Sentences with phrase «by leading art critics»

Not exact matches

Tom Hooper, «The King's Speech» Year: 2010 Cast: Anthony Andrews, Helena Bonham Carter, Jennifer Ehle, Colin Firth, Michael Gambon, Derek Jacobi, Guy Pearce, Geoffrey Rush, Timothy Spall Director: Tom Hooper Distributor: Momentum Pictures Premiere history: Sept. 6, 2010 Telluride Film Festival; UK - wide release Jan. 7, 2011 Other awards won: British Academy Film Awards (BAFTA) Best Film, Outstanding British Film, Best Actor in a Leading Role (Colin Firth), Best Original Screenplay; British Independent Film Awards, Best British Independent Film, Best Actor (Colin Firth), Best Screenplay; Critics» Choice Awards Best Actor (Colin Firth), Best Original Screenplay; Golden Globe Award Best Actor Motion Picture Drama (Colin Firth); Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, Best Actor (Colin Firth) Other Oscar nominations: Best Actor Colin Firth (won), Best Director (won), Best Actor in a Supporting Role (Geoffrey Rush), Best Actress in a Supporting Role (Helena Bonham Carter), Original Screenplay (won), Best Original Score, Best Cinematography, Best Film Editing, Best Art Direction, Best Set Direction, Best Costume Design, Best Sound Mixing

«The King's Speech» Year: 2010 Cast: Anthony Andrews, Helena Bonham Carter, Jennifer Ehle, Colin Firth, Michael Gambon, Derek Jacobi, Guy Pearce, Geoffrey Rush, Timothy Spall Director: Tom Hooper Distributor: Momentum Pictures Premiere history: Sept. 6, 2010 Telluride Film Festival; UK - wide release Jan. 7, 2011 Other awards won: British Academy Film Awards (BAFTA) Best Film, Outstanding British Film, Best Actor in a Leading Role (Colin Firth), Best Original Screenplay; British Independent Film Awards, Best British Independent Film, Best Actor (Colin Firth), Best Screenplay; Critics» Choice Awards Best Actor (Colin Firth), Best Original Screenplay; Golden Globe Award Best Actor Motion Picture Drama (Colin Firth); Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, Best Actor (Colin Firth) Other Oscar nominations: Best Actor Colin Firth (won), Best Director (won), Best Actor in a Supporting Role (Geoffrey Rush), Best Actress in a Supporting Role (Helena Bonham Carter), Original Screenplay (won), Best Original Score, Best Cinematography, Best Film Editing, Best Art Direction, Best Set Direction, Best Costume Design, Best Sound Mixing

MCA Monographs offer an ongoing visual record of today's freshest and most influential work, in all its far - ranging variety, in conjunction with thought - provoking essays by leading art historians and critics.

Together these two experiments represent an artist - led rebellion against the market and its professional classes — collectors, dealers, curators, academics (and, yes, critics)-- that is best summarized by a Bruce maxim: «An art world built solely to feed the industry isn't an interesting place to live.»

Despite his lack of formal training, Dial took the art world by storm with his deft fusion of painting and sculpture, leading one art critic to declare that his work marked the end of so - called «outsider» art when it was shown at the Whitney Biennial in 2000.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Koart department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong KoArt Archive and the well - established Hanart TZ Gallery in Hong Kong.

Examining the photographs of these events, many snapped by Harry Shunk, we might find Saint Phalle's partner, Tinguely; art critic Pierre Restany; gallerist Jeannine de Goldschmidt; poet John Ashbery; her estranged husband, Harry Mathews, and their two children; various neighbors; and artists Daniel and Vera Spoerri, Hugh Weiss, Robert Rauschenberg, Jasper Johns, Ad Reinhardt, and Edward Kienholz, among others.16 Since Saint Phalle considered the sessions to be performance events, or «spectacles,» she amplified their theatricality by arranging for their media - documentation in photographs and short films that painstakingly disclose her methods.17 In addition to the before - and - after images of the firings, where Saint Phalle is often pictured striking defiant or bemused poses, other scenes reveal the creative process leading up to the event.

Her stripe paintings have been extremely well received by critics and even led to comparisons with renowned artists such as Gene Davis, the man responsible for the famed «Franklin's Footpath» in front of the Philadelphia Museum of Art, or National Medal of Arts recipient Agnes Martin.

Curated by Tim Marlow (Artistic Director, Royal Academy of Arts, London), Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

This engaging program is driven by interactive discussion and led by an exciting lineup of renowned scholars, critics, writers and artists who take an in - depth look at relevant topics and trends in the contemporary visual arts.

These works, which led to his characterisation as an «Abstract - Realist» by the critic Thomas B. Hess, were included in The Art of Assemblage at MoMA, which contextualised the Neo-Dada phenomenon in relation to Cubism, Dada and Surrealism.

Apart from the educational programmes and exhibitions, the Free Workshops art programmes include collective art actions, seminars and lectures by different experts in the field, round tables with the participation of leading contemporary artists, art critics and experts, all those who take an active part in the present - day art process.

He was the leading member of the French artistic Movement of Nouveau Réalisme founded in 1960 by art critic Pierre Restany.

explores the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic Sōetsu Yanagi and questions the presence of craftsmanship in contemporary art.

The exhibition explores the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic Sōetsu Yanagi and questions the presence of craftsmanship in contemporary art.

It refers to groups of artists and writers in the late 19th and early 20th centuries, specifically, those making and distributing art in a different way to their contemporaries; artists who self - consciously created «isms», were promoted by themselves or critics in little magazines and showed and sold their work in private galleries or artist - led exhibitions.

Documents contextualises the Works with original artists» statements and interviews, often reproduced in book form for the first time, plus writings on art and photography by leading critics, writers and theorists of the late twentieth century.

