the lead among the young.

On the Korean language Samsung Tomorrow blog hosted by the conglomerate, the manufacturer of the Galaxy series of devices has confirmed that the first generation of the Galaxy S series as well as the first Galaxy Tab will not be able to updated to Android 4.0 due to the lack of onboard RAM / ROM available to -LSB-...]

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

«We had to have a new image and a new kind of language to appeal to a younger generation of women,» recalls one of the founding Guerrilla Girls, who goes by «Liubov Popova.»

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

In this installment of our interview focused on non-objective abstraction, a visual language chosen by Alma Thomas, Beauford Delaney, Charles, Alston, Sam Gilliam, Harold Cousins and other African American abstract artists of the so - called «first generation.»

It shows that the languages of abstraction have remained urgent, relevant and critical, revisited and reinvented by subsequent generations of artists over the last fifty years, and that they continue to provoke contemporary practitioners into dialogue.

Brand New Gallery departs from these assumptions to present Beyond the Object, a group show appositely conceived to combine works by artists with disparate backgrounds and from different generations, inevitably forced to confront themselves with production, exploring the interaction between composition and form which radically becomes an archetype endowed with its own language.

The 1940s was a decade of artistic transition; narrative surrealism as exemplified by Salvador Dalí and Renè Magritte was no longer relavent, and a younger generation of American artists searched for a new visual language.

By harnessing the visual language of Abstract Expressionism and connecting it to the energy of all - encompassing nature, Mitchell circumvented the more solitary, emotional aspects of the genre and successfully paved the way for future generations of painters interested in universal expression.

Bad Influence presents works by Gretchen Bender, Ashley Bickerton, Wim Delvoye and Jonathan Lasker symptomatic of a certain 80s generation of artists who simulated and abstracted the visual language of consumerism to rupture traditional media circuitry.

Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

By omitting older artists and references to earlier waves of feminism, NSFW implies that previous generations of women artists somehow failed to create a «bold new visual language of desire, breaking expectations and social norms to be nakedly afraid.»

And Maypole (Take No Prisoners)(2007), by fellow Protest artist Nancy Spero, might be this generation's Guernica: a howl of pain and anger distilled into a direct visual language that feeds into a historical continuum of the human cost of war — the visual articulation of horrified disbelief.

A major new exhibition presented by Tate Liverpool in summer 2011 will reveal the inspiration behind the artist's unique style, highlighting how his practice continues to influence later generations of artists, resonating beyond Surrealism to inform the language of pop and conceptual art.

With their formal rigor and minimal materials, Ugarte's work references the pared - down pictorial language used by the revolutionary dreamers of art generations past.

Selected by British painter Daniel Sturgis, it considers how the languages of abstraction have remained urgent, relevant and critical as they have been revisited and reinvented by subsequent generations of artists over the last 50 years.

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The last chapter in the saga of Western civilization's great global warming hoax may well be written in another society, by another generation, and in another language.

Wright is very convincing on the fact that apocalyptic language of disaster — the sun and moon falling into the sea, all that kind of thing — was never intended to be about the end of the space - time universe (as has often been assumed by later generations) but is a metaphor for forthcoming socio - political change and tumult.

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Like its legal AI counterparts in France, it is, fundamentaly: a. a new generation search engine, which uses natural language processing powered by assisted machine learning and semantic analysis.

Natural language generation: this is somewhat new; instead of understanding language, i.e. taking unstructured data and trying to apply structure to it, natural language generation does the opposite; the machine takes structured data and tries to create something else, some «writing» that looks like it was written by a human.