As far as any objective quality of writing, editing, or finished product is concerned, I'd gladly pit my book against those in the same genre published
by legacy publishers in the past few years.
Not exact matches
The
Legacy Media Award, conferred
by ACAM president Jeanne Drisco, MD, was accepted
by Townsend Letter
publisher and editor -
in - chief Jonathan Collin, MD, with his wife, Deborah, daughter, Affinity, and son, Sam, joining him at the podium.
Are
legacy publishers and professionals so threatened
by self - published authors that this level of effort goes into picking apart an argument
in favor of indie authors?
If one purchases a novel, whether
in print or electronic form, and enjoys it, does it really matter if it was vetted and published
by a
legacy publishers or whether it was indie published?
According to Stark, the convenience and speed - to - market enabled
by the tools Lulu provides for self - publishing make it possible for a small, savvy
publisher like Shelf to «plant its flag
in an industry niche that the small
publisher has the flexibility and agility to exploit
in a way that «
legacy»
publishers can't.»
How is the print / paper / binding quality of the Createspace books
in comparison to the ones published
by the
legacy publishers?
The one - day conference will also feature Kaya Thomas, founder and developer of We Read Too, a book resource application that showcases a directory of hundreds of children's and young adult fiction books written
by and for people of colour, alongside other sessions on keeping up with digital natives, sneaking
in innovation at a
legacy publisher, and much more.
And let's not forget the
publisher who pulled an entire line of books after Fifty Shades of Grey took off (which, btw, was first self - published and is NOT well - written or edited, even after being picked up
by a
legacy publisher) to make sure all its covers told readers that these were books
in the vein of FSOG?
This week's head - to - wall experience began
by reading an article
in one of our local papers about the trouble our libraries are having with
legacy publishers over e-books.
In the «duh» department, we have the following quotes about e-book royalty rates paid
by legacy publishers:
Yet,
legacy publishers continue to shoot themselves
in the foot
by doing their best to keep a major outlet for e-books tied up and out of the hands of readers.
So I stand
by my statements
in the post
in question, and
in others, that e-books are more than a flash
in the pan and deserve greater attention from
legacy publishers.
I think we're
in a period
in which the
legacy publishers are doing us a great favor
by pricing ebooks too high.
It seems to me that any rational pricing strategy
by smaller (and indie)
publishers would snuggle
in beneath
legacy publisher prices.
I believe my sweet spot per - unit price (the per - unit price that, multiplied
by volume, results
in maximum revenues) is around five dollars, and
legacy publishers won't price new digital titles that low (
in fact, they went to war with Amazon over Amazon's $ 9.99 price point, which they judged too low).
But I do feel we are all missing on the benefits to be derived from the Big Five or small, respected
legacy presses, if we don't realize that the
legacy publishers offer something more than a contract and royalties: they offer a chance to be reviewed
by independent professional critics
in the mainstream media and to access all the prestigious prizes — and this should be also said loud and clear and I hope you dedicate a future post to this.