The program is led by an artist - director, and the faculty consists of Tyler's full - time faculty as well as visiting artists and critics, curators and art historians.

The program is artist - led by members of Tyler's full time faculty and by visiting artists, critics, curators, and art historians.

Starting his career as a street artist in downtown Manhattan during the late 1970s, by 1982 Basquiat had secured an international reputation among dealers, critics and fellow artists, thus cementing his transition from an itinerant high school rebel to a leading figure of the contemporary art scene.

The SPQ program is led by Greg Sholette, one of the most accomplished critics and artists working on contemporary socially - engaged art.

Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curatArt and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curatart critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.

Maquette, a multiservice operation that provides transport, packing, storage, shipping, and assistance with installation, has a fine pedigree, having been founded in 2011 by a head preparator for Pace / MacGill Gallery and a lead art handler for Paul Sipos, a 1970s - era art - handling pioneer who counted composer Philip Glass and critic Jerry Saltz among his early employees.

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

Beat the crowds an hour before opening and enjoy an exclusive, private tour led by The Chronicle's art critic, Kenneth Baker.

Báez was selected by a jury of art experts, who looked at nominations submitted by leading curators, critics, gallerists, historians and teachers from all over the country.

Pinelli was one of the leading artists of Analytical Painting, defined by art critic Filiberto Menna; he characterized the interest in the material components of the painting and the relationship between the painting itself.

He was the leading member of the French artistic movement of Nouveau Réalisme founded in 1960 by art critic Pierre Restany.

Frieze Masters Talks Curated by Tim Marlow (Artistic Director, Royal Academy of Arts, London), Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

It was so heavily criticised by John Ruskin, the leading art critic of the time, that Whistler sued him for libel.

This Milan exhibition — which is opened together with the MiArt 2011 edition — is one of the largest anthological exhibitions dedicated to the renowned American artist, who is considered by the critics worldwide as a leading figure in recent history of video art, and is referred to as the initiator of video sculpture.

In addition to publishing a 448 - page reader that included interviews, magazine articles, and book excerpts by leading scholars, critics, and the artists themselves, the PMA also co-hosted a symposium on this exhibition with the art history department at the University of Pennsylvania.

Judd is regarded by many art critics as one of the greatest American sculptors of the contemporary era, and a leading spokesman for the minimalist movement.

Exchanges with foreign art organizations, lecture evenings by leading theorists, critics, and artists, and exhibition newsletters round out the program.

Seminars, site visits, individual meetings, and roundtable discussions will be led by the following faculty: Bruce Altshuler (Director, Program in Museum Studies, New York University), Holly Block (Executive Director, Bronx Museum of the Arts, New York), Nicholas Cullinan (Curator of Modern and Contemporary Art, Metropolitan Museum of Art), Reem Fadda (Associate Curator of Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Agustín Pérez Rubio (independent curator and art critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among otheArt, Metropolitan Museum of Art), Reem Fadda (Associate Curator of Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Agustín Pérez Rubio (independent curator and art critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among otheArt), Reem Fadda (Associate Curator of Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Agustín Pérez Rubio (independent curator and art critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among otheArt, Abu Dhabi Project, Solomon R. Guggenheim Foundation, New York), Kate Fowle (Chief Curator, Garage, Moscow, and Director - at - Large, ICI), Dóra Hegyi (Project Leader, tranzit.hu, Budapest), Todd Levin (art advisor), Agustín Pérez Rubio (independent curator and art critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among otheart advisor), Agustín Pérez Rubio (independent curator and art critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among otheart critic), and Jenny Schlenzka (Associate Curator, MoMA PS1, New York), among others.

Herbert Read, an art historian, poet, literary critic and philosopher who founded the Institute of Contemporary Arts (ICA) in London, also joined the committee, which was led by Sir Lionel Faudel - Phillips (Chairman), and comprised of Campbell Dodgson, Lawrence Haward, the Earl of Sandwich and Alfred Longden (Secretary).

This work has been led by art historian, critic and curator, RoseLee Goldberg, whose unique approach to the role of Founding Director and Curator of Performa has initiated expanding knowledge and understanding of this important area of cultural history.

At the beginning, there was an intellectual consensus led by Clement Greenberg, art critic for the Nation, that art history was a progression of insight from the enlightenment forward, culminating in even and flat abstract painting.

Curated by Tim Marlow, Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

It contains 33 wide - ranging essays by leading art historians, art critics, curators, artists, playwrights and academics.

It will include a new interview with the artist, giving insight into his inspiration and motivation, as well as including essays by leading critics that examine the remarkable achievements of an artist at the forefront of the contemporary art scene worldwide.

The MoMA show, which featured an untitled hanging wire sculpture by Asawa from circa 1955, led The New York Times critic Holland Cotter in his review to assert «the reality that work by women, feminists or not, was the major inventive force propelling and shaping late - 20th - century art.»

Led by art professionals and Bronx Museum Executive Director, Holly Block, our trips have been praised by the travelers, artists, curators, and critics who participate and inspire engaging dialogue that continues long after they end.

The gallery has published more than one hundred twenty - five exhibition catalogs with scholarly contributions by leading art historians, artists or critics; authors have included Hilton Als, David Anfam, Debra Bricker Balken, Isabelle Dervaux, Joseph Jacobs, Leslie King - Hammond, Sam Hunter, Susan C. Larsen, Gail Levin, George Lipsitz, Whitfield Lovell, Robert Morgan, Francis V. O'Connor, Carter Ratcliff, Arlene Raven, Martica Sawin, Barry Schwabsky, James Siena, Lowery Stokes Sims, Elisabeth Sussman, Stephen Westfall, and John Yau.